Eric Crosland is the director of Sherpa Cinema, a collective of artists who produce some pretty amazing stuff. Crosland recently went to some rather remote parts of Iceland with Dave Mossop and John Trapman working on capturing some landscapes, something for which Iceland is a mecca. While there, the Icelandic eruption occurred and Crosland was ready with a Phase One.
Paris-based photographer Laura Stevens created a stunning narrative portrait series entitled “Another November,” which explores the stages of heartbreak at the conclusion of a long-term relationship. The series portrays the “gradual emotional and circumstantial stages…along the well-trodden track of the broken-hearted."
Next up to bat on the Fstoppers TogTools podcast series is our very own Sarah Williams, half of the wedding photographer team at Val & Sarah. Jess and Stephen interview Sarah about the importance of identifying a niche and how she goes about booking the type of people she would want to hang out with, the ins and outs of partnerships and connecting emotionally to her work.
If you aren't using some sort of software to sync audio, you're sitting in your edit bay manually matching audio to video queues, be that sounds, video hints or timecodes. But what if you could just dump all your camera footage from an interview and all the audio from your recorder into one program and hit one button to sync them all quickly and accurately? You can with Red Giant Pluraleyes, and it's nearly perfect.
Next up on our Tog Tools Jess and Stephen interview our very own Clay Cook on how he got his start in photography and how he's built an incredible fashion/ editorial photography business. Having first seen Clay's work right here on Fstoppers I was astonished by his clean, sharp style using seemingly basic lighting setups.
This is something that I am proud to hear being said, and I genuinely hope it continues to be said. When I saw this article making the rounds online, I knew I had to help spread its message, not just because it is important in my industry, but also in my personal life. Sexual harassment of any kind is unacceptable, and I will always fight against it. Awareness is step one, speaking out is step two.
I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it. I've seen jealousy turn into bad-mouthing, I've seen photographers knowingly leave out key techniques from classes or talks, and I've seen new photographers become discouraged and disheartened by the cold shoulders of the more popular photographers in the industry.
We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
Mark Seliger is one of the top portrait photographers in the world. His career spans thirty years and in this time he has photographed some of the biggest names in music, politics, business and entertainment. Interviewing him was fascinating. Who has inspired him? What would he say to his younger self if he could go back to when he was just starting out, and which photographer would he choose to take his portrait, if given the chance?
Adobe Max is a creative conference where artists from around the world the chance to interact with beta designs, see great speakers and learn from professionals and of course, see what new software and hardware advancements Adobe is adding to the fold. This year, Microsoft made a surprise appearance, and at the end of the keynote they gave everyone attending MAX a Surface Pro 3. This is a big deal, and not just because it's a free 2-in-1.
In a recent article by Jaron Schneider about the Metabones Speedbooster on a Black Magic Pocket Cinema Camera, several readers had questions about the model designed for the GH4, whether this one would work with it or not, and other comments. I bought one of these a week ago and wrote this article to tell you what works, and what doesn’t.
Originally, the idea of a “creative cloud” was difficult for many to grapple when it was first announced. When I spoke to him about a year ago, Photoshop mastermind Jeff Chien understood how we felt: Adobe couldn’t just put the software in the cloud and actually expect it to be an improvement. It had to mean more. Since then, Adobe has been trying to get to the point where the public would be on the same page as them in this regard. They might be getting there with today’s announcements, which are expanding the connectivity of your accounts in CC in ways that finally make the CC model begin to make sense.
Anthony Duron and Mark Rainwater were one of the first same-sex couples married in Indiana on June 27th, 2014 after a federal judge overturned the state's ban on gay marriage. Unfortunately, a federal appeals court put a hold on the ruling and they have been waiting in a sort of limbo ever since. The U.S. Supreme Court is currently deciding whether to hear the issue of gay marriage from several states, so many couples like Anthony and Mark have been waiting anxiously for vindication over the last three months. I was honored with the opportunity to take portraits of these two gentlemen and I learned a lot about love and life along the way.
How would it feel to photograph Will Ferrell or Seth Rogen? How would you ever get to be able to shoot clients like these? How do you marry technical capability and develop your own style to deliver something unique? What if you could learn from someone doing this sort of work day in day out? Well, now you can, in this exclusive interview with Emily Shur.