The Problem With Doing What You Love
Doing what you love is the dream for many and a reality for some. However, it comes with its own difficulties and pitfalls along the way — perhaps even more — and it's not for everyone.
Doing what you love is the dream for many and a reality for some. However, it comes with its own difficulties and pitfalls along the way — perhaps even more — and it's not for everyone.
We have all had our fair share of smooth photoshoots where everything goes like a dream and probably a few not-so-smooth shoots where it feels like one never-ending disaster you can't escape. What was your worst photoshoot? This fun video features a photographer discussing his and offering some of the lessons he learned from the experience.
A short walk leads to a short story about how bigger isn’t always better.
You push a button on the really nice camera and then run it through a neat little filter. That's all photographers do, right? Then, why are we expensive, and why would any client want to invest that much into a good photographer? Wouldn't it be easier to buy a camera and push the button yourself?
I have noticed a huge trend of photographers calling themselves creative directors. On the social media app Clubhouse, there was a wave of creative directors. I hosted rooms to educate the photography community on what a creative director does and why calling yourself a creative director prematurely might hurt your growth.
Having spent a long and exhausting, but fruitful and necessary, weekend going about the chore of reorganizing my overly cluttered garage, I found myself with time to think about a basic question. Why exactly did I become a professional photographer?
Many photographers would love to sell prints from their website but holding stock is expensive, shipping can be complicated, and buying a quality print can be a significant investment of money and wallspace that won't appeal to a large chunk of your audience. Why not sell postcards instead?
As a working professional commercial photographer, the return on investment (ROI) of your equipment is very important. Or at least it should be. In this video, I look at what actually makes me money.
When it comes to the business of photography, for many reasons, pricing is one of the things that often trip people up. But, once you stick to a few simple rules, it becomes easier.
For a lot of us, making the move from passionate hobbyist to professional is a dream, but the road there is anything but straight and easy to navigate. If you are ready to start making some income from your photography, this excellent video tutorial will give you some helpful advice to increase your chances of finding success.
As a professional commercial photographer, most of my purchases are made as investments. Sadly, not all of them have been, but the general ethos is that I have to invest in my photography to stay relevant in my career choice.
This is another brief story about the possibility of progress over the course of a photography career.
Making money from photography is becoming increasingly more difficult. Quite by chance, I have stumbled upon a system of selling my images that has proven far more effective than anything else I've done. This is how I do it.
Photography is an increasingly competitive business, with some creatives undermining the market by working for free and clients seeming to have ever-smaller budgets. How feasible is it to bring in six figures a year as a photographer?
Another day, another dollar. In Nikon's case, it wishes it had a whole load more dollars, as its annual financial report shows significant losses. So, is it making progress to get itself back on a level footing with Canon and Sony?
For a lot of creatives, making all or a significant part of their income via YouTube is a dream. However, to get there takes a lot of serious, consistent work and the ability to remain constantly innovative and able to come up with new ideas and present them in a compelling way with high production value. This great video pulls back the curtain and shows you how one well-known photographer did on the platform in 2020.
Trade for Print or TFP shoots are shoots where the photographer doesn’t pay the model and the model doesn’t pay the photographer. They are a great tool for when models and photographers are starting out or when they don’t have a budget. Here are some tips for how to make them successful.
The popular portfolio platform, Zenfolio, has undergone some wholesale changes and added a wealth of functionality, particularly for business. Is this now the best portfolio platform for photographers?
The film era was a cash cow, with cameras being high-precision instruments from specialist manufacturers and because they used film that needed developing and printing, a huge service sector that surrounded it. From the 1960s onward, the sector innovated and grew at breakneck speed. And then, it fell apart. Is that about to happen for digital?
If you have ever worked with a model, you’ve probably heard of the concept of model releases. Here is an explanation of when you need them and what kind of language they should contain.
Making money doing what you love is the dream of most people. For photographers and videographers, there are multiple paths to make that happen, and one of them is developing a revenue stream on YouTube.
It takes a lot of work and a wide range of skills to be able to run a successful photography business. Of course, one of the most important aspects is being able to find clients who want to work with you. This excellent video essay discusses just how to go about finding clients.
For many of us photographers in the commercial world, the key to getting good jobs for exciting campaigns is having the right agent by your side. However, finding the right agent and with space on their books for you can be incredibly hard to do.
I often write about the careful process of making sure you get the most bang for your buck when shopping for photo gear. Well, sometimes you just get lucky.
Despite being a lawyer for 10 years in California and a former professor of Business Law at UCSD, I only recently started using contracts in my client portrait work. Here are the reasons why I wish I used them sooner and how they could benefit your business.
If you want to make money as a photographer, one of the most important aspects of your business is your website. It is where most of your clients will first see your work and how they will contact you to hire you. Is yours doing its job properly? This great video discusses what clients look for in a website and what you can do to make yours better.
Cameras have become so dumbed down in recent years that pretty much anyone can take great shots with even an iPhone or an entry-level camera. Here’s why you do not need to worry about the explosion of mediocre photography impacting your business.
We live in a world where if you have a need for something, almost without fail, there's an app for that. The trick is to find one that's useful now but that can also adapt to your needs over time. It'd be nice if it was free as well.
The last year has been pretty dire for the camera industry, as the impact of COVID forced a general shutdown of manufacturing and sales outlets. As parts of the global economy have reopened, we have seen the shoots of revival start to spring up. Will the camera industry return to its 2019 pre-COVID levels?
Being a successful artist can sometimes mean being both determined and flexible at the same time. But how can such a duality exist over the course of a career?
We've all heard before the advice that in order to succeed we should wow our customers by over-delivering through the services we provide, but is it actually worth going above and beyond?
Do you charge for your photography? For the photographers who want to use their passion as a revenue opportunity, you will have to figure out what works best for you.
One of the greatest things to happen in recent years for photography is the huge increase in incredibly well-designed budget lighting systems. Although most of them come from the same factories as the premium brands, offer similar specs on paper, and often have alarmingly similar looks, what is the real difference?
Have you been told to stop messing around shooting models and get a job? Do your loved ones wish you'd do something more stable instead of wondering when the next job will drop into your email? Well, I believe they're on to something.
For years, we've heard clients ask photographers for a few images. The client would pay for all types of usage rights and then they'd ask for a few images as freebies, for social media. And that trend continued for several years. We'd throw in a few for social media and make the client happy. As social media grew, the budgets stayed small.
A lot of video productions use incredible arsenals of gear — even YouTubers seem to be shooting with tens of thousands of dollars of kit — but it's no secret that isn't necessary. Here are some tips for shooting videos with little to no money.
It is something that will happen to every photographer at some point or another: you are in the middle of a shoot, and your client simply hates the photos you are producing. So, what do you do at that point? This excellent video essay discusses how to handle this potentially sticky situation and leave both yourself and your client happy.
Sometimes, photoshoots go really smoothly, and sometimes, they do not go quite so smoothly. What was your most embarrassing mistake during a shoot?
People both outside of and inside the industry tend to romanticize the idea of being a professional photographer. But with pressure from technology and increased competition leading to low pay and more demand from clients, burnout is something that many of us either have or will experience in the future.
Money is a subject that is rarely discussed openly and that can be detrimental to anyone newly trying to make some as a creative. Here is an interesting and open discussion about the topic.
CIPA recently released February shipment figures for the camera industry, which paint a picture of mixed fortunes and a complex path ahead for manufacturers. This generally looks to be positive news for Sony and Canon but is a warning for Nikon and Pentax.
If you’re trying to shift towards making a living as an online creator, one of the keys to success is having multiple revenue streams. In this useful video, photographer Evan Ranft gives you 10 great tips to help you on your way.
Being a competent photographer and running a successful photography business are two distinct things, and it is important to have good business acumen to find financial success. This excellent video tutorial features a photographer discussing some things you should do and some others you should not to give yourself the best possible chance of finding success with your photo business.
Until 10 years ago, I didn’t know that being a professional food photographer was even a thing. I don’t come from a creative background, so if you had asked me what I thought they did, I would have been very far from the truth. Hopefully, I can shed some light.
RuPaul’s Drag Race is the Emmy-winning global phenomenon taking reality TV by storm. The show is in its 13th season but boasts several spin-offs including All Stars, as well as localized seasons in Canada, UK, Thailand, Holland, Spain, and Australia. Drag race, as it is called by fans, is a reality competition that challenges contestants to find the drag performer who possesses the perfect blend of charisma, uniqueness, nerve, and talent.
When I started out in photography, I didn't even know that ad agencies were a thing. To be honest, I didn't know a lot at all. However, over the years I have picked up a few tricks that will hopefully help you.
Staying focused is a premium in the 21st century, and nothing makes you feel more lost in the sauce than not knowing which way your lens is pointed. This method will help you stay focused and help create a system to save all the information you come across in a searchable database for future reference.
Today, I’d like to discuss one of the most overused and most misunderstood concepts in photography. What exactly makes something a “professional camera”?
If like me, you were told to work out your overheads, how many days a year you plan to work, and calculate your fees from this, you have also been pricing your photography work incorrectly.
It has been our reality for quite some time now, but the effects the pandemic has had on the travel industry will continue for the foreseeable future. How does a travel photographer get through this without completely losing everything?