Still cameras have gotten so good that professionals are now starting to purchase smaller camera systems rather than the high megapixel monsters that have owned the market for years. We may have reached the edge of diminishing returns when it comes to standard still cameras and their functions but we have only scratched the surface when it comes to video.
B&H is offering a pretty hefty discount on the Comodo Orbit Handheld Stabilization Rig at $900 off their normal price. The unit normally has a whopping price tag of $1,299. The Orbit is designed to carry up to 11 pounds, meaning it works will with just about every DSLR/lens combination and most light to medium weight camcorders.
Venus recently released the KX-800 Twin Flash for macro photography which updates their previous KR-800 model. The new KX-800 model features stronger articulating arms that promise to hold their position better than before. In this review, macro photographer Thomas Shahan examines the Venus Twin Flash and goes over how to get the best results in real-world application.
Z Camera is a new startup that has come out with a camera they call the E1. What makes the E1 so special is that it is the smallest micro four thirds camera at the present moment. It shoots 16MP stills, offers 4K video recording, and has incredible low light performance. All in a package not much bigger than a Go-Pro.
The photo gear bag market is saturated with so many options of style and size that new products within this space really need to come out swinging with never-been-better looks and features in order to catch interest. The California-based company Booq, most known for their line of laptop bags and Apple product cases and covers, recently released the Python Catch shoulder-carry camera bag into this market. In this review I'll share my experience with the Python Catch and uncover what features it offers that separates itself from the competition.
Fujifilm's lineup of fast primes is what sets it apart in the world of mirrorless cameras. Starting with the amazing XF 35mm f/1.4, and following up with the XF 23mm f/1.4 and XF 56mm f/1.2, Fuji have continued to impress with their small, lightweight, fast, sharp primes. The XF 16mm f/1.4 (24mm equivalent field of view on full frame), long talked about, was released in May this year to the excitement of many Fuji shooters. But does it hold up to the other primes in Fuji's lineup?
I'm not one to get caught up in hype. The camera world is constantly inundated with new, interesting products and technologies, many of which scream of excitement before their release, but arrive with nary a whimper. The Sony a7RII is a rare product that has caught my attention before its release.
The world's first full-frame coverage, f/2 zoom lens makes history as Sigma prices the 24-35mm f/2 DG HSM Art lens at a very fair $999.00. Moreover, Sigma promises it will feature similarly excellent optical performance as the other lenses across their new Art-series, Global Vision lenses.
It has always driven me insane that I had to stock multiple sets of softboxes that are largely identical but designed for use with either studio strobes (of a specific brand) or speedlights (via some sort of proprietary bracket). I even jerry-rigged some disconcertingly terrifying setups over the years involving a few Justin Clamps to mount my speedlights onto speed rings. Unsurprisingly, things didn’t go very well. That is until I discovered Cheetah Stand’s Speed Pro MKII bracket, which is a hefty bracket specifically designed to help you mount a small flash into Bowens-style speed rings.
I’m outdoors a lot and I post images and video of my adventures to social media all the time. But one of the biggest problems I have is if it’s anything more than a snapshot on my iPhone, or a video on my GoPro I can pull over to my phone via WiFi, I have to wait till I get home to edit on my laptop, slowing down the time it takes from getting the shot to sharing it with my followers.
Just last week, GoPro announced a new a camera in their ever-expanding lineup of action-POV cameras. The new camera is called the HERO4 Session, and as Doug Sonders posted last week, it's smaller and lighter than the previous series of HERO cameras. In this video review, WIRED's Brent Rose takes the Session out on several different adventures, comparing it to the HERO4 Silver along the way.
In September of 2014 Patrick and I met Elia Locardi totally by chance in the basement of a German beer house during Photokina. That night we learned that Elia had sold all of his possessions and had been traveling the world nonstop for 3 years taking landscape & travel photographs. Soon thereafter we decided to team up on the biggest project any of us had ever worked on.
The revived Meyer-Optik-Gorlitz has been on a mission to bring innovative and high quality optics to the public in keeping with the companies long standing history of doing exactly that. They have recently launched a very successful Kickstarter campaign to bring back the Trioplan 100mm F2.8, a lens renowned for its rather interesting "Soap Bubble" bokeh.