The Westcott Ice Light has been around for awhile, and a number of photographers in the community on our site have shown it to be a part of their kits. Whether they're being used to light cars for an automotive shoot, or for food or small product photography, one thing that's been noted more than a few times is the steep price.
Jay P. Morgan with The Slanted Lens has released a new video that demonstrates how he and his team were able to precisely capture the exact moment they wanted, using the laser mode on the MIOPS trigger system. Morgan breaks down the tricks for getting just the right shot, without having to rapid-fire a bunch of extra, useless images.
Last month we wrote about Sigma's announcement of their new ceramic filters which promise to add an extra level of protection for your front element over traditional glass filters, among a few other benefits. Well now there is a video to accompany those claims which goes to show just how much extra protection you can expect, and it looks very promising!
Since its release, the Nikon D750 has been praised as one of the best full frame cameras that money can buy. It has features that outperform cameras that are twice the price. One of the little frustrating elements of this camera though, that I still see being discussed to this day, is the finicky hot shoe.
It’s safe to say that this camera doesn’t suck, and in the hands of someone like Tim Kemple, who’s at the top of their game, the results are pretty incredible. I got the chance to chat with Tim about his thoughts on using the new Phase One XF 100MP camera, including what happened when he flew it on a drone over a waterfall.
A few years back, I rented the Nikon 70-200mm f/2.8G ED VR II and absolutely fell in love. The focus speed, stabilization, and sharpness of this lens are top-notch and make it a truly versatile, high-quality telephoto lens. For a while now, I have been drooling over Nikon's 200mm f/2G ED VR II prime, the type of lens dreams are made of. In this video, Matt Granger does a side-by-side comparison of the Nikon 70-200mm f/2.8 and the 200mm f/2. So, if you're a Nikon user thinking about getting your hands on either one of these, or just want to learn about a couple of great lenses, check out this video.
The X-Pro1 started it all as it cemented its place while paving the way for its segment — the mirrorless rangefinder-style APS-C camera — as the way of the future. But until today, Fuji’s focus has been on further diversifying the segment with other high-end, mid-range, and budget mirrorless systems. Today’s announcement brings a new, true compact flagship to XF platform in the form of the 24-megapixel, professional-level X-Pro2.
In addition to the X-Pro2 announcement, Fujifilm also announced the release of the X-E2S, X70, and XF 100-400mm f/4.5-5.6 lens, each helping to further refine and round out Fuji's mirrorless lineup. The X-E2S is largely similar to it's predecessor (the X-E2), but improves ISO performance and offers several software enhancements. The X70 offers the same 16-megapixel X-Trans II CMOS sensor as the X-E2S in an appropriate update to Fuji's more affordable, fixed-lens XF line-up with an 18.5mm f/2.8 (28mm in 35mm equivalent) lens. And the 100-400mm lens fills out a part of Fuji's XF platform that has historically been in sore need of bolstering: it's lens selection.
As a wedding photographer, the ability to upload multiple cards at one time has always been intriguing for me. The problem has always been that the price for these multi-card readers have always been a little steep in price. But with this DIY enclosure, it seems to be a little easier and cheaper than I thought.
There's a sort of running joke between the Fstoppers writers about the number of bag reviews we've published in the last couple months, and we've certainly caught our share of flack for it in the comments as a result. Despite all that, having had a chance to sit down for a brief interview with the people at WANDRD, I think we may have a new industry standard on our hands. If there's ever been a bag worth getting excited about, this is it.
Just five years ago I started down the path of photography and it's been some of the best professional and personal years of my life thus far. It has opened up my creativity to a whole new way of thinking which has added great value in the day job of design and advertising. Sparking my interest in this field was Instagram. Like many others in 2011, it was the iPhone that challenged me and helped me hone my skills over the years but I always wanted to get my hands on a full frame after talking with so many professionals. This year I finally did it. Here is how I feel professionals and even those starting out can maximize using both a DSLR and iPhone in a professional setting.
Have you ever wondered what motivates all those successful, high-end professional photographers you look up to? Chances are, if you're a fan of this site, you already have a lot in common with them but Nikon Ambassador Corey Rich helps put that drive into words as he goes behind the scenes with five of Nikon's heavy hitters. "Inspired" is the second installment in a series that “explores what drives today's most diverse and interesting professional photographers and filmmakers, and captures the commitment it takes to tell truly meaningful stories.”
John P. Hess, over at FilmmakerIQ.com has launched a second video about lens technology this week. This time dealing with the properties of camera lenses. The information contained relates to both still photography and cinematography, and also details the subtle differences between the two as they relate to lenses. He covers topics such as focal length, aperture (or iris), the differences between primes and zooms, and even a look at anamorphic and parfocal lenses.
When Nikon's new flagship DSLR, the D5, was announced this week, the fact that it achieves a maximum ISO of 3,280,000 seems to have grabbed all the attention. That is until now, with a released video showing the 12 fps shooting power in all its glory. While that may only be a measly 1 fps faster than the previous generation D4s, there's something else about this speed that is dropping jaws.
More and more companies are incorporating Wi-Fi into their cameras in an effort to make it easy to download and share images without the need to upload to a computer. The apps from camera manufacturers also allow you to remotely trigger the camera from your phone and see what you are taking a picture of before you trip the shutter. The problem here is that if you want to change any camera settings, you need to physically make these changes on the camera. Enter the Case Remote Plus. This device promises to give full access to camera settings, live view, shutter release and a host of other added functionalities that may not even be available on your camera.