Architecture Photography

On Sunday, San Francisco celebrated the 75th anniversary of the Golden Gate Bridge with one massive fireworks display. For all of us who weren't able to attend, no worries; the guys over at The Seventh Movement captured the entire event with several Canon 5Ds (MKII and IIIs) and a Red Scarlet (at 48 fps).

Most of us have seen some masterful camerawork when it comes to breathtaking time-lapses. Sean White sets a new precedent with this creation by gathering images from a total of 24 countries on all seven continents over the course of six years. The project was funded by Art Wolfe.

If you’re a regular user of small flashes, you know how overwhelming it can be when it comes time to purchase modifiers for your lights. One of the more popular systems is David Honl’s line of accessories, based around his Speed Strap concept. I’ve reviewed and tested every piece in the line, and I’ve got all the info you could possibly want.

Here's a breathtaking perspective on the city of Dubai, created by UK filmmaker Richard Bentley. It took him two and a half weeks to capture the footage, shooting one to two sequences a day from various balconies and rooftops. He shot with a Canon 7D, and edited in Avid Media Composer. The final product is fascinating. The only problem I have with this video is that it reminds me that I have yet to see this city in person. That needs to change.

Creating 3D images of interiors, with furniture, colors and textures is a time consuming process to say the least. But now Matterport, a device prototyped from an Xbox Kinect, uses twin lenses on a hand held unit to render a three dimensional space. This tech obviously has a way to go but the preliminary results are impressive none the less.

Let's Colour is a worldwide initiative to transform grey spaces with colourful paint, and the results are quite incredible! This film was shot by Adam Berg over four weeks in Brazil, France, London and India. Every one of these locations has been transformed by a palette consisting of 120 different colours.

Architectural Photographer Chris Luker creates thoughtful images of buildings and locations, and really digs deep to communicate the details and context of the place. In a very thoughtful and informative video, Chris describes his thoughts and process for trying to translate the “language of architecture.” There’s some really deep thoughts here, Jack Handey would be proud.

When photographers think about their dream shoot, it usually has more to do with Angelina Jolie and a Ferrari than painstakingly positioning a piece of cooked cauliflower.

We are heading into the final stretch for our 2011 Behind The Scenes Contest and someone is about to win a truckload of gear! The latest video that caught my attention was from LA photographer Mike Kelley. Mike has been featured on our site before but in case you missed that post, his portfolio is full of some pretty kick ass commercial images of buildings and outdoor environments.

Jay P. Morgan is a commercial photographer based out in Los Angeles. His behind the scenes videos have been a hit with our readers because they always feature some useful lighting or photoshopping technique. In his latest video, Jay shuts down a highway ramp in order to light an 18 wheeler truck against the LA skyline.

I was just sent a fantastic video by architectural photographer Scott Hargis. In the video Scott talks about framing a shot, something that I struggle with at every interior shoot I've ever had. It's very temping to shoot ultra wide so that you can see more of the room but as Scott points out, when you do you also loose the feeling of that room.

Strobist has an interesting article by architectural photographer Mike Kelley. Usually exterior shots of homes and buildings are simply too large to effectively light with speedlights or big power packs.

Just like the story of Vivian Maiers, every now and then a discovery is made that not only brings a smile to your face but also sends a chill down your spine. Such is the story of the famous 1906 black and white film A Trip Down Market Street.

Patrick and I were just in Chicago a few weeks ago filming an upcoming FS Original and when we asked the locals what we needed to do, everyone suggested the architectural boat tour. Riding a boat through the center of a huge city was a really cool experience and if you ever visit, I would suggest you also check it out.

Everyone loves a good timelapse video, and Benjamin Sichert has a great one here. Ben filmed this at the NA Otto & Cie factory in Germany which was the first plant to produce 4 stroke combustion engines back in the 1870s. As you can clearly see in the video, this was entirely filmed on a Canon 5D Mark II (video sequences), a Nikon D90 (photo sequences), and the automated Pocket Slider.

Have you ever tried to shoot an interior photograph and have it look like the shots in magazines or high end property brochures? If so then you probably know there are two routes to go: HDR or Flash. Photographer Dom Bower recently made a video showing the differences in both techniques and how you can combine them both to create a sort of hybrid image.

I know that we have shown a lot of timelapses lately but our readers really love them and each month someone seems to raise the bar on quality or creativity. It is now Dominic Boudreault's time in the spotlight with his film "The City Limits". This film has the most amazing cityscapes I have seen to date. Make sure you watch this thing in HD full screen.

We were just sent an incredible TED talk with artist "JR". During his speech JR talks about his incredible art project that entailed traveling around the world, photographing locals with power stories, and then pasting their images on the sides and tops of buildings.

I know a couple of Fstoppers that go by the names of Tiffany and Gianna that are going to love this one... Jay P. Morgan is back again with a really unique concept. In this video Jay explains how he created a super hero concept from nothing and then shows us every minuscule detail that goes into making that image come to life.

We've featured Patryk Kizny a few times here on Fstoppers and his content is always mind blowing. Recently he decided to test a new portable and modular slide rail for the DitoGear PortaSlider. This time lapse video uses 14 one-meter long track units connected to make one single long track. Everything was shot on a few Canon DSLR Cameras and mainly wide angle Samyang 14mm and 8mm lenses.

The other day I came across a popular video on Vimeo right now that featured an amazing new projection technique hitting large buildings across the world. The art is called 3D Projection Mapping and the effect is really cool.

Bruce Dale is a veteran commercial and advertising photographer who has also taken some amazing nature and photo journalistic images over the years too. He's worked for National Geographic as well as the White House and companies like Nikon, Southwest Airlines, Caterpillar, and Acura.

One of the most famous of all of the national geographic photojournalists is probably Joe McNally. Joe has shot everyone and everything working for Life, Time, Fortune, Sports Illustrated, and countless other highly rated publications. But perhaps his most manic photoshoot of all was a Nat Geo piece for their story The Power of Light.

Have you ever seen "How To" photography videos from the 80's and 90's? Most of these videos are so cheesy that it's hard to take anything of value away from them. In the video below Dean Collins teaches a workshop on the properties of light and instead of focusing on current trends, he sticks to the fundamentals. This video was shot in 91 but it is still completely relevant today.

If you like detail in your images then this video is for you. Check out this quick video of 2.3 gigapixel image being played with in photoshop. You can view the full file here and you can easily create images of this size yourself with a Giga Pan EPIC Pro.

Here's a little video that needs no behind the scenes. All you need to do is find a cool subject and take multiple pictures a day for 3 years. My favorite part is that this whole thing was shot on a Pentax ;)

3 Years At The Same Place (english version) from Ramon on Vimeo.

If you own a DSLR that does video (which most do by now), hopefully we have persuaded you to at least try some of the video capabilities. The reality is the DSLR is the wave of the future and more and more commercial and professional videos are being shot on these new cameras. Check out what Seth Epstein did when he was contacted by Suzuki to shoot a commercial for their latest bike.