Editorial Photography

Getting it right in camera is one of the most important steps to achieving a great photograph, but color grading is what can really take your work to entirely new level. It has taken me nearly 2 years to find the right process and perfect combination to obtain the right look. And, over the course of my time writing for Fstoppers, I've been asked dozens of times about the coloring and process behind my imagery. Well, I've finally broken it all down in one quick tutorial.

Recently I had an opportunity to try my hand at creating the new hotness in cyberspace, Flixel Photos Inc.’s Cinemagraph Pro for Mac, what they are calling a living photo creation software. Cinemagraph Pro allows users to easily create Cinemagraph images, a media form that combines elements of a moving video to a high quality still photograph or referred to as 'hybrid photography.'

As photographers we face challenges day in and day out, but one of the toughest facets of the job is posing our subject. Regardless of experience, when a model steps in front of your lens for the first time he or she will expect some direction. It’s up to you to give that proper guidance, otherwise your images will just come up short.

Take 10 minutes out of your time today and watch this speech given by fashion model Geena Rocero on TED. Back in the Philippines, when Rocero first saw the first photo of herself shot in a bikini, she felt she couldn't be more proud. This may just sound like a typical experience for a lot of women in the modeling industry, but to Rocero, it was not, and that's because she was born with the gender assignment "boy."

This year has proven to be more scandolous than provocative in the fine art photography circuit. More and more photographers are coming to the realization that the same stuff doesn't sell and the proverbial bar must be raised with every shoot. The photos below are probably the most extreme examples of this new wave of photographers resorting to such fine art methods in posing, makeup, and subject matter. NSFW

In recent years Photoshop has garnered more negative attention than any other platform that is utilized for image manipulation. Photoshop can be used to create unnatural product resulting in unrealistic expectations. As photographers and retouchers, we have the power to control what the media perceives as attractive.

James Robinson is photographer at the 114 year John Rylands Library in Manchester, UK. The library is home to thousands of priceless books in every language dating back to 1000 B.C. The library is charged with the task of using the latest technology to turn every word into digital format. To do this, the photography staff uses the Profoto D1 and a variety of Phase camera systems to archive each treasure.

Sharpening is a mystery to many, some do it well and others don't. There are quite a few methods to sharpen an image including the use of a High Pass Filter, Unsharp Mask, Smart Sharpen and Camera Shake Removal in Adobe Photoshop CC. However, it’s similar to hearing nails on a chalkboard when I see an image that is over sharpened. I'm no saint, I'm certainly guilty of cranking Unsharp Mask, I just never found the right solution. Until now.

Camera cranes and jibs are becoming more commonplace in the DSLR video maker's arsenal due to more, light weight options and falling prices. ProAm calls their Orion DVC210 the "first camera crane built specifically for DSLR cameras" and it extends to eight feet tall for a surprisingly affordable $300. Sounds great on paper, but how does it function in practice?

When it comes to building a video production and photography business, it can take years to cultivate good clients, get high paying and interesting projects, and form relationships with reliable help. If you move, losing that local network can take a huge toll on your business.

Some days, as we plod through our respective news feeds, it seems as though the Internet was invented for one thing and one thing only; to share photos. Although the quality of the photos we have to wade through can sometimes be questionable, and at times our feeds can become overwhelming, the relative ease with which photos are shared is in my opinion, the greatest benefit to our seemingly photo-obsessed and Social Media saturated society planet.

I've been there, standing in the middle of a field on a hot day with a scorching sun, mulling back and forth on how to capture a quality shot. In the back of my mind, I'm wishing for some cloud cover or an overcast sky to magically move in. A commercial client or art director doesn't care what time it is, they just want the right image. It’s up to you to capture that image with the weather Mother Nature has dealt.

About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.

Alison Wright is a tremendous inspiration as a photographer and a human being. In this always fantastic episode of National Geographic Live! we are shown just some of her adventures and a glimpse of her unrelenting fearlessness. After almost being killed in a bus crash in Laos in 2000, she persevered though a recovery process where she was told she would have trouble with mobility and never work as a photographer again. Two years later, she climbed Mt. Kilimanjaro.

I'm guilty. As a commercial and fashion editorial photographer as well as a writer for Fstoppers, I love lighting, bokeh, rigging, and all technicalities involved with cinematography and photography. For many months, content fell second to setup. From my experience, there are three types of photographers: those that confide in instinct and sunlight, those that rely on post processing, and those that excel at artificial lighting and formalities.

If you shoot video, you know that sliders make all the difference. I personally love the cinematic production value you can get out of a slider; the kind of shots you can produce are those that really elevate the end product. However, sliders can be large and obtrusive, not to mention difficult to travel with. When I saw that Edelkrone's SliderPlus promised to deliver that quality I was looking for but remain compact, I couldn't wait to try it out.

You may have read my previous post previewing the first modern CMOS-based medium format back to hit the world market by Phase One. Soon after my post, Phase One HQ sent me one of the first IQ250 backs to arrive in the US to review for this site. I had a solid 2 weeks to try it out and see what this system was capable of doing.

Several months ago I noticed a spike in our website traffic from a fairly large website called "The Fancy." From a web traffic standpoint I initially thought this was good news and that one of our blog posts was picked up again. After following the link provided in the backend of our Squarespace analytics referral page, what I found was outright unlicensed image use for profit.

Imagine someone were to ask you to count the number of photographs you see from the moment you open your eyes in the morning until the moment you close them again that night. Between looking through your own work, as well as the various social media and news sites, the number of images we expose ourselves to is probably well over a thousand.

The world's largest stock photography service has recently taken off the majority of watermarks on their photos online. Getty images has millions upon millions of photos in their stock library and will now allow anyone to use eligible images from their library for business or personal use, but it comes with one stipulation that could be a deal breaker for some.

Last summer, my friend Andy and I, and his six year-old son, were out location scouting. As we drove around, the three of us were playing a very intense game of word association. One of us would say a word, and the others would quickly say the first word that came to mind. As we neared a potential location, Andy called out, “Key West” to which I mindlessly responded, “Jimmy Buffett…” In that instant, I realized that everything I thought I knew about marketing myself as a photographer was completely and utterly wrong.

Some may say it’s quite the phenomenon. I only shoot commercial and editorial fashion and I seem to make a living out of it without shooting weddings, families, babies or seniors. I don’t live in New York, Chicago or Los Angeles and I don’t travel like George Clooney in the film “Up In The Air.” The number one question I’m asked on a daily basis: “Clay, how do I get more paying clients?”

Some years ago, I got started in photography and started looking to find clients that would pay me for my work. I showed up to client meetings, polite, cordial, and generic - hoping that my portfolio would "wow" them. I was sure that keeping a personal life and business life separate was the way to go, boy was I wrong.

Some of my most favorite photos are those which I had little or nothing do to with. I love my work, but when I look at a photo that I took, it's often difficult to get past the fact that I know too much about it. I know the edits, I know the tones, I know that it could have been better had I just moved a foot to the left or the right, and I know how many times I ditched the file and started over from scratch. In short, as an artist, sometimes knowing what’s behind the curtain makes it difficult to enjoy the overall work.

Simeon Quarrie, owner of wedding production company Vivida, is back with another amazing and unique editorial-style pre-wedding photoshoot for one of his couples. In this behind the scenes video he shows just how much planning and work goes into a great quality photoshoot production. The concept for the shoot is a whimsical story about severing the ties of restriction with the power of love starring a beautiful couple as its centerpiece.

Let's imagine you've lost the drive that houses all of your RAW files for Lightroom. Let's also assume ninjas broke into your off site location and stole your backup. Let's even go so far as to say that hackers erased all of your images backed up in the cloud. If you've made previews there may still be one way to recover your work.

Day in and day out I see images that raise the question; what is the photographer truly trying to convey in the photograph? In fashion photography, editorial story-telling is commonplace, but you must have a strong foundation for that to manifest properly in your image. Forget the lighting, focus or pose, first you need to question the frame.

I've spent the last 2 weeks in Michigan’s Upper Peninsula, shooting stills and video in freezing winter conditions. Snow, ice, blisteringly cold wind and more. In this video I share what I found to be best for packing my kit, protecting it in the field, and keeping my eyes from freezing to my viewfinder.

It's no secret that we creatives are often introverted, or simply don't know the first thing about self-promotion. Thus there are thousands and thousands of brilliant talents out there that very few have discovered. I have been on a mission of finding such gems and helping them expose their work to the worldwide online photography and digital imagery communities. And today I would like to share some beautiful and fun images and inspiration from Spain with you.

Black bear bile, rhino horns, shark fins and other endangered wildlife and their illicit trade account for more than $10 billion annually. For the past ten years, documentary photographer Patrick Brown has explored this story, shooting from the jungles of Cambodia to the markets of Guangzhou. The work is now collected in the book “Trading to Extinction,” published by Dewi Llewis and released to coincide with this week’s global summit on illegal wildlife trade hosted in London.