The first time I saw streaky clouds and silky smooth water, I knew I needed to learn how to do that. However, after buying my first neutral density filter, I realized it wasn't so easy to do. It was really hard to focus, and some photos were too dark, while others were too bright. And why were the middle of so many photos pink? Hopefully, this article will help you avoid some of the mistakes that I made as a long exposure beginner.
Los Angeles is a sprawling and forever-evolving metropolis that has tried on many faces over the years. That's never more apparent than in this short film, which pairs modern footage of the city with archival clips and syncs them, showing off just how much LA has grown and changed.
When it comes to shooting homes, Emile Rafael takes it to the next level. As a real estate photographer and videographer, I see the potential in shooting videos for agents; the only problem is they don't typically want to pay much, and they need things turned around fast. This is something where the agent could be taking a risk and receiving a quality product, but it does not seem to be so common.
Flying a drone indoors is always a challenge. You have to remain absolutely calm and collected, and generally, I highly recommend not flying a drone indoors, especially if you're new to them in general. That's also the warning that Filmmakers Guillaume Juin and Joris Favraud give anyone wanting to recreate this feat. They are a pair of rather brazen drone operators if I've ever seen any, coming together to form their company BigFly. Normally, the risk of flying a drone inside of a structure is already high, but usually, the highest risk is to the safety of your equipment, as the ease with which your drone could come into contact with any number of disastrous endings is increased exponentially.
The Fstoppers team has been working on a new project with Mike Kelley. While we're with him, we wanted to give some of our readers the chance to have their architectural images critiqued by one of the best in the field. Join us for our next episode of Critique the community by submitting some of your pictures below in the comments. We will be selecting a total of 20 images to give feedback to. See the instructions below to submit your images correctly.
In a quaint suburban neighborhood south of Sydney, Australia stands a three bedroom brick home that looks like any other at first glance. It is sharp and modern. The image is bright and vibrant and definitely eye catching. At a quick first look, it is a pretty standard image of the facade of a home. The detail that isn't featured in this image is what has the entire real estate industry buzzing. A simple Google search of the home brings up a much different representation of the property. Which begs the immediate question; how far is 'too far' when using photo editing software to edit real estate imagery?
Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.
Right-o! Let's jump in our "wayback machine" to London, England in the late 19th century to witness some of the oldest known video footage, not only just of the city, but in all of human history. I'm a sucker for finding the earliest cinema and photography have to offer, and if you are too, then click on.
Flatland is a project created by the Turkish photographer Aydın Büyüktaş. These images resemble scenes from the hit movie Inception, where the city seamlessly curves upward into the sky. Each image takes months of planning, and because of the complex scenery, Aydin must constantly reshoot locations in order to get the perfect alignment.
Over a year ago, after having discovered his work a year before that, I felt it necessary to introduce Fstoppers' readers to photographer K. R. Whitley, the world traveling wilderness/landscape and urbex artist. Since then, Whitley has traveled even more and expanded his work in some bold, new directions. I brazenly invited him to an interview at my house, and thankfully he agreed.
We've become quite accustomed to unpermitted retouching damaging the reputation of photography competitions. In particular, press photography is especially susceptible to this. Strict rules on maintaining the sanctity of reality combined with environments in which outside factors frequently affect the ability to achieve clean and pleasing competition often beget a strong temptation for photographers to doctor images. However, such manipulation has now become an issue in a genre in which one normally does have the luxury of time and compositional choice: architecture.