Naomi and I just celebrated our 40th month of being on the road full-time and living a 100% location independent lifestyle. Looking back, it seems like a lifetime ago when we made that crazy decision to sell nearly everything we owned and adopt a life filled with travel photography. In a way, it really was a lifetime ago because we were completely different people back then living very different lives; two people with a dream of what could be, teeming with optimism, but with no real idea of how it would all work out in the end.
According to a group of Italian security researchers roughly 8% of all Instagram accounts are actually fake. Not a huge shock and slightly lower than other social networks like Twitter from their research. The real question is if it truly matters or effects engagement on an individuals account, that is where their data shows real value.
Controlling your image is a valid quest for any photographer, as we all want to protect our brand. Seeing one’s work altered without permission can be frustrating, as can discovering your work on blogs that are void of any credit. The first response for most photographers is to watermark their images, ensuring that their logo or website graces every image that hits the internet. In today’s landscape, is watermarking your photographs the best way to protect them? Let's review both sides of this debate, and explore the current state of the watermark in photography.
Whether you’re just starting out in product photography and are trying to figure out where is the right direction to head, or have been in the business for a long time and want to hear another professional’s perspective, this interview with Tony Roslund is going be well worth watching. From starting up and getting his first clients, to maintaining relationships with those clients and running a business, to establishing a style and making an impression on potential clients, Roslund’s stories and experiences that he shares are a perfect mix of interesting and informational.
Monday, GoPro unveiled a new licensing service that allows professionals to license content to agencies and brands. GoPro calls the service "a premium content licensing portal for global advertising brands and agencies to license premiere video and images” that “offers high production value content.”
Every photographer out there either has legal counsel or very much should have legal counsel. After all, it's a new world out there, and protecting your intellectual property here in 2015 is crucial. That said, there are those who have yet to seek legal counsel, or perhaps feel no need to as they shoot as a hobby. But if you could ask a copyright and licensing attorney anything, what would you ask?
As I close in on the last eight hours of my very first Kickstarter campaign, I wanted to share some of the knowledge I’ve gained through this amazing experience that might help other people who are thinking of launching a Kickstarter. It’s a daunting experience but one that can hopefully be improved by learning as much as you can before you start.
With the advent of self-publishing and digital magazines, the landscape of print media has evolved. With many fashion magazines and communities that feature the work of many involved in the industry, the debate over the value of being published has been a hot topic in fashion circles. So what exactly is the value of being a published photographer in the digital age?
The morning of a shoot has arrived and you are running around frantically loading gear trying to make sure that you haven’t forgotten a lens, power cable, or battery that will be the key to making the shoot a success. In the haste of focusing on gear, it can be too easy to forget to load a few simple tools that can come to your rescue and make sure everyone is as happy as possible throughout the shoot.
For 68 years, Magnum has been considered home of the best documentary photographers in the world, as well as one of the most exclusive photo agencies in existence. Rarely opening it’s doors to more than one or two new members each year (and often times none at all) this year it added six to the roster. This is a sign that the agency is looking to inject new blood into the ranks.
Have you ever applied for a gig online through a place like Craigslist, Mandy, or even Facebook, only to find out that it is a no-pay job, and they want to own exclusive rights to your images? I know I have. Jared Polin came across a similar posting from Live Nation, notoriously known for having a "Work for Free" policy, and he decided to do something about it– which actually got a response, and might create a change in that policy.
When I was just eight years old I would flip through the pages of National Geographic and imagine being a photographer in Africa. I was captivated by the faces and places that seemed worlds apart from my typical Middle American hometown. Fast forward years later, and I'm living the dream as a travel photographer working throughout Africa and Europe. If you've ever wanted to travel the world with your camera, here's my advice to help you get started and thrive in professional travel photography.
Having only been shooting for a few years, it's taken me a bit longer to understand things like pricing, licensing, and even a simple model release form. Learning about these things early on could have started me on the right track to better habits in the future. Recently the mobile stock image site Snapwire came out with a simple way to solve one of those issues — the model release form — with their own app called Releases. The best part: it's free.