Adobe Max is a creative conference where artists from around the world the chance to interact with beta designs, see great speakers and learn from professionals and of course, see what new software and hardware advancements Adobe is adding to the fold. This year, Microsoft made a surprise appearance, and at the end of the keynote they gave everyone attending MAX a Surface Pro 3. This is a big deal, and not just because it's a free 2-in-1.
In a recent article by Jaron Schneider about the Metabones Speedbooster on a Black Magic Pocket Cinema Camera, several readers had questions about the model designed for the GH4, whether this one would work with it or not, and other comments. I bought one of these a week ago and wrote this article to tell you what works, and what doesn’t.
Originally, the idea of a “creative cloud” was difficult for many to grapple when it was first announced. When I spoke to him about a year ago, Photoshop mastermind Jeff Chien understood how we felt: Adobe couldn’t just put the software in the cloud and actually expect it to be an improvement. It had to mean more. Since then, Adobe has been trying to get to the point where the public would be on the same page as them in this regard. They might be getting there with today’s announcements, which are expanding the connectivity of your accounts in CC in ways that finally make the CC model begin to make sense.
Anthony Duron and Mark Rainwater were one of the first same-sex couples married in Indiana on June 27th, 2014 after a federal judge overturned the state's ban on gay marriage. Unfortunately, a federal appeals court put a hold on the ruling and they have been waiting in a sort of limbo ever since. The U.S. Supreme Court is currently deciding whether to hear the issue of gay marriage from several states, so many couples like Anthony and Mark have been waiting anxiously for vindication over the last three months. I was honored with the opportunity to take portraits of these two gentlemen and I learned a lot about love and life along the way.
How would it feel to photograph Will Ferrell or Seth Rogen? How would you ever get to be able to shoot clients like these? How do you marry technical capability and develop your own style to deliver something unique? What if you could learn from someone doing this sort of work day in day out? Well, now you can, in this exclusive interview with Emily Shur.
French photographer Eric Pillot traveled to zoos across Europe for his project “In Situ;” capturing the artificial habitats of the animals who reside in captivity. Pillot’s images portray a sense of disconnected sadness as animals pose with downcast eyes against vivid backgrounds.
Social commentary showing up in the photography medium is hardly a new concept. But when photographer and retoucher Joel Parés set out to make a statement with his latest portrait series, he knew he wanted to showcase the images in a unique way. The shots, therefore, ended up being simple, two frame GIF animations, allowing you to absorb the initial impact first, and then its correspending follow up message for each image. And you know what? It works very well.
Over the past month I've been hard at work testing the Blackmagic Pocket Cinema (BMPCC) camera in a variety of situations for an Fstoppers review (since they updated the firmware, it's like an entirely new camera). While that review is still in progress as of today, I did want to talk to you guys about one piece of equipment that made shooting with it a great experience: the Metabones EF to Micro Four Thirds Adapter for the BMPCC.
Though they are excellent for photographers, Pelican seemed to fall into the industry rather than build specifically for it. But with options between the ubiquitous Velcro inserts and foam, there hasn't been a lot to complain about in the design and function. They do exactly what they claim to, extremely well. However after using Lowepro's first attempt at hard cases, I can now see room for improvement. I think the perfect hard case is somewhere in between the two brands' offerings, but Lowepro is closer to the mark.
If there is one medium that has been subject to the most censorship in society for well over a century, it's photography. Further, if there is one medium that has been responsible for the most heated debates about censorship, it's photography. For the most part, photographers decry and loathe censorship, whether it's because they capture nude figures, or create images with fictionalized depictions of violence, or perhaps - arguably the most important - they capture vital, photojournalistic visuals of the world around us which, let's face it, it's sometimes just plain scary. But consider this: Mainstream censorshop is not only necessary in photography, but it helps photography overall. No, really.
Back in August, while preparing for my latest trip - Seattle on this particular weekend - I found myself casually scrolling through Instagram to kill some time while taking a short break. After just a couple of minutes of this, something I had known quite well for years suddenly became clearer than ever: photographer's images are routinely modified by their clients, with the various filters and image manipulation tools Instagram offers, before they post them. I decided I was going to do what little I could do to speak out against it that afternoon because, by golly, I was all self righteous at that moment, and I was going to be heard. Well, at least on my Facebook anyway.
This is one of those phone calls you always hope to receive from a photo editor, but you can never envision happening. Well, it finally happened to me - "One of the biggest pop bands in the world right now needs to be photographed for the cover of a music magazine, Alternative Press, and you have to fly from New York City to Amsterdam to do it." This is the story of my adventure and how I made my photoshoot happen.
Throughout my career so far I have failed over and over again. Although it’s the successes that I'm remembered and known for, it’s the failures that are always the catalyst. At the end of the day, the key to success lies in failure. This improvisational beauty shoot was only a success because I set myself up to fail.
Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.
When you make a photograph as part of a personal project, the likelihood is that you'll want to share it with your peers. Often the concept is as important as the final image, so the title or description must sit alongside it for the picture to be taken in context. So what happens when a picture accidentally goes viral with no credit to the artist and more specifically, no mention of the theory behind it?