Needing a smaller pack in which to carry my equipment, I put the new Peak Design 18L Outdoor Backpack and 4L Sling through their paces. I wish I had them available years ago.
Here's a radical thought: the most underutilized piece of equipment in your camera bag isn't that expensive filter you never remember to use or the flash modifier gathering dust on your shelf. It's something else that came with your camera and that you probably tossed aside.
The Viltrox AF 35mm f/1.2 LAB FE lens is attracting attention for its unique specs and a price that challenges traditional expectations. With few direct rivals, this lens might reshape how you think about premium lenses for Sony full frame cameras.
The photography industry witnessed one of business history's most dramatic upheavals during the digital revolution. Companies that dominated film photography for generations found themselves unprepared for fundamental changes in how images were captured, processed, and shared.
Going to make a bold prediction (or a hot take) here: Camcorders are going to make a point-and-shoot style comeback in the next year. In the same way that compact cameras have experienced a resurgence among youth looking for the nostalgic vibes, so too will the handy cams that those of us who actually used the things back in the day will never understand.
Sigma recently released the new 16-300mm f/3.5-6.7 DC OS Contemporary lens, designed to tackle everything from wide angle landscapes to distant sports action with one lens. It could simplify your kit, but is the convenience worth the potential compromise in image quality?
The Tamron 16-30mm f/2.8 Di III VXD G2 lens has just landed, and it's worth your attention if you’re serious about your gear. Ultra-wide angle lenses can transform your landscape, architecture, and astrophotography, but not every lens gets it right, though this one might.
How much difference can half a stop of maximum aperture make? Let’s see if it is worth carrying a much bigger and heavier lens.
In an era where 24-240mm superzooms promise to capture "everything you need" in a single lens, suggesting that photographers should intentionally limit themselves to fixed focal lengths sounds almost heretical. Yet the most compelling case for prime lens education lies in understanding how constraint-based learning accelerates skill development and creates better photographic habits.
The world of continuous LED lighting is more competitive than ever. In this landscape, Nanlite has carved out a place by offering powerful, reliable, and cost-effective lighting. The FS-300C brings a newer lighting trend—multi-color LEDs—along with high power ratings to an attractive price point. Does RGBW lighting really make a difference?
Landscape photography often means balancing image quality and gear convenience. This becomes especially challenging when considering fixed-lens cameras, but one might rise about the rest.
If you're interested in lenses that capture vintage charm without sacrificing modern practicality, the reissue of the Leica Summilux-M 50mm f/1.4 might catch your eye. It blends elements from decades of Leica history into one lens, giving your images a unique character and feel.
Fujifilm's new X-E5 mirrorless camera has arrived, bringing intriguing upgrades from the X-E4 and catching attention with a sleek form factor and enhanced capabilities. For those considering a compact, interchangeable lens camera, the X-E5's improvements offer compelling reasons to take a closer look.
I've recently been exploring the world of photography without editing, and the options for cameras are quite limited. I picked up a Nikon Zf a couple of months ago to find out just how good the images it can make right in camera could be.
Kase's entry into the autofocus lens market with the new Kase 85mm f/1.4 lens could shake things up, especially if you're into portraits or low-light photography. A company's first autofocus lens often reveals a lot about its potential, and Kase is making an ambitious statement here.
An intervalometer are inexpensive and invaluable. We will break down what it is, how it can help you, and how to use it.
Sigma recently released what might be the most significant APS-C lens in years with their new 17-40mm f/1.8 DC Art. This lens updates the legendary 18-35mm f/1.8 that photographers and filmmakers have loved since 2013, promising the same cinematic look in a more refined package.
The Fujifilm GFX100RF marks a significant shift in medium format photography, combining the portability philosophy of the X100 series with the image quality of a 102-megapixel sensor.
There’s a reason why Manfrotto is one of the most trusted brands for professional camera support gear around the world. These Legacy Edition tripods show us that.
The Nikon NIKKOR Z 35mm f/1.2 S represents the pinnacle of wide angle prime lens engineering, but its $3,000 price tag raises serious questions about value and necessity. Understanding whether this ultra-premium optic justifies its cost requires examining both its exceptional capabilities and compromises.
The Voigtlander NOKTON 40mm f/1.2 Aspherical lens represents something truly unique in the lens world, as it's currently the only full frame 40mm f/1.2 optic available anywhere.
Fuji's GFX medium format cameras promise superior image quality over the company's APS-C X system, but that advantage comes with significant trade-offs in weight, lens selection, and cost. Most photographers considering the upgrade focus entirely on pixel counts and dynamic range while overlooking how these practical limitations affect real-world shooting scenarios.
Affordable lenses with professional-level quality can seem too good to be true, especially for portraits. Choosing the right lens can elevate your images, but it’s important to make sure you’re spending wisely and getting something that fits your photography style.
You alone probably don’t need a charger this powerful, but if you work with other creatives in a team, this new GaN charger from UGREEN should probably be on your table for efficient, organized, and safe charging.
With power stations, everyone wants more capacity and longer life, but nobody wants to lug around a 60-pound brick. The Dabbsson 2000L aims to strike a balance by packing 2 kWh of energy storage into a surprisingly portable form factor at a very competitive price point. Is the Dabbsson 2000L an ideal entry point for creators looking for a large power station?
Inconspicuous, intuitive, and with great image quality — can you combine all of that into one perfect camera for capturing life on the street? This photographer says yes.
Choosing your first landscape photography camera isn't about specs alone—it’s about finding gear that suits you personally. The right camera can make the difference between thriving or getting stuck worrying about equipment.
The Meike 85mm f/1.8 Pro II, a fresh version of Meike's budget-friendly autofocus lens, is here, and it comes with some impressive upgrades. With portrait lenses often costing quite a bit, finding affordable yet capable alternatives is something every camera enthusiast appreciates.
I think I've been thinking about old cameras all wrong. At least, this video from James Warner of Snappiness has me rethinking how I look at old smartphone cameras, as he talks about the three best "vintage" smartphones to use exclusively for photography.
In recent years, my photography has leaned further and further toward minimalism. This beautifully functional sling bag is the perfect match, as proven by a recent vacation to America’s West Coast.
The photography industry has a short memory. Every few years, we collectively forget the tools that once defined professional image-making, replacing them with newer technologies that promise greater convenience, better performance, or simply different aesthetics.
Choosing between Canon’s RF 28-70mm f/2.8 and RF 24-105mm f/4 lenses is tougher than it looks. Both offer exceptional quality, but figuring out which fits your needs best can make or break your experience in the field.
I’ve relied on power stations for outdoor shoots and location work over the past year because they eliminate battery anxiety and bridge the gap between studio and location setups. With the Power 2000, DJI elevates the power station with a high-capacity unit featuring user-friendly design and tight integration with their ecosystem. Is it worth adding to your gear?
Remember when you could spot a "serious" photographer by the motor drive hanging off their Nikon F3? Or when the difference between ISO 800 and ISO 1600 capability could make or break a camera purchase decision?
After four years and over 100,000 photos, photographer and YouTuber Manny Ortiz still considers the Sony A1 a powerhouse. But in a recent video, he reveals a surprising discovery—one that could change how you think about using this flagship camera, especially with certain types of lenses.
Today, I wanted to have a quick look at five iPhone apps that helped make the biggest action film of the summer, F1: The Movie.
When Sigma unveiled their latest creation, one YouTuber asked, “Who the hell wants that?” and turned down the offer of a unit for review. Curiosity got the better of them, however, and it’s made for an interesting video.
The world of photography has undergone significant transformations over the past few years. More changes are happening now, and it’s fascinating to see it evolve and affect our photography. Companies need to adapt or face extinction.
The Fujifilm X half isn’t your typical camera—it prioritizes a unique shooting experience over flashy specs. Its appeal lies in capturing a vibe, making it ideal if you're drawn to creative photography that goes beyond pixels and autofocus points.
The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary lens promises to be an all-in-one solution for crop-sensor camera users. With its exceptionally broad zoom range, it aims to appeal to users looking for convenience over outright quality.
At first glance, it seems like a novelty—a quirky, retro-inspired device that leans heavily into nostalgia, maybe a little too heavily. But dig a little deeper, and you might find that this strange little camera actually has something compelling to offer.
The Viltrox AF 35mm f/1.2 LAB FE promises professional-grade performance at a lower cost than comparable Sony glass. When you're looking at f/1.2 apertures in the 35mm focal length, you're typically facing eye-watering price tags that put serious wide-aperture photography out of reach for many, but not with this lens.
The Hasselblad Xpan remains one of the most coveted and controversial cameras in film photography, commanding prices between $4,000 and $7,000 for a body and lens. This panoramic 35mm camera promises a cinematic shooting experience that fundamentally changes how you approach composition, but the question remains whether it lives up to the massive investment.
In a world where high-end portrait glass usually means a serious investment, this lens is turning heads—and not just because of the cost.
Walk into any camera store and you'll witness a familiar ritual: photographers agonizing over lens specifications, debating camera body features, and calculating monthly payments for equipment that promises to transform their photography.
This week, I got to try out a brand new lens from Laowa, the 12mm f/2.8 Lite Zero-D FF. A lot of the perks in the lens are right there in the title, but let’s have a closer look to see if it might be right for you.
What would make a professional photographer walk away from one of the best autofocus systems on the market? In a world where most shooters obsess over specs, this photographer’s big switch is driven by something far more personal.
Camera gear often becomes deeply personal, with certain models leaving lasting impressions that shape how you approach photography for years to come. The cameras that inspire you aren't always the most expensive or technically advanced—sometimes it's about timing, circumstance, or simply how a particular tool unlocks new creative possibilities.
As video and long exposures become more popular, reliable power sources are essential. The Neewer PS099E V-mount battery is a compact, high-capacity, and versatile battery that’s perfect for powering your entire video or stills camera rig. And it is orange.
The Sigma 17-40mm f/1.8 DC Art lens represents a significant step up from budget zoom options, but you might wonder if it's worth the extra cost over the popular 18-50mm f/2.8 Contemporary. This comparison takes a close look at both to help you decide.