Gear

Fujifilm is due to roll out a new version of its slightly odd rangefinder hybrid later this year. How is it going to improve on the X-Pro2, which sensor will it boast, and will it really feature 5-axis in-body stabilization?

There are many reasons for a professional photographer or video editor to shell out thousands of dollars for Apple's new Pro Display XDR monitor. But only Apple would be arrogant enough to think anyone — professional or otherwise — should shell out $1,000 for a stand to go with it.

Today, Sony announced a new super-telephoto prime lens and super-telephoto zoom lens aimed at sports, action, and wildlife photographers.

I've always been a fan of odd lenses and crazy rendering from some vintage lenses. I have even gone further than most and used vintage lenses on my Sony exclusively on actual customer sessions, and I have been pleased with the results. Today, I want to talk about how much difference modern lens technology really makes in actual real-world usage.

The Canon EF 17-40mm f/4L USM Lens is a staple for most photographers. I purchased mine about 10 years ago, and I am about to retire it.

The primary reason that I’ve remained a loyal Canon user is due to their range of tilt-shift lenses. In 2013, I acquired a 17mm tilt-shift lens. In this article, I’ll explain why this and the 24mm tilt-shift lens have been crucial lenses in my camera bag ever since.

When you go out taking pictures, you grab your camera or camera bag, you might set up a tripod, and start shooting. Often, that goes without any problems, but not always. Imagine what happens when your equipment takes an unexpected fall because something fails.

GoPro’s latest action cam caused a little bit of a stir when it was released last year, bringing an insane level of digital stabilization to 4K footage. DJI then shook things up by launching its mooted GoPro killer, the DJI Osmo Action. How do they compare, and which one should you buy?

Canon cameras tend to get a lot of flak for seemingly being behind the times technologically speaking, though they remain the top brand in the world. Nonetheless, it's not all bad with them. Here are three things that I think Canon cameras do very well.

Canon has long resisted calls for in-body stabilization and it is feature that's markedly missing from the EOS R and the EOS RP. However, news is emerging that in-body stabilization paired with lens stabilization is very much in the pipeline. What are the implications for its RF and EF lens line ups?

There is no shortage of gear reviews all over the internet that are full of meaningless info, opinions with zero examples, or evidence to back them up. However this video comparison of the DJI Osmos Action/Pocket, GoPro Here 7 Black and just about every other relevant action camera is by far the most comprehensive and info-packed review anyone could ever want.

Atomos is most known for their on-camera monitor/recorder solutions and while they do make other products it's never been a focus of theirs until now with their new NEON on set monitors.

Smartphones seem to be advancing at a much quicker pace than conventional cameras are. Companies are consistently trying to find solutions to problems and issues. The battle to perfection continues and Asus seems to be pushing towards this goal with their latest smartphone

Weighing in at a little over 8 oz, the Leica Summicron 50mm f/2 is quite the small lens. It doesn't have a remarkably wide maximum aperture either, and yet, it costs over $2,000. What makes this lens so expensive?

Photography is a hobby/profession that can take a serious toll on your wallet. The cost of a lot of precision, technologically advanced equipment can lead you to be very protective of your gear (and rightfully so). Is it worth risking it to get the shot?

Olympus has just recently announced its newest edition of the TG underwater series of cameras. While not a gigantic step up from its predecessor, it comes with enhanced features sure to grab interest to anyone interested in underwater photography.

Profoto has just launched the B10 Plus, a 500w/s on-location strobe that outmatches the recently released B10 while retaining most of the previous strobe’s design cues. With a well developed back panel display, a svelte body design, and a more powerful light output, is there any room for the B1X in Profoto’s lineup?

The photography world is chock full of products meant to make photographers think they will instantly improve their work and take dazzling shots. Some are obviously better than others. Here are the best and worst pieces of photography gear I've purchased.

Update - Congratulations to Mack Bartlett on being selected as the winner of the Fujifilm X-T3 with a 18-55mm lens. His entry to sign up for the Fstoppers and Fujifilm newsletter won him the giveaway. We will be in touch with you to claim your prize.

Lens mount adapters are available in huge numbers for mirrorless cameras thanks to the reduced flange distance they offer. Nearly all Full Frame and Medium Format mounts have been adapted to the Fujifilm GFX series of cameras now, and today we'll take a look at the middle-of-the-pack Fotodiox Pro Nik(G)-GFX Lens Mount Adapter and discuss what it is and what it isn't to see if it would fit the bill for you.

All roads have led to this. After spending an entire month with the Fuji GFX S, today, I’ll offer my final thoughts on whether the camera is worth the price of admission.

Laptops have severe limitations when it comes to throwing graphics around, lacking the big, fan-cooled processors that are often a feature of desktop machines. What if you could keep the mobility of your laptop and plug into an external GPU when you need to render graphics or export your content? Could this be a game changer when it comes to your workflow?

Continuing our A to Z foray into the world of photography, we move on to C and the iconic Central Park. What possible reason could Central Park have for inclusion in this brief A to Z and didn't Lewis Carroll write books? Find out as we move on to alphabetical Cs.

Modern cameras are mightily advanced technological instruments, full of a bevy of features and capabilities, some more important than others. This is the feature that's most important to me.

You might not be considering dropping the cash for this thing, but the target customer might.

It wasn't long ago that Chinese lenses were synonymous with, well, crap. But with brands like Venus Optics, Zhongyi, and 7Artisans we are beginning to see high quality, unique lenses that have very few compromises.

Photographers can be both nostalgic and habitual, finding a piece of gear they really love and sticking with it for a long time. Most of us have some piece of gear we love and won't ever part with. This one is mine.

Panasonic started its full-frame mirrorless game with the S series bodies. In this review, you’ll see whether Lumix S1 is good for video shooters or not.

It's been more than three years since Canon first released their flagship camera the EOS-1D X Mark II. Since then, plenty of other cameras have been released, new flagship models from other manufacturers and even a whole new mount. Three years is a long tie in the world of technology so how does the current Canon flagship camera hold up to today's standards?

The fast pace of changing technology is not slowing down. Add to the mix new mirrorless systems, VR, 8K it’s starting to make more and more sense to rent camera bodies, or does it?