Yes, you've read that correctly. Nokia, the former maker of my favorite cell phone in which I could play "Snake" during high school math class, has entered the hot new virtual reality camera market. A lot of the camera details are scarce, such as pricing and when it will ship to the consumer market, but there are some key functions I am very intrigued by. As Fstopper's resident virtual reality filmmaker, I am hesitantly optimistic. Read below to learn why.
I am probably going to piss off Lee Morris and Patrick Hall and probably some of you with this post but there has been a lot of conversation lately, including multiple posts on Fstoppers.com, about ‘discounted,’ ‘gray market’ and ‘on sale’ cameras dramatically priced lower than their manufacturer’s suggested retail price (MSRP).
Gear, of course! Camera bodies and lenses galore! Nothing makes you a better photographer than dumping thousands of dollars on the latest technology! Right? No? Ok, I digress, I guess blowing all your hard earned (or borrowed) cash on the latest and seemingly greatest in camera equipment is probably about the least effective thing you can do to improve the quality of your work. So what SHOULD you be spending your money on then?
That is not a typo. Canon's newest camera is its first "multi-function" camera and is capable of something entirely refreshing (and maybe even a bit scary): capable of shooting 1080p at an equivalent of over four million ISO, the ME20F-SH can shoot objects that even the naked eye cannot see (objects lit by less than 0.0005 lux of illumination) in Full HD. While all cameras are somewhat multi-purpose by nature, Canon's "multi-function" designation of this camera speaks to the wide range of uses for which the ME20F-SH can be adapted given such features.
Beginning in 1995, consumer electronics giant Sony and high-end optics company ZEISS entered into a partnership that is still going strong. Today on the market you will find Sony, Sony/ZEISS, and ZEISS branded lenses. So what’s the difference between all of these, or are they actually quite similar?
A few years ago I started this blog for my photography students to help re-enforce the most fundamental aspects of photography. Understanding how your camera works and all the variables that make up a proper exposure is as essential to photography and breathing is to life. I've now decided re-transcribe these for Fstoppers. I will be posting all of my basics and fundamentals posts, about two a week, over this next month.
A few months ago I featured a hot deal on the Nikon D750 DSLR camera being sold by a reputable ebay seller. Today Canon users can get in on a similar deal. Right now you can save $700 on a brand new flagship Canon 5Ds on Ebay. The seller is the same one offering the D750, and we have received a ton of thank you emails from readers who took advantage of that deal (we bought 5 ourselves). You can read more about this deal
With July coming to an end, summer in the North East is in full swing and what better time to get out and shoot than the present. Whether you are shooting portraits or landscapes, in the daylight or under the stars, sometimes the best way to stay motivated and make sure you are having fun with your photography is to keep things simple. While I don’t go bare-bones with one camera and a lens, if I am out adventuring, chasing a sunset, or on a day trip hiking through the forest, I like to keep my gear minimal. While each piece of equipment has various uses, here is a look into my camera bag and different ways you can use each piece of equipment.
Let’s be honest, there are a lot of advantages to using speed lights. They are light, portable and they run on batteries. Speed light modifiers that accompany them are also usually quite light and portable as well. But speed lights do have their draw backs and they can be a real pain to use when you encounter issues, such as a painfully slow recycle time between flashes and a lot less power then you need on a bright sunny day. If you have a love hate relationship with speed lights then this article might just have a solution for you.
Last week I wrote a post about how Nikon really needs to jump on the 4k bandwagon. I got a few comments that basically said; "Why do you care about 4k? nobody even owns a 4k TV at this point." They were right, 4k TVs aren't very popular, but I have no interest in producing 4k videos right now. I want to shoot 4k footage to enhance my 1080p videos.
In 2015, I can transmit photos to my wire service from the field using my phone, seconds after the images were shot. Back in the 80s however, it took a case of equipment weighing upwards of 80 pounds to get that job done. As the poet wrote: times they are a-changing.
Metabones, best known for their magical lens adapters that actually make cameras more sensitive to light, has added another adapter to their micro four-thirds lineup. Along with this new adapter, (aimed at users of the Panasonic GH4) autofocus functionality will now be available for certain Canon adapters as well.
Ultra wide-angle lenses are a staple for landscape photographers but most cannot accept a regular threaded filter due to their protruding front glass elements. As such, photographers need to use a filter box which clamps to the outside of the lens and holds a large glass filter in place. Thus far lenses like the well received Tamron 15-30mm f/2.8 have not had many options. That is until I got my hands on this new filter system from NISI.