HDR is a beautiful but rather complicated editing process, or at least that was the case until Aurora HDR was designed by Macphun and photographer Trey Ratcliff. It’s now become an effortless and unintimidating retouching technique to bring the most out of your architectural and landscape images. Today, the California-based developer announced the release of Aurora HDR 2018 and it promises to make HDR photography even easier and more fun!
Medium format systems are widely known as being the best, producing the most detailed and technically superior images. The lenses are supposedly the best available too, such as the 40mm from Rodenstock which is praised for its amazing performance. If you want the best in image quality, the widest dynamic range, and the deepest depth of field with the least amount of diffraction, then medium format is the answer... or is it? Is this simply perception? If you repeat something enough does it become fact? How many people who believe this to be true have actually tried and compared the best from medium format to the best available from full frame?
The Democratic People’s Republic of Korea (DPRK) has long warned tourists of “arrest and long-term detention.” Despite the threat, around 100,000 people visit the hermit kingdom annually. In 2016, Photographer Raphael Olivier was one of those people. Here we showcase some of his most surreal photos from the trip.
When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers. Having said that, there are occasions when you may want to push these lenses to their respective limits by shifting right to the edge. Sometimes the building you're shooting may be a little too close and the lens just isn't quite wide enough. In these circumstances getting the most out of your tilt-shift lens really helps. Doing this, however, creates a vignette in the image and due to tilt-shift lenses not having correction profiles, they can be tricky to remove in post.
If you've ever been out and about and taken a photo of a tall building with a wide angle lens, you've probably noticed a weird phenomenon in which buildings appear to be falling away from you or into the center of the frame. This helpful video will show you how to correct perspective distortion using only Lightroom.
With the launch of Mike Kelley's 3rd Architectural tutorial, we released eight new episodes of behind the scenes madness. In this episode, Mike continues shooting one of the most extravagant homes on the Mayan Rivera, Lee's nightmare trip becomes worse when he comes down with food poisoning, and I make the most of the situation and explore everything the coast of Mexico has to offer.
This method is widely used in editorial magazines. It's a fun way to look at different perspectives of your work combined. Sometimes it’s just not possible to capture everything you want in a single shot. The solution is simple – shoot two photos and display them side-by-side. I find that displaying two images side-by-side is a great way to tell a story photographically, and to create ideas that are not necessarily evident when one or the other image is displayed by itself. If you're interested in trying this technique with your own images, here are some of the tricks I’ve picked up along the way. Make small prints and lay them out on a large table to play the mix and match approach.
Last year, right around this time, Patrick and I booked a flight to Mexico to film Mike Kelley photographing the most expensive house ever sold in Playa Del Carmen. It certainly had the potential to be an incredible trip. The day before we were set to leave I decided to go out kiteboarding and I ended up breaking my tibia internally at my knee. For some reason I still went to Playa Del Carmen the next day.
The third episode of Mike Kelley's Behind the Scenes series from his architectural tutorial is now live. In this episode, Mike shows you how you can turn an overcast day into a sunny afternoon, how to photograph a resort from a helicopter, and also teaches you an effective way to make a hotel lobby look more inviting. You can also watch as the Fstoppers crew goes night diving with massive manta rays off the coast of the Big Island of Hawaii.
I used to always think that in order to take a good picture you needed a good camera. It never mattered how good these phone cameras were or how good they would get, I would always tell myself a photo from my camera is better. In the past few months, I've learned it's not and that the camera on my phone is the one that is always there when I need it. Though it may not be able to capture the photo exactly how I picture it, I am still able to use it to capture photos that are interesting to me without having to carry around an actual camera.