Architecture

About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I'd like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations.

This year Patrick and I were invited to Gulf Photo Plus in Dubai to film a behind the scenes look of what it's really like to go to this exotic workshop. The experience itself was one of the highlights of my life but the most memorable moment for me was the few minutes I had with each of the instructors. I decided to interview them about the pitfalls of their careers and what it takes to become successful as a photographer.

Architecture is all around us. Every building, every bridge, every walkway is some sort of architecture. Seeing it in the daylight is great, but seeing it from a whole new perspective such as these images, is incredible.

As I continue my articles on interior, architectural, and real estate photography, I thought it would be interesting to see different approaches to shooting these types of subjects. So, for this month's article, I've invited a number of professional interior, architectural, and real estate photographers to share their images and techniques with everyone who reads Fstoppers.

We've featured architectural photographer Mike Butler before, when he shot the Intercontinental Hotel in Miami, FL. This time, Mike heads to Bogota, Colombia, to shoot the Virgilio Barco Library using a slew of hot lights and assistants. If you've ever wondered why it takes 8 hours to create a single architectural image, this BTS will show you exactly why.

Projection Mapping became a big hit in the past few years, and many brands use it for making cool looking ads outside over big buildings. Basically they all use the same shticks: Changing what you see in windows, making bricks fall down, or making part of the building explode. This is why AntiVJ's "Omicron" is so different.

Love him or hate him, you can't deny that Peter Lik's got quite the penchant for getting the shot. In this video, Peter takes us deep into some abandoned subway tunnels and high over the skyscrapers of NYC as he shows us some of the locations and setups that he uses to create his photographs. We get a nice look at the finished results, which, to me at least,

Architectural photographer Mike Butler did not hold back at all when he was commissioned to create an image for the Intercontinental Hotel in Miami, FL. In this video, we get a behind-the-scenes look at everything that goes into a high-end commercial architecture shot. To make this one shot happen, multiple days of planning were

On Sunday, San Francisco celebrated the 75th anniversary of the Golden Gate Bridge with one massive fireworks display. For all of us who weren't able to attend, no worries; the guys over at The Seventh Movement captured the entire event with several Canon 5Ds (MKII and IIIs) and a Red Scarlet (at 48 fps). The editing job on this is amazing and all the shots were planned out really well...the twilight harbor shot is worth a watch alone!

Most of us have seen some masterful camerawork when it comes to breathtaking time-lapses. Sean White sets a new precedent with this creation by gathering images from a total of 24 countries on all seven continents over the course of six years. The project was funded by Art Wolfe.

If you’re a regular user of small flashes, you know how overwhelming it can be when it comes time to purchase modifiers for your lights. One of the more popular systems is David Honl’s line of accessories, based around his Speed Strap concept. I’ve reviewed and tested every piece in the line, and I’ve got all the info you could possibly want.

Here's a breathtaking perspective on the city of Dubai, created by UK filmmaker Richard Bentley. It took him two and a half weeks to capture the footage, shooting one to two sequences a day from various balconies and rooftops. He shot with a Canon 7D, and edited in Avid Media Composer. The final product is fascinating. The only problem I have with this video is that it reminds me that I have yet to see this city in person. That needs to change.

Creating 3D images of interiors, with furniture, colors and textures is a time consuming process to say the least. But now Matterport, a device prototyped from an Xbox Kinect, uses twin lenses on a hand held unit to render a three dimensional space. This tech obviously has a way to go but the preliminary results are impressive none the less.

Let's Colour is a worldwide initiative to transform grey spaces with colourful paint, and the results are quite incredible! This film was shot by Adam Berg over four weeks in Brazil, France, London and India. Every one of these locations has been transformed by a palette consisting of 120 different colours. The people in the film who rolled up their sleeves to transform their community with colour. I love this unity through art. Enjoy!

Architectural Photographer Chris Luker creates thoughtful images of buildings and locations, and really digs deep to communicate the details and context of the place. In a very thoughtful and informative video, Chris describes his thoughts and process for trying to translate the “language of architecture.” There’s some really deep thoughts here, Jack Handey would be proud.

DitoGear PortaSlider Prototype Testing (timelapse) from Patryk Kizny on Vimeo.

30 Years of BAD Pictures from Bruce Dale on Vimeo.

3 Years At The Same Place (english version) from Ramon on Vimeo.