At some point every photographer uses a backdrop of some sort. The problem is that they are usually large, heavy, and cumbersome. Hanging them can be a bit of a pain and mounting hardware can get pricey especially if you are dealing with multiple backdrops. Jay P. Morgan of the Slanted Lens offers up 3 simple DIY solutions for mounting backdrops that will save you time, money, and headaches.
Despite making cameras that so many people love, Nikon seems to be suffering a severe camera parts shortage at a number of its repair facilities for certain cameras. While these tend to be older cameras like the D7100, others are still in production, like the F6 (which has been the same camera since its release in 2004). Still, many professional, pro-sumer, and hobbyist photographers rely on these tools every day. Such lengthy or indefinite wait times for repairs are unheard of and could severely hurt the company's reputation as a brand of professional imaging.
A couple of weeks ago, Elinchrom released the Skyport HS, a new iteration of the very old and rudimentary Skyport. The Skyport HS seems to have everything a strobist could hope for, from the laser grid to focus in low-light conditions to the Hi-Sync mode. This new radio trigger is a welcome addition to Elinchrom's product line. At least, it is on paper. The Swiss company was kind enough to lend me a unit before it was even released so that I could play with it and review it for you.
As recently as yesterday, we've seen all kinds of articles comparing various cameras' qualities to one another, pixel-peeping to see which one edges out the competition by a razor-thin margin. You can put your magnifying glass away, however, and trade it in for a beer as you sit back and watch a real comparison. Photographer Jim Goldstein took the pleasure of comparing two of Canon's top-of-the-line DSLRs from different time periods: the 5DS R and the Canon D2000.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
Last month we had the three highest megapixel cameras by Nikon, Sony, and Canon in our office, and we filmed a pretty polarizing review pitting them against each other. Many viewers pointed out an unfair bias in our studio test so we redid the test again using the same lens on all three cameras. We then asked our readers to pick the best looking image from the 3 cameras without telling them which camera took which photo. The results from this test were pretty alarming.
Each week, we get contacted by a range of different companies asking us to review their products. Normally, we don't accept the majority of these products, but for your entertainment, we've decided to review every single one of these products in some sort of entertaining (and unfair) way. Today, I got the BOOMR camera strap in the mail and put it through a stress test.
Having the right gear for the job is essential in being able to handle the barrage of lighting scenarios that a wedding photographer will encounter on each outing. I, like many others, am constantly thinking about the next piece of gear. What lens, what camera, or what lighting system will allow me to take higher quality images and provide a better experience to my client? This led me to think, what do I really need to shoot a wedding? I mean in reality, to walk out my door and provide my bride with the images she expects, what are the bare essentials I really need?
While some photographers stay close to home, others travel quite regularly. I’ve been traveling my entire life for one reason or another. And whether it was for a newspaper job I was essentially commuting to (living four days in Southern California and three days in Northern California every week) or a short trip on a personal photographic exploration, I quickly learned that it’s great to have some creature comforts to keep you company along the ride once whatever glamour of traveling that’s left these days fades away.
Photographer Davin Lavikka released this short and neat video documenting the shutter sounds of several popular camera's. It's a great comparison for those photographers who have a legitimate concern over shutter noise. The video also showcases the Olympus silent shooting mode, which as seen in the video, is virtually inaudible.
For one reason or another, this has been the week of all weeks for those anxiously awaiting firmware updates. While some are rather mild updates to fix various bugs (which is still important, granted), other updates like the one for Leica's T camera boost things like autofocus speed twofold. Fresh updates! Come and get 'em!
I don't have specific numbers. I don't even have vague numbers. But I wouldn't be surprised if someone told me Adobe's mobile photo editing apps have seen a huge success. The biggest reason: they're free. And the second: they really work, which makes the first reason even better. Today, Adobe updated two of these apps, Photoshop Mix and Photoshop Fix, with support for split view in iOS 9, for the screen size of the iPad Pro, and for the pressure and tilt sensitivity of the Apple Pencil for use on the iPad Pro.
You had me at f/0.95. When I saw Fiction Brand's tribute to my favorite lens in the whole world, the $10,000 Leica Noctilux-M 50mm f/0.95 ASPH, I knew I had to have one. But once I got my foot in the door, I realized there's more to this brand than just a novelty tee shirt as I reviewed their camera strap, hat, and pocket SD shirt.
For the past few weeks I've been able to play with the new DJI Inspire 1 Pro drone and X5 Micro Four Thirds camera and gimbal. The entire system is amazing but I have to admit that I thought it was a bit overkill for the average drone user... That is until I saw this video and realized the X5 works with the Osmo.