Two of Nikon's most popular professional cameras have hit all-time lows in online pricing for new, non-grey-market models with full warranties in the U.S. The Nikon D810 currently sees a $500 discount on B&H while the D750 sees a $400 discount, each selling for $2,796.95 and $1,896.95, respectively. That makes these bodies the cheapest they've been by $200 (for the D810) and $100 (for the D750).
Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more!
Yesterday we released the iPhone Bikini Shoot, a video in which I do a professional quality photoshoot with minimal gear. The point of the video wasn't to say that the iPhone was a better camera than a professional DSLR, it was meant to inspire photographers to use the gear they currently own to create beautiful images. Obviously the iPhone is infinitely worse than any current DSLR for stills but surprisingly it appears to be a far better video camera than my $3000 DSLR when there is enough light present.
"Oh, this is going to be good," I chuckled to myself. Fstoppers co-founder Lee Morris had just posted an article and video called "The New iPhone Fashion Shoot: Bikinis, Foam Core, and Flashlights." I knew the response would be fast and passionate. I wasn't disappointed.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
RED Digital Cinema has announced the latest addition to its line of professional cameras, the RED RAVEN priced at $5,590. RED RAVEN is the lightest and cheapest camera among the RED Cinema lineup. This camera is capable of capturing 4K resolution footage at up to 120fps or 2K resolution at 240fps.
Recently, RGG EDU posted video reviews of the new iPhone 6s, which is getting major attention for its new video capabilities, namely its ability to record 4K video. In these two video reviews, RGG takes a look at the dynamic range and stabilization ability of the new phone, as well as its overall video quality. RGG, known for their video tutorials on photography topics, uses the iPhone on productions regularly, as I experienced firsthand, during the filming of the Dani Diamond Portrait Tutorial in my hometown of New Orleans.
The Fujifilm X-Series cameras have made quite a stir in the photography community over the past few years by asking us to take mirrorless cameras seriously. Since the debut of the X-Pro1, Fuji has released numerous iterations, but has really showed it was serious with the X-E2 and X-T1. Now, we have the X-T10, a scaled back X-T1. Where does it fit and who is it for?
Today I got an iPhone 6s and the only feature that really excites me is the option to shoot in 4k video. As I've said before, I don't care to export videos in 4k, I just want higher quality 1080p footage. I decided to do a quick test comparing the 4k capabilities of the iPhone 6s to the hottest camera on the market today, the Sony A7RII.
Aside from some people getting theirs early and others being in time zones where "today" was "yesterday," the iPhone comes out today in the U.S. And of course, those who have theirs have already spent plenty of time comparing various features. This new video by Giga Tech highlights the differences between the iPhone 6S' and 6S Plus' respective video qualities when it comes to video stabilization. The larger Plus model features optical stabilization as its predecessor did while the smaller size of the smaller 6S only leaves room for digital stabilization — and the difference is quite dramatic.
It comes up when I'm driving someone around and they ask where my car charger is (I don't have one). Or when I'm having a party at my house and my guests asks to go into my office to plug their iPhone into my computer. You don't have to live like this anymore. There is another way.
When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.
The original Holga camera was made in 1981 as an ultra-cheap medium format camera for families in China. 35mm film came out soon after destroying the 120 film market, but the Holga camera was then picked up in foreign markets by photographers looking for surrealistic, lo-fi looking pictures. This camera comes full circle today with the creation of the Holga Digital.