Probably no camera brand is more polarizing than Leica, with some photographers being incredibly loyal to the brand and others seeing their cameras as overpriced niche products. So, what is it about their cameras that keep photographers coming back to them over and over? This interesting video takes a look at the Leica M11 and discusses why it is such an alluring camera.
One of the most important traits of being a successful photographer is creating a style that is unique and original. There are many ways to do this, and one of them is to use unconventional equipment. This lens may be one of the weirdest you'll ever see.
We spend a lot of time talking about when it’s the best time to buy new gear. But it can be harder to know when is the right time to let go of the old gear as well.
It's been a fair while coming, but Canon's new EOS R7 is getting some rave reviews. This reviewer says it's been a "runaway success," so see what all the fuss is about.
I'm not a fan of Canon's recent decision to ban some third-party manufacturers from selling RF mount lenses. It's a smart short-term financial decision, but the long run is a different story.
Canon's RF lens lineup has been filling up rapidly with both standard choices and more extreme designs, but there are still some notable absences, particularly in the supertelephoto range. That will surely change eventually, and it seems we're on the way to that, as multiple patents have emerged with some innovative and versatile designs.
Learning how to work with artificial light will make you a far more versatile photographer and enable creative opportunities that simply would not be possible otherwise. However, there are a couple of ways to approach building a lighting kit, and if you plan to be on the go quite a bit, you should carefully consider the size, weight, and power requirements of your equipment. This excellent video tutorial will show you a portable, versatile, and effective minimalist flash setup.
50mm lenses are some of the most popular and versatile options out there, able to tackle a wide range of scenarios with ease. They are available at prices ranging from below $100 to well over $2,000. At $598, the Sony FE 50mm f/2.5 G sits in the middle of all that. So, does it offer premium image quality and performance for that mid-range price? This excellent video review takes a look at the 50mm f/2.5 to answer that question.
With the release of cameras like the EOS R7 and EOS R10, Canon has shown they are interested in developing APS-C mirrorless cameras alongside their full frame mirrorless line. In tandem with that, we have seen the introduction of RF-S lenses specifically designed for the APS-C format. This excellent video review takes a look at one such lens, the Canon RF-S 18-150mm f/3.5-6.3 IS STM, and the sort of performance and image quality you can expect from it in practice.
Sigma's Contemporary line intends to bring you a quality lens in a light and compact package. This isn't Sigma's flagship line, but does this lens have what it takes to go up against the others? It's light, small, fast, sturdy and cheap. Does this Sigma lens check all the boxes on our list?
Unlike Canon, Sony has not banned the production and sale of some third-party lenses for its cameras. That's good news for Sony owners, and a perfect example is here, with this new wide-angle 11-18mm f/2.8 lens released by Tokina. Life's just better with third-party lenses, isn't it?
If you are new to videography, the name Zhiyun may not be familiar to you. But make no mistake. This is a brand you want to pay attention to.
Using the LCD screen to compose images has become very common in the age of mirrorless cameras. Holding the camera away from your face is convenient when photographing a subject from difficult to reach angles. In some ways, I consider this an excellent advantage that mirrorless cameras have over DSLRs, but in my latest video, I give three reasons why I never use the LCD screen to compose headshots and portraits.
No matter what you shoot, perhaps nothing is more important than mastering the three fundamental camera settings: shutter speed, aperture, and ISO. If you are new to photography and looking to learn the fundamentals, check out this awesome video tutorial that will show you everything you need to know about using the three exposure parameters to create technically correct images and to begin to explore your creative voice with a camera.
2022 has been a busy year for Canon, with multiple cameras and lenses released, but it is not over yet. It appears Canon has one more camera in store before the end of the year.
Olympus has been assigning the Zuiko name to its range of high-quality lenses since 1936. Zuiko-branded lenses were made for SLR, rangefinder, and automatic point-and-shoot cameras in medium format, 35mm, and even half-frame formats. Assessing the best of anything in photography leads to vivid debate and lots of room for subjectivity. Here are my 5 reasons why I believe Olympus knocked it out of the park with their Zuiko range, and when you look at all factors are the best film lenses ever made. Be sure to leave a comment to let me know your thoughts.
Zoom lenses have come a long way in the last decade, but primes still hold the advantage in maximum aperture, portability, and often, image quality. All this is why a lot of photographers steadfastly stick with bags of prime lenses instead of just a zoom or two. So, why would a prime enthusiast use zoom lenses? This great video essay features an experienced photographer discussing the issue.
There's expensive. Then there's very expensive, and at $12,000, the Sony 400mm f/2.8 GM OSS lens falls into the latter category. So, what makes it so expensive, and most importantly, is it worth it?
There are a lot of ways to approach landscape photography, but when you are thinking about what gear to take, it is worth considering the fact that you will often have to hike several miles with a bag of cameras and lenses on your back. So, should you reconsider what is in your bag? This excellent video essay discusses why a more unusual lens choice might be the best for your landscape photography.
The Canon 7D line of APS-C DSLRs were quite popular during their era, as they offered professional features seen in much more expensive lines like the flagship 1D series at a much more affordable price. In the mirrorless era, the EOS R7 has taken over that role, and it brings with it an impressive range of new features and upgrades that make it an intriguing option for a wide range of options. This excellent video review takes an in-depth look at the camera and the sort of performance and image quality you can expect from it in practice.
Every genre has different optimal gear setups, which is why it is important to sit down with your camera and take the time to adjust its settings to fit your subject matter and workflow. This helpful video tutorial features an experienced landscape photographer discussing seven camera settings you should turn off to make your workflow more efficient and to improve that quality of your images.
What happens when a non-vlogger takes a spin with Nikon’s new social media-focused Z 30 compact camera?
Canon's 7D line of advanced APS-C DSLRs were some of the most popular cameras of their time, offering professional-level features in a much more affordable body, making them attractive to a wide range of photographers. The EOS R7 is the mirrorless successor to the 7D line, and it inherits that heritage and modernizes it with some impressive new features and upgraded capabilities. This great video review takes a look at the camera and if its performance and image quality can compete in a crowded mirrorless marketplace.
Now that we are firmly in the age of mirrorless cameras, many photographers have discovered the silent magic of the electronic shutter, but that is not without its drawbacks. Filmmakers have known about the dangers of rolling shutter for years, and it is now something photographers need to be aware of as well. This excellent video tutorial will explain what rolling shutter is, why it happens, and how to avoid it.
24-70mm f/2.8 lenses and some of the most versatile and popular choices out there, as they can tackle a huge range of needs and scenarios with easy. For Sony shooters looking for top quality out of such an option, there is the FE 24-70mm f/2.8 GM II, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
Nikon has recently released the NIKKOR Z 17-28mm f/2.8 lens. See how it performs with seascape photography and whether it's worth buying or not.
You may have seen some of the hoopla over the Insta 360 Sphere. It's a 360-degree camera that mounts on two popular drones, the DJI Air 2S and its predecessor, the Air2. So, what is it exactly?
I am a sucker for gadgets, but I am also a skeptic, so when I took the plunge on an inexpensive handheld digital microscope I found for macro photography, I didn’t have high expectations.
The Fujifilm X-H2 is the company's latest entry in its highly popular X Series line of mirrorless cameras, and it brings with it some impressive new features, the most notable being its new 40-megapixel sensor, the highest ever in an APS-C camera. This excellent video review takes a look at the new camera, how it compares to the X-H2S, and the sort of image quality and performance you can expect from it in practice.
Tamron is one of the most exciting companies in the photography world right now, putting pressure on other manufacturers by releasing lenses that offer a ton of performance for their respective prices and that often push the envelope of design. One of the most exciting lenses in their current lineup is the 50-400mm f/4.5-6.3 Di III VC VXD, and this excellent video review takes a look at the performance and image quality you can expect from it in practice.
The Fujifilm X-H2 mirrorless camera is the company's newest option in the X Series line, and it is a major step forward, being the first to offer a high-resolution sensor — the highest ever in an APS-C camera, in fact. There is more than just that sensor to be excited about, though. This excellent video review takes a look at the camera from a photography perspective and the sort of performance and image quality you can expect from it in practice.
Standard zoom lenses with f/2.8 apertures are some of the most popular workhorses out there, as they cover many commonly used focal lengths and offer enough light-gathering power to handle a wide range of scenarios and needs. However, such lenses can be quite expensive, which is why the Tamron 17-70mm f/2.8 Di III-A VC RXD, which comes in at $799, is such an intriguing option. This excellent video review takes a look at the lens and if its performance and image quality can outpace its bargain price tag.
Recently, Canon banned the production and sales of some third-party lenses for its RF mount cameras. Many photography enthusiasts bemoaned the decision and claimed Canon would lose out because of it. Now that Canon has confirmed the prohibition, what does the future look like for its RF mount cameras and lenses?
In January 2021, OM Digital Solutions acquired the Olympus Imaging Division, and though the cameras and lenses live on, the original iconic company was gone in some sense. So, what caused the downfall of one of the most respected and oldest photography companies on the planet? This interesting video takes a look at the history of the Olympus Imaging Division, where things started to go awry, and why it led to its ultimate failure.
85mm lenses with wide maximum apertures are some of the most popular out there, particularly for portrait photographers, where their flattering focal length and narrow depth of field make them ideal for photographing people. Nonetheless, such lenses can cost well north of $2,000, which is what makes the Meike 85mm f/1.8, which costs less than $200, so intriguing. Can it keep up with more expensive options, though? This great video review takes a look at its performance and image quality to answer that question.
With lenses like the 35-150mm f/2-2.8 Di III VXD, Tamron has shown that in addition to creating pragmatic, affordable lenses, they also have their eyes on those that push the boundaries of design and offer unique capabilities. One such lens is the 50-400mm f/4.5-6.3 Di III VC VXD, which offers an unusually wide range of focal lengths, and this excellent video review takes a deep look at the lens and the sort of performance and image quality you can expect from it in practice.
Electronic Hub recently posted a study divulging which electronics have the most unreliable reviews on Amazon, with some of our most beloved cameras sitting near the top.
Canon recently caused a fair amount of controversy when it came out that they had requested that Viltrox stop manufacturing autofocus lenses for the RF mount, as they feel doing so infringes on their intellectual property. The incident seems to explain the curious lack of third-party lenses for the RF mount. Has Canon made a mistake?
OM Digital Solutions announced an update to their lens road map, and macro photographers will be excited about what's there. Plus, they have a new Linear PCM sound recorder.
The Hasselblad X1D 50C and X1D II 50C helped to redefine the paradigm of medium format, putting a large sensor inside a sleek, small body. Now, the X2D 100C is here, and not only does it double the resolution of its predecessors, it brings with it a bevy of impressive improvements and new features. In this review, we take a look at the camera and what you can expect.
Venus Optics is well known for making unique, interesting, and versatile lenses that offer capabilities that are not possible with other options. Their newest lens, the Laowa 58mm f/2.8 2X Ultra Macro APO, offers the promise of fantastic image quality in tandem with ultra-high levels of magnification, all at an affordable price. How does it perform? This great video review takes a look at what you can expect.
In order to create great portraits, you need to have a lot of great components: lighting, composition, as well as camera and lens choice. Deciding what focal length to use for portraiture can be difficult, so in this article, I will make a few suggestions on lenses you should use for your next portrait photoshoot.
The Canon EOS R3 has been quite well received, and though it has some top-level professional capabilities that help it compete with cameras like the Sony a1 and Nikon Z9, it is not meant to be Canon's flagship mirrorless camera. That title will belong to the EOS R1, whenever it gets here, but when will that be?
"Game-changer" is an oft-used buzzword these days, but seldom does the product live up to the hype. See why this photographer is adamant the new Tamron 50-400mm f/4.5-6.3 Di III VC VXD lens is indeed a game-changer.
A few years ago, if you wanted good image quality from a supertelephoto zoom lens, your only real choice was a first-party option. In the past few years, however, we have seen a real surge in high-quality third-party options that offer a lot of versatility and image quality at prices that often significantly undercut first-party lenses. This great video review takes a look at three of those, the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Tamron 150-500mm f/5-6.7 Di III VXD, and Sigma 100-400mm f/5-6.3 DG DN OS Contemporary.
The Canon RF 16mm f/2.8 lens is the second cheapest in Canon's full-frame lineup, coming in at $299. Does this lens give you value for money or should you invest in something more expensive?
The most user-friendly 360 camera has gotten a nice upgrade, and it paves the way for the future of 360 shooting.
It has been 11 years since I bought the Think Tank Airport Security V2 trolley as my main bag for weddings. It served its purpose, and I’m still happy with the bag. In this article, I want to review the bag based on my findings from the first moment I bought the Think Tank trolley back in 2011.
DJI recently released the Avata, and it's made quite the buzz around town. So, how did this experienced drone pilot find flying the DJI Avata for the first time?
Nikon announces another wide angle zoom to add to its lineup of Z glass: the NIKKOR Z 17-28mm f/2.8.
