Jay P. Morgan of the Slanted Lens has recently created an image for Dynalite that is being used in their advertising. The concept for the image was to showcase a lot of motion, and the Dynalite Baja's motion stopping power. As part of the project Jay has created a behind the scenes instructional video that explains what it takes to properly freeze motion and action when working with studio lighting.
While looking for a new shoulder bag to use for family sessions and travel assignments, I came across Gura Gear's Chobe 19-24L expandable bag. It checked all the boxes I needed; airline carry-on-friendly, reasonably lightweight, laptop sleeve, configurable dividers, plenty of storage pockets, and room for things other than camera equipment. I have now taken it on several sessions here in Korea, and on my recent trips to Myanmar and Malaysia. For carrying a small kit, it has been a great bag. Here are my thoughts so far.
The morning of a shoot has arrived and you are running around frantically loading gear trying to make sure that you haven’t forgotten a lens, power cable, or battery that will be the key to making the shoot a success. In the haste of focusing on gear, it can be too easy to forget to load a few simple tools that can come to your rescue and make sure everyone is as happy as possible throughout the shoot.
Those lenses we all dream of owning but that only few truly need (and are able to afford) just got a refreshed introduction with a focus on weight reduction combined with the implementation of the latest lens coat and crystal technologies. With the new additions, however, come brand new price tags in excess of $2,000 more than the predecessors for the AF-S 500mm f/4E FL ED VR and AF-S 600mm f/4E FL ED VR lenses.
Nikon's latest DX-format lens offering is its most interesting and promising yet. Covering a 24-120mm full-frame-equivalent focal length, the lightweight 16-80mm f/2.8-4E features relatively fast apertures, an incredibly useful and dynamic focal length range (already proven with the popular full-frame 24-120mm f/4G ED VR), and professional treatments such as nano coating, an electromagnetic diaphragm, and even a fluorine coating on the front element.
Smell that? It's the once yearly aroma of cut grass, processed meats and the aftermath of a lit firecracker. And as the sun sets on July 4th, you're probably gearing up for an evening of fireworks to celebrate America's independence (unless you a reading this in one of the hundreds of other countries around the globe and then it's just 7/4 and a regular weekend).
As a former IT worker and all-around nerd, I was used to firmware updates having small changes to increase compatibility with new hardware and software; often allowing older BIOSes to support newer hardware, etc. Fujifilm's engineers have turned this concept on its head with their firmware updates, which have routinely introduced new features to existing cameras, and giving users the best that Fujifilm have been able to pull from their existing hardware. These changes have brought huge improvements to already great cameras. Fujifilm's new X-T1 Firmware 4.0 may just be the mother of all updates seen on an X-series camera yet.
After using the new firmware for just under 24 hours, on a job yesterday, and in the streets on the way out, I would like to share my thoughts on the changes so far.
There are hundreds of 35mm film camera options out there. Everything from cheap drug-store point and shoots to beautiful, bespoke-feeling Leicas, to the Canon AE-1 hipsters wear around their necks with a guitar strap. The Nikon F100 is, without a doubt, one of the best 135 cameras out there and is, in my opinion, is the absolute best choice for a digital shooter to experiment with 35mm film.*
The other week, I wrote that I was excited about Phase One's newest gear announcements for a multitude of reasons. Well, thanks to my friends at Digital Transitions and Phase One, I was lucky enough to do a photoshoot with the BRAND NEW Phase One XF body, the updated IQ350 50 megapixel CMOS medium format back, and their newest 35mm leaf shutter lens. As an owner of their previous generation 645DF+ body and IQ140 back, I was incredibly impressed by the notable technology advancements in their newest gear. Read below to see why.
Assisting for a photographer or videographer can be a rewarding experience filled with knowledge and new perspectives. An assistant often receives an insider's view into how a photographer runs a production, and gains networking opportunities that may not have been accessible before. However, being an effective assistant requires more than holding light stands or reflectors. Great attention to detail and a humble can-do attitude can ensure your return to set, and solidify your reputation as a reliable assistant. While every photographer varies, we will review some of my tips for proper etiquette for assistants, from a photographer's perspective.
Announced today on the LensRentals blog, is their intentions to begin testing lens variance - something never formally done in photography before. Lens variance is simply the difference from one copy of a lens to the other. By testing this, they'll be able to debunk any misinformation found in reviews that test only a single copy of lenses. This will result in higher accuracies, and more information prior to buying.
Shooting with two cameras seems to be a growing trend in the wedding industry. When I first started shooting, I saw people doing this and I just didn’t see the point. I figured I could always change lenses, and then I would be good to go. Once I gave it try I completely fell in love. Here is my “how and why” I shoot with two cameras.