Following on from the success of its budget nifty fifty lenses for Nikon and Canon, Yongnuo has just announced a 50mm lens for Sony APS-C cameras: the YN50mm F1.8S DA DSM.
The majority of photographers shoot raw files because the larger file sizes over JPEG are offset by the big gains in post-processing flexibility. Nonetheless, companies are always doing what they can to give photographers options for smaller file sizes with minimal quality loss, with the latest from Canon being the Compressed Raw format on their new mirrorless cameras. This great video takes a look at how these files hold up against traditional raw files and if you should switch the feature on.
In many of my shoots over the last year, I have opted to use only LED continuous lights over my strobes, and I can only see that trend continuing. Here's why I think you ought to consider LEDs if you haven't tried them yet.
The 70-200mm f/2.8 is a staple lens for many photographers across a wide range of genres, but such lenses are rarely cheap to come by. If you are looking for a more affordable alternative, check out this great review of the new and highly anticipated Tamron 70-180mm f/2.8 Di III VXD lens.
In 1987, Ronald Reagan was president, Mathias Rust landed his light aircraft in Red Square, and the stock market crashed on October 19, dropping 22% in a single day. Fox also made its primetime debut, the Simpsons aired for the first time, and "Robocop," "Dirty Dancing," and "Good Morning Vietnam" were all released. But what happened in the photographic world?
Let's be honest: camera gear is fun, and it can be a blast to get a new piece of equipment to play with. That being said, gear is also expensive, and it can be easy to convince ourselves we need that shiny new camera or lens when we actually do not. This great video features one filmmaker discussing some of the worst reasons he has upgraded his gear over the years.
A sharp, wide aperture portrait lens is one of the workhorse optics for a large number of photographers, and while 85mm is often thought of as the classic focal length for such work, some prefer something a bit longer, like a 135mm lens. This great video takes a look at just such a lens, the Sony FE 135mm f/1.8 GM.
Most of the world is on an enforced break right now, which we can't do much about. But when the fog clears, what can you do if you find your motivation for photography has fallen off a cliff?
The Fujifilm X100 series is a modern legend of sorts, loved by many photographers for its unique experience and focus on putting the enjoyment back in the experience of photography. If you are thinking of picking one up for yourself, this great video will give you an overview of all five models in the series to help you decide which is right for you.
Did you think that having just one flash unit is not enough to create bright high-key portraits?
Like many photographers in quarantine, I’ve been trying to get creative without the ability to get out. I’ve had a lot of gear sitting around that doesn’t get much use, and so I’ve gone through my boxes to dust them off and see what’s possible. One gem I had forgotten about was the FotodioX Mount Adapter that lets me mount my Nikon F glass to my Micro Four Thirds cameras.
Most macro lenses are generally in the 100mm range, but sometimes, macro photographers prefer longer focal lengths, as they can give better telephoto compression and longer working distances when trying not to disturb a subject. If you are interested in such a lens at an affordable price, check out this great video review of the IRIX 150mm f/2.8 Macro 1:1 lens.
There is no doubt that Sony cameras are some of most advanced on the market, but with those advanced capabilities come some very intricate and complex menus that can be a bit difficult to navigate. This great video tutorial will show you every item in the Sony menu system, including what it does and how you can customize it to your liking.
When I bought a tilt-shift lens for my landscape photography, I soon discovered how to shoot panoramas without the need for a nodal slide. But I noticed some parallax problems. The answer to this was the Rogeti TSE-frame.
Canon has been pushing the boundaries of lens design recently, with some highly impressive optics coming to market, some never seen before. It seems the company is showing no signs of stopping, as a patent for an extremely wide full frame fisheye lens has just emerged.
A 35mm lens with a wide maximum aperture is one of the most useful optics a photographer can own, as it offers a versatile focal length along with excellent light-gathering and depth of field performance. This excellent video review takes a look at the relatively affordable Samyang XP 35mm f/1.2 lens and if it can stand up to the demands of professional photographers.
Weather sealing has been an anxiety of mine over the years (before I became a studio bunny) and I was never sure how far I could push it. A few weeks ago I decided to find out by shooting in the rain for two hours.
The exposure triangle refers to the three parameters that control the exposure of your photographs: shutter speed, aperture, and ISO. Each affects your photos in a different way, and as such, it is very important that you master them both to shoot technically apt images and to ensure you can bring your creative visions to fruition. This great video will introduce you to the exposure triangle and how to use it for your own work.
The 70-200mm f/2.8 is a workhorse lens for a wide variety of photographers in many genres, providing a versatile range of useful focal lengths paired with a wide maximum aperture. This great video review takes a look at the Canon RF 70-200mm f/2.8L IS USM lens and if it continues the tradition of excellence established by its DSLR predecessor.
One of the most fundamental and useful pieces of gear any photographer or videographer can own is a tripod. These two excellent videos will give you numerous tips to ensure that you are getting the most out of your tripod.
Is there anything better than buying new gear? Or anything worse than subsequent buyer’s regret? Here are some questions to ask yourself before you kiss your cash bye-bye.
Ever wonder how some of those shots in La La Land were achieved? Or maybe the video for "Say Something" by Justin Timberlake? The Arri Trinity is a remarkable piece of gear, and this video not only explores its potential, but also introduces you to one of its most established and skilled operators.
Samsung's latest flagship phone has some camera specs that are sure to make lots of photographers and videographers do a double take, and while they are certainly impressive, you might be wondering how the phone performs in the real world. This excellent video follows a photographer as he takes the 108-megapixel Samsung Galaxy S20 Ultra smartphone into the wild for a landscape shoot.
Now, more than ever, photographers have their choice of a vast range of brands with tremendously capable equipment capable of helping them realize whatever creative visions or professional needs they have. As such, it can be a bit tough deciding which brand is right for you. This great video features one photographer discussing five reasons why he prefers Fuji cameras for his work.
A high quality superzoom lens is somewhat of a unicorn for a lot of photographers. After all, the prospect of a single lens that can handle pretty much any situation is tempting for a lot of reasons ranging from convenience to budget. This great video review takes a look at the Canon RF 24-240mm f/4-6.3 IS USM to help you decide if it deserves a place in your bag as the do-it-all performer.
I know I harp on about gear not mattering. Nevertheless, there are individual purchases that I have made over the years that have had a real impact on my work. Having been a commercial photographer for some time, I thought I'd share my opinion on this.
New patents have been filed by Canon for their RF mirrorless mount, and it looks like the company plans to bring some affordable glass to the platform.
Kasey Stern of Camera Conspiracies has for several years been on a seemingly endless mission to find the perfect vlogging camera. Has he finally found it in the shape of the IDOLCAM? As you might have guessed, it’s not that simple.
Last week, in a gloriously nerdy video, DPReview tested the preamps of various hybrid cameras to see how they performed alongside one another. One of the big surprises was how poorly the Sony a7 III fared, giving a notable hiss. In response, Gerald Undone then conducted his own tests, finding completely different results. So, where does the truth lie?
Hot days can wreak havoc with our gear, most notably when our cameras overheat and go on strike. The question is, do you know how hot is too hot for your camera?
