As is the case with most photographers, I have my usual go-to light modifiers that I know are a safe choice and can guarantee usable shots. However, sometimes, you need to step out side the box.

Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at PRO EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.

I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.

About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.

You don't need a ton of gear to produce dramatic portraits. By using focal length and lighting to your advantage you really can add so much more power to your images.

Take a 5.5-inch cube you can hold in your hands and imagine it can put out 30,000 lumens of daylight-balanced light. You change intensities and color temperatures not by switching out the bulb, but by switching out light cards. And if you could then snap the lights together via hidden magnets to double or quadruple your power, you'd now have the new Anthem One. You would be right to be wary of all the new products claiming to do everything better and at less cost than its competitors. But Anthem One isn't some Kickstarter project that will be delivered next year. It's already for sale and will ship in just a couple months.

For many, the 7’ parabolic umbrella seems like a one-trick pony. The textbook move of sandwiching the camera between the subject and the light for an edgy, high-key look is quickly growing old. In this video, commercial photographer Joel Grimes shows a different way of using the 7’ parabolic to create soft, high-key images best suited for beauty photography.

Shooting with a wide aperture for portraits with a shallow depth of field is a highly popular look, but when you are photographing in the sun with flash, you can run into impossible-to-solve exposure issues — impossible until you introduce some new techniques. This helpful video tutorial will show how to deal with strong sun in outdoor portrait situations to produce better images.

Artificial lighting enables new creative opportunities and versatility that simply would not be possible otherwise, and it is a skill every portrait photographer should consider learning. Speedlights are an affordable and straightforward tool for learning artificial lighting, and this fantastic video tutorial will show you three basic portrait setups you can create with just a single speedlight.

Knowing the importance of color matching strobes indoors is crucial when combining strobes and ambient lighting. Fixing mismatched lighting temperatures can be extremely difficult in post process. Ian Christmann, a commercial and lifestyle photographer discovered a method which will change your life.

Photography, like most crafts, has a number of strands to it. To become a master of the craft, there is a lot of ground to cover, but there are certain skills that will pay dividends for the rest of your career.

Macro photography is a very rich and rewarding genre, but it also comes with some of the most specific and specialized knowledge and equipment requirements of any photographic pursuit. If you are new to macro photography, check out this fantastic video that discusses a multitude of camera and light settings you need to know for macro photography.

Photographers and filmmakers alike need to understand the basics of controlling the exposure of an image. It’s one of the foundations of their crafts. Cinematographer Eve Hazelton does a wonderful job of explaining the five ways to expose an image in this short video where she also details the unique creative side effects that come along with each method. Newbies and seasoned professionals will both enjoy this simple and straightforward, yet inspired visual tutorial.

Spring has arrived, which means the time for gorgeous golden hour shoots in wonderful weather is nearly upon us. Sunset (and sunrise) are indisputably the most consistent crafters of amazing natural light for portraiture. The warm soft glow of the sun as it falls towards the horizon not only creates fantastic atmosphere but also some of the most flattering light that can be found. For portrait photographers the golden hour as the sun rises or sets is the perfect time to shoot.

Over the years as a boudoir photographer, I have noticed a theme when it comes to new shooters about the "restrictions" they come across. Countless times I hear or read, "I wish I could upgrade my gear," "I just do not have a commercial space," or my favorite, "I just cannot afford to have all those set ups." Well quite frankly, that is a load of bull.

“Bloody hell, it’s like having a bonfire in the middle of the room.” Andy Moir, an electrical engineer, recently hooked up a 20,000-watt lightbulb in his house, and 95 amps and 210 volts later, the results are astounding.

Last summer we flew Mike Kelley, one of my favorite architecture photographers, to Charleston for 3 weeks to film the 8 hour tutorial How To Photograph Real Estate, Architecture and Interiors . Mike's technique of light painting and compositing is so polished and time consuming that I assumed no Realtor would actually want to pay for it. I was wrong.

In this valuable tutorial Glyn Dewis takes a quick snapshot and shows you how to pull detail from highlights and shadows to make it a beautiful image. Dewis mentions some great workflow tips and tricks in Adobe Lightroom as well as how to bring your image over, non destructively, to Photoshop camera raw.

It’s a simple tip, but rewards you with more compelling images. Are you paying close enough attention to the details?

When a client hands a portrait photographer their hard-earned money, they want to see a photograph of themselves they feel great about. Light is a key aspect in producing such a photo, but how is a photographer supposed to choose which lighting style works for their client?

In recent years, Godox has become the go-to brand for many photographers looking for competitively-priced lighting products that are packed with features.

Advertising photographer, historical Fstoppers contributor and good friend of mine Blair Bunting today published a blog detailing exactly how he achieves his iconic images, specifically his popular football portraits. Blair has become known in advertising circles for his excellent use of rim light and kickers, and now you too can get this iconic look.

In the world of off-camera flash, there are two sides: the full manual side and the TTL (through the lens) side. I have always been on the full manual side, because when it comes to triggering a TTL flash off camera, things start to get complicated. In order to trigger the flash, you either need to have an expensive on-camera flash, an expensive TTL radio trigger, or a cumbersome TTL cable. Then, I found the affordable and feature-rich Yongnuo TTL system and instantly fell in love.

Don't worry, this video isn't about all about math. Rather, it aims to give you an intuitive understanding of one of the most fundamental laws of physics related to photography and shows you why it's so crucial to have a solid understanding of how it works.

When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.

Portrait photography is very diverse. While some enjoy the comfort of studio portraits and the flexibility it brings, others prefer the variety of backdrops the outdoors provides. While it is totally realistic to create all kinds of weather moods in the studio, it often involves a bigger budget, whereas one can achieve similar results for free by relying on the weather forecast and proper equipment choices.

When you think of lighting, you might think of splitting things between either natural light or artificial lights, but strobes can be a great way to balance out an exposure with varying levels of ambient light. This excellent video will show you how you can use a strobe or even just its modeling light to create great golden hour or nighttime portraits.

Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.

If you have ever wondered how to pose your subject for headshots but are stumped at the first hurdle or perhaps you're photographing someone who is not used to being in front of the camera, then these handy techniques will improve your outdoor portraits.

Paris-based French Photographer Dani Olivier has spent eight years refining a process for creating incredibly mesmerizing images by projecting intricate patterns of light onto nude models.

RGB LED lights are becoming more and more popular, for good reason. Have we finally got some affordable RGB tube lights?

Are you prepared to handle a session where the natural lighting conditions are difficult and there is no shade to turn to? Here are three techniques you can use to get beautiful photos in harsh conditions.

An LED light kit for video is something I've always wanted to own. After years of using hot ARRI and Lowel lights, and renting LitePanels when the budget allowed, I discovered a company called Zabolight that was making LED panels and other fixtures at a much cheaper price. I purchased a kit of these, and did some testing to see how they compared to other more expensive brands.

Flashpoint’s 14” Fluorescent Dimmable Ring Light ($140) is by no means a perfect product. It’s not the sturdiest of creations; it seems to have about as much metal in it as a pair of sunglasses. It’s bright but not powerful; bright enough to want those sunglasses if you find yourself on the business end. With all that said, this light may be the best value in the lighting market today.

You may have noticed during our studies of umbrellas and technique that we have been lighting everything in a very direct manner, illustrating some very basic techniques for you to test out with your own photos.

Those techniques will serve you well, and can be used to create beautiful photos. But it’s time to try something a bit advanced, something that will give you the ability to better control your umbrella light and impart your own style into the photo.

Unless you’re a well established fashion and beauty photographer with the support of an agent or a plethora of business acumen, you probably aren’t going to make much money when you’re first starting out in the business. This is why it’s important to learn how to be scrappy and work with less gear if you’re working on a budget. In these lighting tutorials, I’ll show you three easy-to-replicate fashion and beauty setups that fit almost every budget.

Lighting is equal parts art and science. The science part often comes in understanding how different surfaces absorb and reflect light and how that impacts the setup you'll require. This great video shows you three general situations and the unique considerations you must make in each of them to properly light your subject.

This is your chance to participate in the Flashlight challenge, prove you can make an amazing photograph with any light source, and have your photograph featured in an Fstoppers article all about you!

Making mistakes is part of learning, even if the criticism stings sometimes. And after seeing some of these common photography mistakes, I had to put my hand up and say, "guilty as charged." I guarantee you will too.

A fundamental lesson in photography is the exposure triangle. Learning about ISO, shutter speed, and aperture is something all photographers should do.

The Profoto A1 was supposed to be a revolution in speedlights (though the company refers to it as the "world's smallest studio light"), though it carried with it the typical Profoto price tag. The Godox V1 is a very similar light with a much more affordable price. How well does it work in practice? This great video review discusses just that.

Wouldn’t it be great to be able to walk into almost any photographic situation armed with a whole vocabulary of lighting techniques and be able to quickly select exactly the type of lighting you want for the main light of your photo? By understanding six key qualities of light you can create your own vocabulary of lighting to draw upon and apply for your desired effect in fashion photos, formal, and lifestyle portraits and beyond. Angle, Size, Distance, Shape, Duration, and Color are each qualities of light that photographers can combine and manipulate these qualities in setting the look of their photograph for impact beyond just illumination.

Hey, friends! I recently shot in a natural light studio and thought I would share some tips on indoor natural light for those of you who are interested. Enjoy!

When Canon and Olympus were experimenting with live view on their cameras in the mid-2000s, it seems almost comical now that they didn’t think to record video with the feature that already existed on their cameras. History is repeating itself, but this time with the lowly pop-up flash.

Shooting products against a pure white (255,255,255) background, can be achieved using the pen tool in Photoshop, but what if you want to find an alternative way to create the same stunning images, but without the hassle of spending so much time in post-production? Dustin Dolby from Workphlo, has created an insightful online tutorial which shows just how simple it can be to create this effect, with minimal gear and maximum time saved. With the help of a couple of speed lights, strategically placed white and black card and a kit lens, Dustin is able to demonstrate just how easy is can be to control and shape lighting, to achieve the desired effect.