There are few things that can boost your video production more than adding a smooth camera movement. One tool that every filmmaker needs to utilize from time to time is a camera crane. Recently we had the chance to test and use the Kessler Crane Pocket Jib Traveler, and I am convinced that it is one of the most portable and easy to use camera cranes on the market today.
Just a few weeks ago, Lowepro launched it’s first grab-and-go protective and customizable quadcopter drone storage system, the DroneGuard Kit. Lowepro’s solution is an interesting one in that you can adapt it for different devices combining organization, portability, and protection using it as a stand-alone kit, or as an insert with some of their other bags. Over the last two weeks I’ve been putting this bag through its paces on the streets of Chicago, as well as the in desert and dunes of Michigan. In my full review I’ll cover the features, price, build, aesthetics, and function of the DroneGuard to let you know just how they fit the current market.
I baby my external hard drives. I always wrap them in bubble wrap when taking them from home to the coffee shop, and I even have a little mini-pelican case for longer trips. I couldn't imagine how bad it would be if it happened to get even a quick salt water splash, let alone get stuck in the sand. In this video, watch what happens when this G-Tech hard drive is thrown right into the surf of the ocean.
Tony Northrup and Chelsea Northrup continue to offer up informative videos to help photographers understand and Learn the Art and Science of Photography. This latest video has Tony breaking down: the pros and cons of using teleconverters, how using one effects your focal range, image quality, aperture, and autofocus capabilities. So if you've been thinking about buying a teleconverter, this video may help you make a more informed decision before picking one up.
High-speed sync has been around for quite some time now, and has mostly been limited to speedlights. With Profoto’s recent adoption of the technology into its B1 and B2 Series lighting systems, they are signaling a change that has the potential to bring some much needed relief to the strobist community. This signal hopefully means the beginning of the end of flash sync limitations with DSLR cameras.
In my experience, there are two kinds of great lenses. The first is the kind that gets the job done. These lenses are technically amazing and produce extremely high-quality images. The Sigma 35mm f/1.4 Art is one of those lenses. It produces sharp, high-contrast images time and time again. But it doesn’t really have character — a feeling — of its own. This brings me to the second category of great lenses. Every now and again a manufacturer produces something truly special, a lens with qualities that can't be measured on an MTF chart or in lab testing. Nikon's Nikkor 58mm f/1.4G is one of those lenses.
A few months ago I got an email from Rhino Camera Gear asking if I would like to beta test their new slider. I didn't really know anything about this product and I quickly forgot about it until it showed up at our office a few days ago. I had no idea that this would be one of the most impressive products I've tested in years.
The guys over at Alpine Labs have announced a new Kickstarter campaign to fund their follow-up time-lapse motion control system, the Radian 2. Packed with the same features as the Radian, this new version adds a wireless preview of your time-lapse and complete control of your camera via USB allowing you to change camera settings like aperture, shutter speed, and ISO while shooting. But one of the most welcomed features is the ability to pair the Radian 2 with select sliders adding motorized slide movements to your time-lapse making Radian a complete motion control time-lapse platform.
The legendary photography brand LEE Filters, founded in 1961, has announced a new version of their popular SW150 filter system specially designed to be compatible with a broader range of ultra wide-angle lenses. This system is designed to adapt filters to ultra wide-angle lenses with built-in petal sunshade lens hoods and without screw threads.
As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.
May is upon us, wedding photographers. Its the beginning of the season and we need to prepare ourselves for the long haul. Sure, we could brushing up on lighting techniques, talk about new lenses, buy faster cards, or argue about presets, but what we really need to think about are the intangible must-haves. The greens socks, my friends. That's right, I said socks.
Coming off of its previous reputation as an extreme budget brand when it came to DSLR lenses, Sigma has now had well over two years to fend off quality concerns with their restructured Global Vision lineup that began with the superb 35mm f/1.4 Art lens. Since then, Sigma’s Art-, Contemporary-, and Sport-series lenses have proven themselves better than or on par with their Nikon and Canon counterparts for far less capital; and the 24mm f/1.4 Art gives us no reason to suspect the new direction doesn’t have a clear vision to go global.
CrossFit is taking the world by storm. With 11,000 affiliates and growing, it has become a great way to get into shape and is an untapped resource for photographers to sharpen their skills. I started shooting CrossFit as a member in 2010 and learned many things along the way. This is what I learned and how you can improve your skill set.