In 2015, I can transmit photos to my wire service from the field using my phone, seconds after the images were shot. Back in the 80s however, it took a case of equipment weighing upwards of 80 pounds to get that job done. As the poet wrote: times they are a-changing.
Metabones, best known for their magical lens adapters that actually make cameras more sensitive to light, has added another adapter to their micro four-thirds lineup. Along with this new adapter, (aimed at users of the Panasonic GH4) autofocus functionality will now be available for certain Canon adapters as well.
Ultra wide-angle lenses are a staple for landscape photographers but most cannot accept a regular threaded filter due to their protruding front glass elements. As such, photographers need to use a filter box which clamps to the outside of the lens and holds a large glass filter in place. Thus far lenses like the well received Tamron 15-30mm f/2.8 have not had many options. That is until I got my hands on this new filter system from NISI.
When I first looked at placing my camera into the water I noticed that there was a lot of different options. The most practical and safe method was the big and very expensive dive housings that are used for scuba diving. The cheapest, most dangerous option was the little plastic zip lock bag-type housings that can be found on eBay for $100. I wanted something that would not break the bank, but would also be safe enough that I could put in an expensive DSLR plus a lens, and trust it would be safe. These stipulations are what brought me to the Outex underwater housing.
I'm embarrassed to admit that I didn't know who Trey Ratcliff was until a few months ago. Being that I was engulfed in landscape photography for the last 10 months of my life, Trey's name eventually came up in conversation. If you didn't know, Trey is "the most followed photographer in the world" and now he has created a camera bag.
Still cameras have gotten so good that professionals are now starting to purchase smaller camera systems rather than the high megapixel monsters that have owned the market for years. We may have reached the edge of diminishing returns when it comes to standard still cameras and their functions but we have only scratched the surface when it comes to video.
B&H is offering a pretty hefty discount on the Comodo Orbit Handheld Stabilization Rig at $900 off their normal price. The unit normally has a whopping price tag of $1,299. The Orbit is designed to carry up to 11 pounds, meaning it works will with just about every DSLR/lens combination and most light to medium weight camcorders.
Venus recently released the KX-800 Twin Flash for macro photography which updates their previous KR-800 model. The new KX-800 model features stronger articulating arms that promise to hold their position better than before. In this review, macro photographer Thomas Shahan examines the Venus Twin Flash and goes over how to get the best results in real-world application.
Z Camera is a new startup that has come out with a camera they call the E1. What makes the E1 so special is that it is the smallest micro four thirds camera at the present moment. It shoots 16MP stills, offers 4K video recording, and has incredible low light performance. All in a package not much bigger than a Go-Pro.
The photo gear bag market is saturated with so many options of style and size that new products within this space really need to come out swinging with never-been-better looks and features in order to catch interest. The California-based company Booq, most known for their line of laptop bags and Apple product cases and covers, recently released the Python Catch shoulder-carry camera bag into this market. In this review I'll share my experience with the Python Catch and uncover what features it offers that separates itself from the competition.
Fujifilm's lineup of fast primes is what sets it apart in the world of mirrorless cameras. Starting with the amazing XF 35mm f/1.4, and following up with the XF 23mm f/1.4 and XF 56mm f/1.2, Fuji have continued to impress with their small, lightweight, fast, sharp primes. The XF 16mm f/1.4 (24mm equivalent field of view on full frame), long talked about, was released in May this year to the excitement of many Fuji shooters. But does it hold up to the other primes in Fuji's lineup?