Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.
The Internet has done a rather annoying job of trivializing the photo selection process. Culling images is a critical process in a photographer’s workflow that the client or model often wants to be a big part of. The majority of photographers I’ve asked address this by dumping all the photos into some sort of web-based proofing site and just send the link off to clients and let them make their choices.
Building a respectable name for yourself as a photographer can oftentimes feel impossible, especially in a market saturated with other photographers. In an industry with so much competition, you need to differentiate yourself and your work from the rest your competitors if you really want to stand apart from everyone else. That sounds extremely overwhelming, but there is a very practical and efficient way to carve out your own niche in this market.
Whether you’re a photographer, filmmaker, video editor, first assistant, or even just starting out as a PA, you’ve got to work to survive. There are many lengths of time where the work might seem to be non-stop; you work so much that when you do have free time, you might not even know what to do with yourself. The winds of fate can change quickly though, and you might find yourself all of sudden not having any new jobs lined up. After doing this dance for over ten years as a video producer and photographer now based out of Lexington, Kentucky, I’ve learned a few things about dealing with the stresses of when business is slow.
When I started out photography professionally, I only wanted to do weddings. It was what I loved (and still love). I thought studio work was so boring. With time, I was convinced to get my own studio and started doing portraits, beauty, products, and other genres. It was great. However, after two years, I am about to terminate my studio lease and will not take a new one. While I love shooting in a studio, I think the cons outweigh the advantages. Perhaps they will not for you. Nonetheless, let me show you what I learned from my two-year experience of having a studio.
A few months ago I wrote a two part article on branding for photographers. In this article I will continue with branding for photographers, and why you should keep your brands separated. The most common thing I see are wedding photographers combining their wedding work with their family, baby, senior, and even commercial work. While I completely understand the tendency to not only simplify your marketing, but also the concept that by showing your multiple talents you will increase your value to clients, combining genre's is one of the biggest things hurting the growth of your business.
The rise of social media over the past few years is undeniable. It’s come to shape our habits and behavioral patterns, as well as redefine social norms. So, it’s inevitable that the creative industry has been influenced too; but in a world where our brand’s worth is often dictated by our follower count, just how important is mastering social media to any creative trying to make it in the industry in 2015?
As some of the world's biggest auction houses gear up to offer photographic pieces this week, statistics show that photographs are consistently lesser valued than their artistic counterparts. Take a look at why photographs have yet to find the same financial footing as other works of art.
Always backup your work, and then backup your backups! This opinion is brought to you by the recent news that Oakland-based photographer Jennifer Little lost her "life's work" when 21 hard drives containing over 70,000 photos were stolen from her home. To go along with the hard drives, she also lost eight cameras leaving only one left.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
In the continuing saga of musicians complaining about others stealing their work or not getting paid enough for their work and then ripping off hard-working photographers, the rapper T.I. has joined the pack. T.I., most famous for hits "Rubberband Man" and "Whatever You Like" has stolen a Trinidadian photographer's work for use in an invitation to a party he's hosting. The photographer has called him out!
It’s been almost 3 years since I moved to London to pursue photography as a career. I’ve learnt that there are many misconceptions about those who take photos for a living - so here I’m setting the record straight about what day-to-day life is really like for a portrait photographer in one of the world’s biggest cities.
I’m sitting at my desk on a Friday and I get a phone call. It’s Saturday’s wedding venue, and they’d like for me to sign my life away. In what’s becoming an all too common practice, the venue has decided that for me to be allowed to photograph my client’s reception I should grant them a waiver of liability that allows for their potential future negligence to go unchallenged in court, even if it results in my death. Seems like a pretty fair deal for the guy showing up to take pictures, doesn’t it?