Editorial Photography

It all started with a conversation between filmmaker Justin Gustavision and I this past Friday. Justin works for Nadus Films who just released a brilliant award-winning documentary “BBoy For Life” which shows how break dancing has provided teenagers a way out of Guatemalan gang life. The film has been picked up by Starz and Discovery Channel, yet their social media presence could be considered dry, when it should be arousing a well-deserved tornado of hype.

You might someday find yourself working within the overall vision of someone else – like an editor, an art director or, in this case, a director of photography – when shooting on assignment for publications as big as Sports Illustrated. Limited time with your subject and being asked for simple lighting against a simple background isn’t uncommon in this industry. So how would you go about getting the type of photographs your employer wants plus creating a dramatically lit and colored set for yourself?

What does nostalgia for broken things say about us? Over the last year or so, we’ve undoubtedly seen an exponential increase of the intentional “glitch” used in visual arts. The glitch – defined as a short-term fault in a system – has gained tremendous popularity as a visual style. My theory is that a person’s predilection toward a preference for random events can be explained as both a desire for nostalgia and perhaps even a loss of control – and that very act of self-awareness can aid in becoming a better thinker and artist.

“Make me look skinnier” is one of the more frequent requests I get from my clients. Although those kinds of requests are usually accompanied by some laughter as more of a joke than anything, there is some bashful truth there that we, as photographers, need to be aware of. Of course, you have probably heard the old adage “the camera adds ten pounds,” but do you know why and how to combat it?

A few weeks ago I released a video featuring my friend and fellow photographer Blair Bunting in the backseat of an F16. The video blew up on Reddit (#1 in r/Videos making it to the top 5 of the front page), was featured on Gizmodo, Jalopnik, Daily Mail, Telegraph, CNN, ABC World News with Dianne Sawyer, hundreds of other blogs and even was officially recognized by YouTube. But for reasons still unexplained to me, it has been removed from YouTube and there is nothing I can do about it.

During an initial meeting with local publication NFocus Magazine, the Editor-In-Chief asked for a unique aesthetic on Louisville's theater and arts community and wanted a massive group shot, but not your traditional group shot. I threw out the idea to shoot actors and their "characters" from directly overhead on a theater floor, as if they were action figures laid out and organized. Two seconds after I uttered the idea, I realized I had no clue how I would pull it all off.

When you’re backed by the likes of Silicon Valley superstars like Youtube co-founder Jawed Karim, Y-Combinator, and a half-dozen or so other techie entrepreneurs, you know you’ve got something good. That something good is Lumoid, which rents photo gear at unheard-of prices, especially when you add in a few perks...

When I met Laura Grier at WPPI this year, she showcased her latest editorial fashion shoot with a behind the scenes video. It isn't everyday you get a backstage look at the work and creativity that goes into this type of photo-shoot. Not only are the photos incredible, but the designs and creations showcased on the models are one of a kind. Truly an inspiring piece.

When each of us picks up our camera, whether it be for the first time or the ten-thousandth time, our finished work is a product of everything which has inspired us. Everything we've seen, everything we've done, everything we've learned and grown from can be seen in our work in at least some small part. That's why, I believe, it's important to not only look back at our work on a regular basis with an eye critical to how technically proficient we've become, but to look back at our work from an influence-based standpoint to see how much of ourselves we can find into our work.

If you've been a long time reader of Fstoppers, you might recall one of my original editorial pieces: How China Changed the American Lighting Industry. At the time of its publication, I had just come off a recent spell of a few years at an American photographic lighting company and got to see first hand how American greed led to a Chinese takeover of the industry. In the years following that article, the problem hasn't gotten any better. If anything, it's gotten far worse, and to the detriment of you as a consumer.

Anyone who reads Fstoppers knows about Peter Hurley and his successful headshot business. Aside from being a great photographer, Peter is also a respected educator and speaker. We always see him in action in the different videos, and see his working techniques and creative direction, but we never really had the chance to hear the story of how he became the successful photographer he is today. Check out this very interesting video where Peter talks about how he went from being on the Olympic team, to being a headshot photographer.

There is a major problem in the photography industry, and it's the photographers fault. Photographers spend countless hours in the right side of their brain taking photos, then more sleepless nights bringing those images to life in post. They agonize over the processing, feedback from peers, and then publish the images for the world to consume. Sadly 97% of these photographers aren't copyrighting these images making them much more attractive to steal. We need your help to fix this, Adobe.

One of the keys to running a successful photography business is to be constantly innovating and searching for the best ways to serve your clients. A month ago I made the decision to use Pixieset for my client galleries. Here are my Top 10 reasons why I feel it is a good choice for all professional photographers.

Photographer Sam Hurd is sharing yet another one of his artistic photography techniques with his followers. He mastered The Brenizer Method, he basically had all of Amazon on backorder for Prisming, he ripped the lens mount right off his 50mm for Freelensing, and then he did some convex Lens Chimping. This time around, Sam attached an old anamorphic movie lens to his 85mm in order to shoot a very cinematic wide field of view. Take a look at how it works!

Brought to our attention by Photography Bay, Amazon has patented a most ingenious invention: a completely revolutionary way to get a "true white" background on an image in-camera, without any post processing. We didn't understand how it was done, but now the US Patent Office has helped us all by posting this granted patent complete with plenty of diagrams supplied by Amazon's brilliant inventors.

The evolution of a photographer is rarely a linear one. We get better, we get worse, we think we’re improving but we’re not, and then with some luck and a lot of patience and practice, we actually start to produce great images. For some that last point is never reached and it’s usually due to a few common mistakes.

I always tether. Whether it's for a client or fashion editorial, the CamRanger has played a very important role in capturing rock solid images. But, before the wonderful technology of wireless tethering came into the picture, I always tethered to a workstation. However, that came with the annoyance of a long tether cable dangling off your camera. I always felt the sense of being trapped or held back from moving freely, I was always concerned and it was always a distraction.

About four years ago - or about a month or so after I picked up a camera and decided I was a photographer - I thought it would be in my best interest to start up a Facebook Fan Page (as they were called back then). I assumed that because a few friends were liking the random collection of photos that I was posting to my personal Facebook page, strangers - and eventually clients - would find my Fan Page, like it, and then money and fame would come rolling in.

Aurora Borealis actually means dawn of the north, and can best be seen during peak winter months around the magnetic North Pole. The peak season of this spectacular event happens once every 11 years with the last peak season being the winter of 2013. If you are like me and were unable to witness this in person, check out this pretty beautiful timelapse from Alexis Coram that can only be described as light version of a Hunter S. Thompson dream.

Most of the readers of this site I’d wager fall into the category of content creators, not content consumers. That being the case, rants about not being properly compensated for the hard work put in to producing images comes up every so often. But have you ever been on the other side of that situation?

Tamron's VC technology can't be beat: it's simply the best option out there for any type of optical stabilization. I can't live without it when it comes to video, and it's so good it often makes using a steady cam unnecessary. Common complaints with Tamron is often the build quality and sharpness, so let's see how their latest super zoom, the 150-600 f/5-6.3 handled a wildlife shoot.

Commercial shoots are often complex creatures that take a lot of planning and prep work. You'll need the help of your peers to pull off many of the concepts your clients demand and you will need to keep your wits about you as you try to squeeze the entire process into the fast paced deadlines of the business world. I'd like to offer you all some tips and insight on how I like to tackle this process.

Shutterstock was founded in 2003 by entrepreneur (and photographer) Jon Oringer who wanted to create a 2-sided marketplace for stock photos (and later also video). Since then the company grew and became one of the biggest photography-related companies in the world. As of today they sell over 30 million stock images, and add 20,000 new images a day. This week the company's HQ relocated and moved to the iconic Empire State Building, and the offices look amazing.

Although it would seem like common sense, proper motivation is key toward not only getting things done, but getting things done well. This is true in any creative field and this is especially true, it seems, in the over-saturated everybody-with-a-camera-is-a-photographer world we live in.

Dear Google+, you have some great features and someday I hope we can have a better relationship. But right now you are bugging the heck out of me by allowing anyone and everyone to spam my inbox. Please knock it off. In the meantime I am using this article to tell my friends how to turn off this setting, like I just did, so they won't be susceptible to getting G+ spam every day.

I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.

Today, NikonRumors published a brief story about Nikon's winnings in the 2014 Red Dot awards. Every year the fellows at Red Dot in Essen, Germany select products in various fields with outstanding design. In the past, Nikon has been awarded Red Dots for their D4, 1-series mirrorless system, and various coolpix cameras. This year Nikon took home three Red Dots for their ACULON T51 binoculars, D5300 APS-C DSLR and, surprisingly, the Df.

Though no one at Sigma has ever told me they were gunning to best the Zeiss 55mm f/1.4 Otus when they released the 50mm f/1.4 Art, it's been pretty widely accepted that was their goal (since crushing Nikon and Canon glass doesn't seem to be a challenge lately). But recent DxO tests show Sigma fell short of this. But it's pretty easy to see it's still the best 50mm on the market.

Two years ago, I adopted a lovable Pitbull mix named Emma. She's afraid of thunder, loves belly rubs, is sweet with kids and great with other animals. Sadly, a lot of the general public perceive my Emma as a monster, and that's probably why over half a million Pitbulls are put to sleep in the US alone each year. I decided to use my photography to start a positive PR campaign called Not A Bully to help change the way people view Pitbulls.

WD, of the Western Digital Company, released what I thought to be an outstanding addition to their line: a thunderbolt-powered dual hard drive that promised speeds of up to 233 MB/s. No additional cables, small, user-selectable RAID and fast? The My Passport Pro looked like it could easily be the road-version of my Lacie d2. But it's more than that. It replaced my Lacie.