Editorial Photography

Yesterday Tamron announced the development of a new lens, but what caught my attention more than specs and the PR-speak that comes with a product launch was the way the new lens looked... strikingly like what Sigma is going for. I’m excited and happy to see Tamron pushing with a new design, but they have a lot to prove with the change and, arguably, a lot to lose if it doesn’t stack up.

When it comes to bags, I’ve come close to seeing it all. I have a bag for basically any situation plus spares in each category. Over the years I’ve seen different designs from a broad range of manufacturers, and that means I’ve seen both good and bad ideas. Bags are seen as a commodity, and I won’t argue they aren’t. But in their attempt to reinvent themselves and grow out of that box, sometimes we end up with bag designs we never needed or asked for. That’s why it’s such a relief when a bag company just makes a no gimmicks bag that just works.

With the growth of powerful and reliable small cameras, it’s only natural that photographers look for bag options that fit the new compact lifestyle. That said, if you’re like me, even if you plan on “downsizing,” you don’t want to give up too much, you just want a more compact version of what you already have. I took the Think Tank TurnStyle with me overseas and used it as my primary bag to see if it could act as my go-to travel satchel.

What ever happened to loving a camera for the camera? Why does everything we buy have to fill a utilitarian hole? What happened to a love for the craft and as much as for the tool? There has been a lot of chatter around the Nikon Df and if we as photographers need it. It's gone so far as to suggest that it represents all that is wrong with photography these days. I want to argue the opposite. I want to argue it represents what many of us have lost as photographers: joy in the craft.

Tonight Nikon will announce announced the "revolutionary" Nikon DF Camera. By "revolutionary" I mean that they have taken a full frame sensor from a current digital DSLR and put it into a non-ergonomic retro body and removed many features, including video. Are we excited about this camera because of the photography we will be able to capture with it or are we excited because we will look trendy and fashionable holding it?

This is it. By now, You will have been inspired, honed your ideas, found the perfect location and booked your talent. You will have taken that little bit of inspiration and nurtured it into a full fledged shoot. If you are anything like me, you will have tossed out far more ideas than you kept and you will have spent hours upon hours solidifying the few that stuck with you. It is safe to say that the hard part is over.

Recently, American plus size model, Tara Lynn, graced the cover of Elle Spain's November issue. You can see that she did an amazing job from the cover shoot. However, every time the term "plus size" is used, I see more and more people become upset. Do you think the term should be banned or is it necessary for differentiation purposes?

I was shocked at my favorite product this year at PPE. Mostly because it wasn't digital, electronic, or even made of glass. I was most impressed with a product that helps our capture workflow in studio and on location.

I’ve been sent a few messages asking how to get noticed by the people we want to work with and how to approach them. I’m never sure I can help because I’m no expert, but I do try as best as I can. In order to keep my advice consistent, this article sets about the rules I made for myself. By no means are they perfect, you may not agree with many of the points and I know for a fact that I sometimes fail in following them myself. But in general they work for me and I don’t mind sharing what I’ve found.

This week we purchased our first LED lights pad kit and I have never been more excited. After much debate on which kit, which manufacturer, how many lights, we finally pulled the trigger on the ROSCO Gaffers Lite Pad Axiom Kit sold at BH Photo. There are so many options on new lights today and the choices are overwhelming. In the end we wanted a large kit that was compact, durable, dynamic, daylight balanced, and easy for a small crew to set up. This kit did all of that.

What type of photography do you do? Portraits? Still life? Macro? Aerial? Fine art? Fashion? Commercial? Advertising and editorial photographer Joseph Ford does many of these – sometimes simultaneously. His latest project of beautiful diptychs proves unequivocally that your creativity and innovation are what will set you apart and win you top tier commercial clients. Read his exclusive interview to find out how his latest project came about, and what you can learn and apply for you and your business.

Recently I was lucky enough to have a day off, something that doesn't happen too often. I woke up that morning feeling a little burnt out from the daily non-stop marathon that is living and working as a freelancer in New York City. I dragged myself out into the kitchen, made myself some bacon and eggs and sat down to eat. Over breakfast, I realized I hadn't made a picture for myself in almost a full year.

I just quit my full time job of six years as a video producer at a local college. A decent salary, good benefits, and the security that came with it… all gone. I'm now focusing on my dream project called Ascending India (our film trailer is what’s featured) and I might go broke trying to make it. Read on and I’ll tell you why I couldn’t be more excited, and why you might want to consider trying to make your dream project happen too.

I'm all kinds of excited for Photo Expo this week in New York. One of the biggest things I am looking forward to is Shoot NYC just down the street from the Convention. If you are planning on attending the convention this week, don't forget to register for the Hasselblad/Broncolor Shoot NYC. It's packed with free speakers and will be a great chance to get your hands on some of the worlds best gear. Plus it's totally free.

Last week I published an open letter to Adobe Lightroom written from the perspective of photographers that use the web gallery feature in Lightroom. It generated a decent amount of feedback both positive and negative. Many people told me that this couldn't be done and that Adobe would never offer something like this. Then I read a comment from a reader that was doing exactly what I wanted. Problem solved!

Verily magazine is doing something completely different than all of the other magazines out there. They have decided to use no Photoshop at all for the models in the magazine. Celebrating a person's flaws rather than taking them away is their intention. They believe this is what society wants to see and they may be correct. Even more impressive is their stance on using real women as models.