A few months ago we released "Where Art Meets Architecture 3" with Mike Kelley, a photography tutorial that covers photographing hotels and resorts as well as the business of high-end architectural photography. For the past few months, we have also been releasing a behind-the-scenes series on the creation of this tutorial. Today we are finally releasing episode 8 which is also the final episode of this series.
Sometimes we photographers get caught up in things that we think will help our work: the latest camera, more powerful lighting, lighter tripods, etc. It’s easy to forget that keeping it simple and getting an idea executed properly is the most important part of what we do.
We have all come across a beautiful or interesting building in our life, it’s another subject of art. There are many architects that spend a lot of their time designing these amazing structures, and there’s even a whole genre of photography to capture and share the beauty in these buildings.
When Atlanta and their NFL franchise announced that they will be breaking ground to a new stadium, they wanted to shoot for the stars and redefine the benchmark. After nine years of planning and constructing the new stadium, Atlanta last night debuted their first big game at the Mercedes-Benz Stadium. While it's a magnificent piece of architecture, one feature in particular catches the photographer's eye more than others. Let's take a look!
When it comes to homes and designs like this, they need to be shown in a way that makes them unique. Emile Rafael from Nowness is by far one of the best at showing these homes and giving us a brief overview of why they are designed in such a way. Over the past year or so, I have shot for several real estate agents, seen many homes, and have learned to appreciate different things about each and every one.
HDR is a beautiful but rather complicated editing process, or at least that was the case until Aurora HDR was designed by Macphun and photographer Trey Ratcliff. It’s now become an effortless and unintimidating retouching technique to bring the most out of your architectural and landscape images. Today, the California-based developer announced the release of Aurora HDR 2018 and it promises to make HDR photography even easier and more fun!
Medium format systems are widely known as being the best, producing the most detailed and technically superior images. The lenses are supposedly the best available too, such as the 40mm from Rodenstock which is praised for its amazing performance. If you want the best in image quality, the widest dynamic range, and the deepest depth of field with the least amount of diffraction, then medium format is the answer... or is it? Is this simply perception? If you repeat something enough does it become fact? How many people who believe this to be true have actually tried and compared the best from medium format to the best available from full frame?
The Democratic People’s Republic of Korea (DPRK) has long warned tourists of “arrest and long-term detention.” Despite the threat, around 100,000 people visit the hermit kingdom annually. In 2016, Photographer Raphael Olivier was one of those people. Here we showcase some of his most surreal photos from the trip.
When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers. Having said that, there are occasions when you may want to push these lenses to their respective limits by shifting right to the edge. Sometimes the building you're shooting may be a little too close and the lens just isn't quite wide enough. In these circumstances getting the most out of your tilt-shift lens really helps. Doing this, however, creates a vignette in the image and due to tilt-shift lenses not having correction profiles, they can be tricky to remove in post.
If you've ever been out and about and taken a photo of a tall building with a wide angle lens, you've probably noticed a weird phenomenon in which buildings appear to be falling away from you or into the center of the frame. This helpful video will show you how to correct perspective distortion using only Lightroom.
With the launch of Mike Kelley's 3rd Architectural tutorial, we released eight new episodes of behind the scenes madness. In this episode, Mike continues shooting one of the most extravagant homes on the Mayan Rivera, Lee's nightmare trip becomes worse when he comes down with food poisoning, and I make the most of the situation and explore everything the coast of Mexico has to offer.
This method is widely used in editorial magazines. It's a fun way to look at different perspectives of your work combined. Sometimes it’s just not possible to capture everything you want in a single shot. The solution is simple – shoot two photos and display them side-by-side. I find that displaying two images side-by-side is a great way to tell a story photographically, and to create ideas that are not necessarily evident when one or the other image is displayed by itself. If you're interested in trying this technique with your own images, here are some of the tricks I’ve picked up along the way. Make small prints and lay them out on a large table to play the mix and match approach.