In a quaint suburban neighborhood south of Sydney, Australia stands a three bedroom brick home that looks like any other at first glance. It is sharp and modern. The image is bright and vibrant and definitely eye catching. At a quick first look, it is a pretty standard image of the facade of a home. The detail that isn't featured in this image is what has the entire real estate industry buzzing. A simple Google search of the home brings up a much different representation of the property. Which begs the immediate question; how far is 'too far' when using photo editing software to edit real estate imagery?
Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.
Right-o! Let's jump in our "wayback machine" to London, England in the late 19th century to witness some of the oldest known video footage, not only just of the city, but in all of human history. I'm a sucker for finding the earliest cinema and photography have to offer, and if you are too, then click on.
Flatland is a project created by the Turkish photographer Aydın Büyüktaş. These images resemble scenes from the hit movie Inception, where the city seamlessly curves upward into the sky. Each image takes months of planning, and because of the complex scenery, Aydin must constantly reshoot locations in order to get the perfect alignment.
Over a year ago, after having discovered his work a year before that, I felt it necessary to introduce Fstoppers' readers to photographer K. R. Whitley, the world traveling wilderness/landscape and urbex artist. Since then, Whitley has traveled even more and expanded his work in some bold, new directions. I brazenly invited him to an interview at my house, and thankfully he agreed.
We've become quite accustomed to unpermitted retouching damaging the reputation of photography competitions. In particular, press photography is especially susceptible to this. Strict rules on maintaining the sanctity of reality combined with environments in which outside factors frequently affect the ability to achieve clean and pleasing competition often beget a strong temptation for photographers to doctor images. However, such manipulation has now become an issue in a genre in which one normally does have the luxury of time and compositional choice: architecture.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.
CERN is a renowned international nuclear research facility located just outside Geneva. Straddling the border between Switzerland and France, it's home to the infamous Large Hadron Collider — the largest single machine ever made by humankind. It was built to find the Higgs boson, often referred to as the elusive "God particle." CERN recently hosted a small group of select photographers for a rare photo walk throughout their massive experimental laboratory, and we have an exclusive first look at the photos.
Aerial photography has always been something that I have found interesting. Seeing so many of our writers like David Geffin, Mike Kelley, and Noam Galai capture exciting photos and video from the sky has inspired me to finally attempt my first doors-off helicopter excursion. In just one short one-hour ride, I've learned a lot of do's and don'ts as well as a bunch of things to experiment with again. I even attempted shooting with a $7,000 lens that everyone told me would be a disaster — and it nearly was!
To say that time-lapse video and drone footage is everywhere would be an understatement. YouTube is chalk full of amateur aerial video with the recent abundance of inexpensive drones, and time-lapse clips are everywhere. If they are a fad remains to be seen but sometimes we get to see some really innovative videos showcasing some true creativity.
Last week I made a list of 10 of my favorite photographers to follow on Fstoppers and a few people complained that too many of them were "portrait" photographers. I've scoured the community again and today I've created a new list with 10 incredible, additional photographers who shoot much more than your average portrait.
As I close in on the last eight hours of my very first Kickstarter campaign, I wanted to share some of the knowledge I’ve gained through this amazing experience that might help other people who are thinking of launching a Kickstarter. It’s a daunting experience but one that can hopefully be improved by learning as much as you can before you start.
It's been a week since we launched a Kickstarter campaign for my first book, and what an interesting week it has been. As expected, I'm learning a ton about myself, about Kickstarter, about living on two hours of sleep, and about how amazing it is to have people that you don't know or have never met before support you right here and now in real time.