Tamron has announced that it has completed its holy trinity of intelligently compromised f/2.8 zooms for Sony full-frame cameras: the Tamron 70-180mm f/2.8 Di III VXD.
When it comes to flagship cameras, most photographers tend to buy into one brand and stick with them. It's not very often that people who shoot with these cameras switch from one camera brand to another. A big reason for this is because familiarity is valuable and especially useful when shoots are critical.
Pentax has a small but fiercely loyal customer base, and with the industry gradually transitioning to the mirrorless era, those photographers might be wondering if the company plans to eventually join the rest. Unfortunately, it seems the company has no plans to make a new mirrorless camera, at least for the time being.
A ultra-wide angle zoom lens is one of the most common workhorses in photographer's bags, but professional f/2.8 versions are anything but cheap. Today only, however, you can take up to $300 off the already affordable and high quality Sigma 14-24mm f/2.8 DG HSM Art lens.
You might have heard of the term "native ISO" before and wondered what it refers to. This excellent video discusses the topic and what it means for your cameras.
The 24-70mm f/2.8 is a bread and butter lens for a lot of photographers in a wide variety of genres, but they tend to be rather pricey optics, which is why Sigma's 24-70mm f/2.8 DG DN Art lens is such an intriguing option for lots of professionals. This great video review takes a look at the lens and what you can expect from it in practice.
Do you have Gear Acquisition Syndrome? Are you a bit of a camera gear savant? Test your knowledge and let us know how you get on?
Godox has a new flash about to hit the shelves: the AD300 Pro. This short video goes hands-on with the new wireless, battery-powered strobe, running through the specifications and testing it at home under coronavirus lockdown shooting conditions.
Macro photography is a fun thing to do. With a normal macro lens, you can reach up to a 1:1 magnification. With a couple of extension tubes, it is possible to boost the magnification a bit, but not much. If you are interested in higher magnifications, you could try a reverse ring first.
The Fujifilm X-T200 looks like it swallowed an iPhone. With a screen size that matches that of a previous-generation iPhone 4, it might as well have. It's this screen that is the camera's most significant selling point, boldly signaling to smartphone users to put down their poor, small-sensor cameras to embrace this instead. It primarily works for its intended audience, with a few caveats.
There is no doubt that most photographers love gear; after all, modern cameras and lenses are pretty nifty gadgets. And while it can be fun to have a pile of gear on your shelf, sometimes, having less equipment is actually better for your abilities and your creativity.
It's important in photography to stay creative, and this simple DIY lens hack from Pye Jirsa does just that. Learn how to create a "flare ring" of your own in just a few minutes.
For eight years, photographer Pete Souza had my dream job, photographing the president of the United States and being on the front line of the biggest news stories of our time. In his latest IGTV post, Souza talks about some of the gear he used to capture his iconic images.
In last week’s article, I took you through the four best investments that I’ve made since becoming a professional photographer. But, since there are two sides to every coin, I guess it's only fair to also tell you where I’ve gone wrong.
Most of us are familiar with "the gear trap," the fine line that's crossed when a shooter makes a top priority of continually researching and purchasing newer and better camera equipment. This can be a dangerous money pit. But there are times when your gear must be upgraded, lest you suffer the technical shortcomings of outdated or inadequate equipment.
Canon has announced that it will be hosting an online press conference on April 20 in order to present some new products. Will the much-anticipated EOS R5 officially be launched?
In a refreshingly candid and open interview with DPReview, Sigma’s Chief Executive Officer, Kazuto Yamaki, has given an insight into how the Japanese lens and camera manufacturer is performing, and revealed some of its plans for the future.
Whether you want a great doorway into photography that has a low financial entry point, or back-up camera you're not scared to put at risk, this could be the camera for you!
Want to give photography a chance or get you and your camera off the ground? Now's the time. We've reduced the price of our Photography 101 tutorial to $0 for a limited time.
When it comes to the kind of camera a wildlife photographer might choose, Canon's EOS RP is probably pretty far down the list. Nonetheless, with a sub-$1,000 price and the ability to take both Canon's new RF lenses and the existing library of EF lenses, it could be a great option for a lot of photographers on a budget. This excellent video will show you what you can expect when shooting with the EOS RP in the wilderness.
We all live in Zoom right now. With the global pandemic, chances are your client meetings aren’t happening in person anymore. But while your photography gigs may have temporarily dried up, you still have to put your game face on, even if it’s via videoconference. Here’s some gear to help you do that.
When Pentax released its 24-70mm f/2.8 lens back in 2016, people quickly realized that it was little more than a rehoused Tamron lens without the VC feature. More recently, Pentax has announced that it's developing a new FA* 85mm f/1.4. Although there are certain physical similarities to a Sigma lens, I doubt that it's the same lens.
A couple of weeks ago I turned in my Sony a7R IV and went back to the previous generation a7R III.
The new 2020 MacBook Air has been introduced with some new features at a cheaper price than the 2019 model. The new model has the latest 10th generation Intel processor with better graphics, so let’s find out how it handles video editing.
For the last couple of decades, a prime lens wasn’t professional grade if it didn’t have a maximum aperture of f/1.4. Times have changed, however, and now, you have to look past the aperture to really understand where a lens is positioned. Want to know what drove this change?
There’s a very real chance this COVID-19 pandemic could send some of the biggest camera companies under. If that happened, what would you do and how would you respond?
A new Lomography lens for full frame cameras is available, but is it worth a purchase?
Sitting at home, waiting out a global pandemic can lead one to do a bit of thinking. And, because I am a photographer, what better thing to think about than gear?
Canon Inc. has just announced that it has maintained its position as the global market leader for interchangeable lens digital cameras (DSLR and Mirrorless) for the 17th consecutive year (from 2003 to 2019).
If you are in the market for a new standard f/0.95 prime, which should you choose? In this useful test, one photographer pits the Nikon NIKKOR Z 58mm f/0.95 S Noct against the Leica Noctilux-M 50mm f/0.95 ASPH to help you figure out which one is best.
