Gear

For a long time, the holy trinity of zoom lenses has been considered the 16-35mm f/2.8, 24-70mm f/2.8, and 70-200mm f/2.8, with slight variations in the focal lengths from manufacturer to manufacturer. However, Canon may be looking to up the ante in a major way by creating a holy trinity of f/2 zoom lenses.

Do cameras with larger sensors have a specific look? Last week I posted images taken with four different sensor sizes and let you decide. Spoiler Alert: Nobody could tell the difference.

Following on from the success of the 28-75mm f/2.8, Tamron has just announced the launch of its much-anticipated 17-28mm f/2.8 Di III RXD. Will the price make it an affordable competitor alongside the solid ultra-wide angle zoom offerings that already exist from Sony?

As Canon continues to push ahead with their professional lines, particularly in the full frame mirrorless world, it seems they're also going to be diving into a perhaps unexpected realm: cameras for younger people. Check out the models we might see in the coming months.

The Panasonic S1 has been making waves as a truly tricked-out camera made for professionals. Is it a camera that can step up to the most demanding needs for both stills and videos? This thoughtful review takes a look at the camera from both perspectives to answer that question.

While Canon's RF mirrorless lenses have generally been receiving stellar reviews, the response to their camera bodies has been decidedly more mixed. However, their cameras are sometimes known for certain usability perks and other intangibles that the spec sheets can't capture, and this great video review focuses on how those come together to make or break the EOS R over the course of six months with it.

From today, you can pick up the latest and greatest all-in-one 360 camera on the market.

Canon has been releasing some stellar lenses to go with their mirrorless bodies of late, and it seems they're not stopping, as the company will be pushing ahead with the sort of super-telephoto lenses that pros need.

Astrophotography can be an incredibly rewarding and awe-inspiring photography genre to get into, but it can also requires loads of specialized equipment that is decidedly not cheap. This awesome video review takes a look at a budget option to see if it can still get great results that make it worth the cost.

Over the years, many companies, from Lytro to Light, have tried to come up with small, funky cameras that use technology to pack DSLR punch into a small package. Invariably, all of these have more or less failed, but there’s one company that’s just sitting on a sleeping giant in this market: Apple.

The wait for a mirrorless flagship sports and wildlife shooter from Canon might be shorter than anticipated, with rumors circulating that it could arrive within the next year, perhaps at the same time as the successor to the Canon 1D X Mark II.

Today, Loupedeck+ is supporting more photographers’ workflows by adding integration for Adobe Camera Raw within Photoshop.

In a new firmware update, Metabones is enhancing the functionality of their EF to E Smart Adapters and Speed Boosters when used on the Sony a7 III.

I consider teleconverters to be an essential piece of photography gear for wildlife photography. Check out this great video on what makes them special and how to get the most out of them.

After a few compatibility and speed tests, for the first time, I will be leaving my laptop behind when I go on a seven day trip out of the country later this month. It’s all thanks to iPad’s new iPadOS, which this year will provide support for external drives and a group of other pro features we’ve been starved for since the iPad first came out.

With the success of the original panning motion control system, popular with time-lapse enthusiasts in particular, Syrp Ltd announce a new and improved version.

There was once a time when Canon and Nikon users warred like zealous tribes and the act of switching made you a heathenish deserter. Now it's just par for the course. So what happened to brand loyalty? Did it ever really exist?

Next month, Leica is adding the full-frame mirrorless Leica M-E (Typ 240) to their lineup of M-system rangefinder cameras. Is the price low enough to gain a larger following?

With companies like Fujifilm entering the medium format industry, it's not going to be an easy place to compete, especially for a company like Hasselblad. The new Fuji GFX 100 looks pretty incredible; however, Hasselblad does seem to have a few tricks left up its proverbial sleeve.

The pictures you can make on the latest smartphones are starting to give regular cameras a run for their money. Combine these advancements with a multi-lens case and you might just be able to leave your regular camera at home.

Let's be honest. While we as photographers have a troublesome relationship with gear at times, we could mostly do with a lot less of it. In yet another wonderful discussion, Nick Carver gives us his thoughts on hiring a wedding photographer, using less gear, choosing a rum as a digestif, and what it means to be a photographer.

The Sigma 35mm f/1.4 Art lens was the first in the company's highly lauded "Art" line, which has become well known for high optical quality at prices that seriously undercut those for equivalent lenses from first party manufacturers. Now, you can get an even better deal on the 35mm f/1.4 Art by taking $250 off today and tomorrow only. This includes both the DSLR and mirrorless versions of the lens.

Modern professional and semiprofessional cameras can generally withstand moderate exposure to the elements and an occasional bump or knock, but dunking them in 30 feet of water is an entirely different proposition. For that sort of use, you'll want to look into rugged compact cameras, and this excellent video review compares three of the best models.

In a world first, lens adapter specialists Techart PRO have unveiled a Sony E to Nikon Z autofocus adaptor. The kit allows a Sony lens to attach to a Nikon body, something that has never previously been possible.

Lensbaby has announced a new set of filters which attach to a lightweight ring atop your lens via magnets. The new kit allows you to use glass and crystals in order to create novelty blur and bokeh effects hands-free, but is it worth using such novelty items in-camera, given that their rather niche effects are irreversible?

When the Hasselblad X1D came out, it was the world's first medium format mirrorless camera, and as such, it ushered in an exciting new era that has since been joined by the Fujifilm GFX series. Nonetheless, it wasn't the perfect camera, and now with the second version, Hasselblad has made some changes sure to improve the experience. This great video takes a first look at the new version and how it performs.

When Canon and Olympus were experimenting with live view on their cameras in the mid-2000s, it seems almost comical now that they didn’t think to record video with the feature that already existed on their cameras. History is repeating itself, but this time with the lowly pop-up flash.

Do medium format cameras have a specific look? Do Micro 4/3 camera take horrible still photos? You tell me.

With sensor prices dropping and leading manufacturers keen to get consumers on board with their latest mirrorless offerings, increasingly budget-friendly options are expected to emerge. However, would you buy an affordable camera that is cheap because it doesn’t have a viewfinder?

After a monster week of F, it's time to get back to some semblance of normality (although the title sounds like a Harry Potter novel!). Coming at you straight from Photography 101 and the chapter on "Composition" is the Golden Triangle, followed from left-field by Nan Goldin.