Gear

Fujifilm X Summit is here! Follow for our live updates of today's 2 PM EST presentation.

I was extremely excited to get my hands on the Sony a7 IV last December. It promised to be a camera with a lot to offer and for me, felt like a huge upgrade from my much loved Sony a7 II. As the successor to the successful a7 III, expectations couldn’t be higher, so it certainly had a lot to live up to. 10 months of heavy use later, I couldn’t be happier with it. Here’s five of the many reasons I’m completely obsessed with the Sony a7 IV.

Hasselblad recently announced its latest camera, the X2D 100C, along with several new lenses. What's interesting is that Hasselblad has used certain design features in its latest lenses that are arguably reminiscent of another well-known company on the market, which is, of course, Leica.

With a bracket and a new “Prism Mode,” users can make use of a wire-free viewfinder with a retro touch.

Today, Hasselblad has announced a huge update: the new X2D 100C mirrorless camera and the XCD 38V, XCD 55V, and XCD 90V lenses.

These two wide angle third-party prime lenses are both ultra-fast, with a maximum aperture of f/1.4. But which of the two should you go for?

Today, Sigma has announced the development of two new cinema lenses along with exciting news for those looking to build their kits piece by piece.

Sigma describes this lens as its "flagship" lens, but how does it perform in the hands of an independent reviewer? Take a look and find out if it lives up to the hype.

The Fujifilm X-H2S is one of the most buzzworthy cameras of 2022, and for good reason.

News recently broke that Viltrox, a brand known for their affordable lenses, has stopped manufacturing for the Canon RF mount after rumors that Canon had asked them to pull their products. Canon recently confirmed that news, and it certainly raises questions about the future of third-party lenses for their mirrorless cameras.

Profoto is busy developing their A series line of flashes. Just look at the recent focus the company has put out on the Clic modifiers, notably, launching the Clic softbox, which we reviewed some time ago. A few users commented that the A1 series flashes will be too weak to be used under certain settings with the Clic softbox, which got me wondering if there is a more powerful flash coming along soon. There was: the Profoto A2.

A 24mm lens with a wide aperture is already quite versatile, but add in image stabilization and macro capabilities, and it becomes one of the most useful you can carry. For Canon shooters, there is the RF 24mm f/1.8 Macro IS STM, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

Before Canon's RF mount, there was the EF mount, and before the EF mount, there was the FD mount. The FD mount is over 50 years old, but it had some groundbreaking lenses, and with the ability to adapt them to mirrorless lenses, we are seeing a real resurgence in popularity. This awesome video review takes a look at one of the most legendary FD lenses, the 55mm f/1.2 S.S.C. Aspherical.

A key component for many street photographers is context in a scene. To many, an image without space in the frame for the setting may be considered as a portrait and not belonging to any particular genre or style. Street photographers are so focused on context they gravitate towards rangefinders that let you see outside the frame. This commonly held approach to street photography lends itself to the ubiquitous use of wide angle lenses.

Tamron has released some mightily impressive lenses in the last years, including some that push the boundaries of design, such as the 35-150mm f/2-2.8 Di III VXD. The company recently announced the 50-400mm f/4.5-6.3 Di III VC VXD, which offers a huge range of focal lengths all in one package. What sort of performance and image quality can you expect from it? This great first look video takes a look.

If you're a Leica fan who also enjoys watching movies and television shows in the best possible image quality, you're going to like this.

It's not often you associate Leica cameras with being affordable, but if you do some digging, you can find some very attractive options.

There are two new Canon APS-C mirrorless cameras available. There is the EOS R10, a relatively simple camera, and there is the EOS R7, a camera that promises a lot of things and also delivers a lot. Canon Netherlands gave me this camera for a week when I went on a holiday. These are my findings.

If you've ever dreamed of owning a Leica but quickly given up because you thought adding lenses to the bodies would send expenses into outer orbit, this will bring a big smile to your face.

The late 1990s and early 2000s were the infancy of professional digital photography, and as such, they brought with them some groundbreaking cameras that laid the foundations for those we know today. One such camera was the Nikon D1, and this neat video review takes a look back at the camera, its performance and features, and what made it such a pivotal body.

When it comes to standard prime lenses, 35mm, 50mm, and 85mm are generally the most popular. Nonetheless, there are plenty of other focal lengths out there, and one particularly worthwhile option is 24mm. This great video discusses why a 24mm lens can be such a compelling option and why you should consider including one in your arsenal.

The new HEX Ranger Sling XL bridges the gap between a large backpack and a traditional sling, combining elements of both for photographers who want to travel light without leaving almost everything at home.

Under the category of so-ridiculous-that-I'm-not-sure-it's-real-but-kind-of-a-cool idea is a video that chronicles the life of a "fanny pack photographer."

We are living in an age of incredible lenses that offer combinations of versatility, performance, and image quality that were unimaginable even just a decade ago. One lens makes a strong case for the best combination of those aforementioned factors, however, and it is from a manufacturer you might not expect.

Fujifilm has made some excellent cameras and glass to adorn them with, but one photographer claims that this lens is the cream of the crop. So, is he right or is there something better that can be found in Fujifilm's extensive line-up?

It is easy to get caught up in the remarkable performance and image quality of modern lenses, but the past century has given us hundreds of fantastic lenses full of character, and if you can find the right one, you can discover an entirely new creative world while spending far, far less than you would on a new option. The Pentax Asahi Super Takumar 55mm f/2 is one such lens, and this great video review takes a look at the sort of performance and image quality you can get from it on a modern body.

One of the greatest innovations by modern camera and lens manufacturers is image stabilization, which helps to compensate for our natural tendency to slightly shake when holding an object. Like any such feature, though, it is not free, and lenses and cameras with stabilization tend to cost more. So, do you actually need it? If you are new to photography and wondering, check out this great video that will teach you what you need to know.

TTArtisan makes some very affordable lenses, and at $118, the 17mm f/1.4 is no different. Offering a wide focal length paired with a maximum aperture and available for a wide variety of APS-C mounts, it looks like a potentially useful budget option for a wide range of shooters. If you are interested in such a lens, check out this great video review that takes a look at the 17mm f/1.4 and the sort of performance and image quality you can expect from it in practice.

I was sent this live production system that doesn’t require anything else to get you streaming six feeds of live camera action to your social video platforms, all at the same time. It’s an encoder, switcher, recorder, and monitor, all in one. You can even insert a SIM card to stream over your mobile network if your destination doesn't have a stable internet connection.

85mm lenses are the traditional focal length of choice for portraiture, but on the other hand, they are certainly not the only option. 135mm lenses have long been a popular alternative, and there are some high-quality choices out there, such as the Sony FE 135mm f/1.8 GM. This excellent video review takes a look at the lens, its performance and image quality, and what makes it unique among other high-end portraiture options.

There’s something about the analog process that will slow down your photography, making you more thoughtful about image creation. What if you take it one step further and push yourself with an instant camera? Could it make you a better photographer?

With specifications and features that look quite pedestrian by today’s standards, the Canon 5D Classic might not seem like it deserves much attention nowadays, but it was a revolutionary camera for its time and well worth a second look in 2022. This fun video takes a look at the famous camera and gives 10 reasons why it was such an important body.

Viltrox has developed a reputation for creating very affordable lenses that still offer very good performance and image quality. One of their newest options is the Viltrox AF 13mm f/1.4, which offers Sony, Fujifilm, and Nikon mirrorless APS-C shooters a nice combination of an ultra-wide focal length and a very wide maximum aperture. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

If you asked many photographers what magical device they would love to have, an adapter that turns manual focus lenses into autofocus ones would probably be near the top of many lists. For Sony shooters, there is the Techart PRO Version II, which allows Leica M lenses to autofocus on E mount mirrorless cameras, and this awesome video review takes a look at the adapter and the sort of performance you can expect from it in real-world usage.

Investing in a camera system is a costly business. Once you are tied to a particular brand, you seem stuck with it. Changing is a big decision, but there can be good reasons both to and to not swap systems.

Why would you get a hard case instead of a backpack? This review of the Nanuk 935 Hard Case will make you think differently about how you store and get your gear from point A to point B. There are other hard cases out there, but this one has a lid organizer, which in my opinion, sets it apart.

A couple of years ago, I got a chance to review the Profoto B2 flash with the AirTTL trigger. Although I loved the flash, I had some doubts about the trigger. Now, there is the new Profoto Connect Pro trigger. Is it worth the upgrade?

An 85mm lens with a wide maximum aperture is one of the most popular options on the market, particularly useful for portrait and wedding photographers who want a flattering focal length and narrow depth of field. That being said, such lenses can cost well north of $2,000. This is what makes the Meike 85mm f/1.8 so compelling, with a sub-$200 price tag that still includes autofocus. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.

The people and websites that sell the most products make the most money, but at what cost?

Most of the time, a worthwhile lens is going to cost you at least several hundred dollars, if not somewhere in the thousands. So, the prospect of a $69 lens is certainly intriguing. Can it produce worthwhile images, though? This excellent video review takes a look at the TTArtisan 50mm f/2 and the kind of performance and image quality you can expect from it in real-world usage.

Simplicity is the name of the game when it comes to powering your video system.

The Sony a1 mirrorless camera is, by far, one of the most capable and versatile cameras ever released, with just about every feature you could ever want for any photo or video need you might have. This excellent video review takes a look at the camera and the sort of performance and image quality you can expect from it in usage.

Aside from the price, often in the vicinity of thousands and thousands of dollars, can you actually tell the difference between an f/2.8 lens and an f/4 lens?

Usually, if you want to use a supertelephoto prime lens for things like wildlife or sports photography, you have to use first-party options. However, Sigma offers a rare exception to that rule, the 500mm f/4 DG OS HSM Sports, and it offers that combination of extra-long focal length and wide aperture sought after by many professionals at a significantly more affordable price. Can it match pace with the likes of Canon and Nikon? This great video review takes a look at the lens to answer that question.

Digital camera technology has reached a point where even our phones can produce images that can be mistaken for a “real camera” to the untrained eye. Photographers have never had more affordable access to image-making tools that can produce crisp, high-resolution images, rivaling those of professional gear from not very long ago. So, why then have objectively inferior vintage digital cameras been making a sudden comeback?

When you want to travel light but still have a quality camera in hand, you often have to make some difficult decisions and settle for regrettable compromises. But what if a light, pocketable camera solved many of those problems?

Sony has recently released a lightweight, compact power zoom lens that is perfect for all types of creators regardless of whether you shoot stills or video. What's not to love?

Consumer 360 cameras have come quite a long way in the last few years, and you can now get professional-level video and photos from many models. Well-known manufacturer Insta360 recently released the ONE RS 1-Inch 360 Edition in collaboration with Leica, and this excellent video review takes a look at the camera and the sort of performance and image quality you can expect from it in practice.

The Fujifilm X-H2S is the company's newest mirrorless camera in the renowned X Series, and it comes with a variety of new features and improvements over its predecessor. If you are interested in the camera, check out this great video review that takes a look at the performance and image quality you can expect from it in practice.

A variable neutral density filter can be very handy. You only need one filter that covers multiple strengths. Haida released the CPL VND Pro II, a variable neutral density filter that works also as a polarizing filter. Haida asked me to review this new variable ND filter with polarization abilities.