Late last year I was contacted by one of my magazine clients to shoot their upcoming cover with Panic At The Disco front man Brendon Urie and it had to take place across the country in Las Vegas in about a week (I am NYC-based by the way). I scrambled to find some cool locations in the region, knowing full well I did not want to shoot in some cramped hotel suite. Little did I know that with some good researching and shrewd negotiating, I would find some of the coolest locations I have ever photographed, and just moments from the Las Vegas strip.
If you are into TV series, you would have definitely heard about Downton Abbey, beginning in the years leading up to World War I, the simple drama portrays the lives of Crawley family and their servants. The series is a window that takes you back in time to show what goes on in a aristocratic society of that era with some historic moments in the mix.
It's hard to look at our photography with objective eyes. We know how much planning went into the shoot. We know how complicated the shoot was. We know how many hours in Photoshop we spent. The sad truth is, none of that matters. Your image should speak for itself. Let me help you rate your photography fairly.
Buying expensive gear and mastering lighting and technique play an important role in photography but ultimately, these things are secondary in achieving a solid portrait when facial expressions are factored in. No matter the genre of photography, whether it's fashion, weddings or family portraits, connecting to the subject is far more important than any other detail in shooting portraits. When portraying a personality or specific mood, there is a necessity to connect and extract emotions and moods.
Whether you’re traveling around or venturing out beyond your own backyard, cities offer an endless supply of interesting locations and moments for photographers. To take advantage of their potential you’ll have to not only identify the best compositions but also execute them well. Here are some tips that will help to take your city and cityscape photography to the next level.
A month ago I flew to North Carolina and was the Director of a 5 person crew for a week-long video shoot at a multi-million dollar corporate facility. Then just last week, I spent 4 days in Albuquerque as a Production Assistant, shooting behind the scenes images and getting lunch for the crew. My ego almost stopped me from taking that gig, but I’m glad it didn't. Here’s why.
I’m a huge fan of Annie Leibovitz and the imagery she has captured over the past few decades. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. Over the course of a year, I scoured the internet for information on her lighting setups, equipment and methodology. But, the more I dove in, the less concerned I became about equipment and the more I felt the need to simplify my style.
A few weeks ago, I had the pleasure of testing out the Phase One IQ250, and so I thought I would put together a practical write up of my time spent the Phase One IQ250 Camera System, the Capture One software, and whether or not either one has found a permanent place in my workflow.
Lindsay Adler launched her new company this spring, Dream Shoot Rentals to provide couture dress, accessories, and props to give photographers a source to execute their visions and build their portfolios. Lindsay explained her new vision for this company: “While teaching across the United States, photographers are always asking how they can get a hold of gorgeous clothing for their shoots. Often pieces are too expensive or difficult to attain.
Adobe was very clear that the 2014 updates were mainly focused on what they have seen to be a rapidly evolving market: Mobile. Adobe is seeing a rapid pace of change, explosion of mobile, and a world that is continually and incredibly connected. But their software, for real-work at least, is still tethered to a desk. Adobe thinks this is a problem, and sought to solve it.
So you've been working long hours at your desk or computer, rarely see your friends, when you're not working, you're thinking about work or shoots. Your portfolio and income may be improving (or trying to), but you feel like your personal life is falling apart in the process. Does this sound all too familiar? Well it all hits very close to home for me and it's what put me in the hospital last week.
Last week, Adobe teased one of the many new features they will be unveiling this week during their launch event in New York (and online). A question that I saw asked in the comments of that article, as well as again posed during a recent Adobe briefing I attended, asked that since we were promised fast and regular updates as a part of the Creative Cloud model, why then are we waiting for a major hyped release? Well, I have an answer for you.
I've been shooting professionally for just over four years now – “professional” as in starting a legitimate business where I charge money to take photographs of my clients. We could wax poetic on the distinctions between “amateur” and “professional” that don’t involve the exchange of money, but the area that I want to focus on has to do with the responsibilities and perceptions that come along with people hiring you as a business.
When you think of conceptual, high-fashion photo shoots, you imagine big budgets. Turns out, couture shoot concepts don’t have to cost more than $100. Professional photographer Amanda Diaz is demonstrating how to do just that right now during her CreativeLive class aimed to help photographers concept, style, and capture stunning images on a true DIY budget.
The music business is a brutal, cutthroat, dog-eat-dog world and I lived it for nearly 10 years. Since the age of 16, I struggled as a touring musician, surviving off nothing but cold Spaghettios and sleeping in a decade-old 8-passenger van. I was fortunate enough to explore the nation and see things that most will never see, but by the time I left the business I was completely burnt out.