There is one versatile and affordable modifier called 5-in-1 collapsible reflector kit that practically every photographer owns. As the name implies, it can be put to use five ways, but have you ever tried all the possible usage variations of this babe? Usually, it is a double-sided material with four different finishes: gold, silver, black, and white, which is zipped around a white scrim frame. We are going to analyze the characteristics of each side and see how and when to use them to our advantage, and trust me it is going to be more than five usage tips.
During the recent years, Dell launched its affordable UltraSharp Premier Color wide gamut monitor series in different screen size and resolution options. The features and technical specs of Premier Color monitors are impressive on paper, but how about the real results? After spending 3 months with 4 different units of the 25-inch model, I have finally completed my in-depth review.
Hoya has just debuted a new series of neutral density filters called Solas IRND, bolstering there array of already stellar filters for photography and video. This new line of IRND (Infrared Neutral Density) promises to produce no color casts in your images and videos, which is a very common issue when using ND's.
Aimed at DSLR filmmakers looking to invest in a larger production kit, the Blackmagic Video Assist 4K is a seven-inch touchscreen monitor that doubles as a video recorder. I was able to use the Video Assist during several shoots last month in Chicago, and I’ll go over the features, build quality, uses, and talk a bit about pricing as well.
Today Sony announced a new addition to their APS-C E-mount camera line, the a6500. This 24.2-megapixel camera takes over as the flagship model for Sony's crop sensor interchangeable lens system bodies. There are many upgraded features over the a6300 that was first announced just in February of this year, so let's dive right in.
It's been nearly two years since the people at Lume Cube launched their Kickstarter to bring their vision of an incredibly powerful and portable light to the photography community. For the last few weeks, I've had the pleasure to test these bad boys out in the wild and see what all the hype is about.
I always enjoy a good time-lapse. Making them is a hobby of mine, as I love getting to relax and work at the same time. Leaving your camera stuck on a tripod or Gorillapod doesn't always give you the most dynamic shot I've found. Fortunately, there are ways to add some depth to your time-lapse film without having to lug around several backpacks worth of gear. One such device would be the Syrp Pan/Tilt Bracket.
The headline says it all. There is now a magic Internet stop that will allow you to scroll through a controlled video test of scores of cinema lenses. It’s a magical glass rabbit hole where you can see a single scene meticulously curated over and over with the cinema lens of your choice.
Just as the Digital Bolex is put to bed, Leica announced a new concept camera that's not too far removed. It may be in the land of dreams, but they certainly mean business when it comes down to the future of cameras. Leica's new cinema camera concept debuted at Photokina, and has proved an interesting foray into digital cinema. Although not their first entry into the market by any means, it's certainly eye-catching and hopes to inspire ideas surrounding what consumers want from a camera.
When getting into flash photography, it’s easy to look at camera manufacturers' flagship flashes and assume they are the best you can get. When I first started out, I made this exact assumption. But I always wondered how some of the cheaper hotshoe flashes would hold up against these higher priced competitors. So I ordered a few Phottix Mitros+ flashes and put them to work.
Phase One introduces its third feature update for the XF camera system. The freshly released firmware adds a couple of new features, including the world’s first complete electronic shutter in medium format photography. The Danish manufacturer proves once again its devotion to offering its customers a future-proof system that can evolve with time and professional photographers’ needs.
Spots on your images caused by dust on the sensor can be frustrating and hard to deal with, especially when you have lots of images waiting to be retouched. Although most recent cameras have built-in sensor-cleaning mechanisms, the dust inside your camera should be removed completely in order to prevent existing dust particles from clinging onto the sensor again and again. There are lots of products on the market, but which one you should choose?