Much to the excitement of the Fujifilm community, Fuji released their XF 90mm f/2 WR in the middle of 2015. Many a voice hailed it Fuji's best yet, and pixel-peepers rejoiced. Some claimed it had the nicest bokeh from a Fuji lens yet, and others the fastest autofocus. Just how good is this latest prime offering from Fuji?
Photography is a game of emotions. Think about some of the most powerful images that you’ve ever seen. The ones that have left a lasting impression on you. Sure, they might have gorgeous tones, light, or composition, but the reason they have stuck with you for so long is probably the emotion or mood that the image evokes. Our job as a photographer is to control those moods and to decide which emotion we want our viewer to feel.
Petzval-type lenses have enjoyed a resurgence in popularity in recent years. Lomography's wildly successful Kickstarter campaign was a springboard for their Petzval 85 and later, their Petzval 58 lenses. Now, Lensbaby, well-known for their unique optical products, has thrown their hat into the ring. It's a fun and interesting lens.
Eye-Plug is a new, tiny external camera device that plugs into your Android phone's reversible USB-C port to produce 3D video and photo content in conjunction with your phone's built-in camera. Previewed by Engadget at Computex 2016, which kicked off today in Taipei, the Eye-Plug promises to be useful for a variety of applications and will supposedly cost only $35, which Engadget is unsure about.
It’s easy to be astounded by statistics such as 14 fps and ISO 3,000,000. But when you put everything that Nikon’s latest flagship body offers together, you get a machine that is the first of its kind, and that's really thanks to the combination of two features Nikon obviously pushed to new heights: autofocus, and — yes — ISO sensitivity (which has itself been a point of controversy for the Nikon D5).
The Canon EF 200-400mm f/4L IS USM lens is nothing short of remarkable. With an internal 1.4x teleconverter matched specifically to the lens' optics, it's a unique piece of gear known for its stellar quality. Now, Canon has released a video showing just what goes into making one of their top lenses.
If you follow big name photographers or pages like FamousBTSMag on Instagram or elsewhere, you’ve likely seen a parabolic reflector. Even more likely is the prestigious names that are Broncolor or Briese plastered on the side. The results that these modifiers produce are absolutely gorgeous, there’s no doubt there. They offer the most even light spread of any modifier, a large range of sizes, and incredible versatility. If you’ve done some research, however, you’ll throw the idea of shooting with one out the door because of their incredibly steep price. A few months ago, I stumbled on a company by the name of Parabolix. What I found seemed entirely too good to be true.
There may be no lens in the world more eagerly desired and anticipated than the Sigma 85mm f/1.4 Art. Sigma's wildly successful Art series of lenses have been a huge hit with their great optical quality and highly competitive pricing, leaving photographers practically begging for a portrait lens. Now, it looks like that wish may be coming true.
Whether your subject is wildlife, landscapes, sports or some other type of distance-related photography, using a tripod is a must for stable, clear images. Yes, there are workarounds, and some photographers insist they don't need a tripod. Award-winning nature photographer Steve Perry has put together an easy to watch video on techniques that work for him when he's using long lenses to capture his subjects.