Buying used gear is always a balance between risk and potential reward. There is always a chance the lens will be defective in some way or another, but there is also the potential that you will get a perfect lens at a great price. When buying online, you are at the mercy of the seller, but when going out to buy used gear in person from local classifieds, there are several things you can do to decrease the chances of getting a lemon.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.
If you’ve ever wanted to know just how many photos you typically shoot in August, or how often you’re really using each lens in your bag, or what seems to be your go-to aperture, there is a free web-based tool that can show you. With Lightroom Dashboard, you simply drag and drop your Lightroom catalog into the browser and get back all sorts of analytical data including those just mentioned plus more.
We have all been there when trying to pick a new lens. 14mm or 18mm? How big of a difference does that 4mm of focal length make? What sort of differences in depth of field will I see when comparing this zoom lens at f4 to this prime lens at f2.8? Well Fuji has come to the rescue and has released an app to iTunes and Google Play that will let you test all of their lenses from your phone or tablet.
Ricoh recently refreshed their flagship Pentax K-3 DSLR camera with the Mark II version featuring an eye-catching bump in specs and abilities. These new additions, including built-in GPS, AstroTracer star tracking, and Pixel Shift Resolution in the $1,035 K-3 II are really pushing the meaning of “bang for your buck.” In particular, nature photography enthusiasts should really be paying attention to what Ricoh has created here. In this review I cover how the camera performs shooting nature, landscapes, and wildlife to determine if this feature-rich DSLR is an underrated trail boss that deserves a spot in your pack.
Camp 4 Collective, known for their high-end commercial and adventure productions, recently got to work with a pre-production ALTA Drone, made by the guys at Freefly (best known for making the MoVi.) Here is the behind-the-scenes video, with the final video inside the full post, and some more background information from Director Renan Ozturk.
Some photographers like that soft, ethereal feel as they specifically seek out types of plastic to stick in front of the lens, or even go so far as to buy defocus control lenses and LensBabies that will allow them to distort an otherwise true image. That has its value. But this isn’t for that. This is the new go-to guide for absolutely everything to know about how to get your images to be tack sharp. Get ready to dive in: this is a no-questions-left-behind study on sharpness.
When you're shooting a wedding, every minute is valuable. There is often a compromise between the amount of time you spend on a shot and the level of quality you can achieve from that shot. That's partly what makes Fstoppers member Paul Keppel's ring shots so great. They take him almost no time to shoot and they look fantastic.
Nikon's newest AF-S 24-70mm f/2.8E ED VR isn't any ordinary lens. Aside from the obvious addition of VR, the lens features a number of other features, including a new 82mm filter size and increased weight. While it's hard to consider those last two qualities "features," if you thought it was a bit odd, you were right. There's a reason behind everything -- and the reasons behind the design changes prove this might be a lens to think on more than you otherwise would. It also starts making that hefty price tag feel a whole lot cheaper.
While this is more than your average lens announcement on all counts, Nikon's updated 24-70mm f/2.8E ED VR with electromagnetic diaphragm and vibration reduction technologies certainly reigns supreme on fans' hit lists of lens replacements for 2015. Meanwhile, Nikon's 24mm f/1.8G ED fits snuggly between the 20mm and the 28mm variants of the same range, filling a final gap in an otherwise perfectly covered potential f/1.8G video lens kit. The 200-500mm f/5.6E ED VR gives lovers of the refreshed 80-400mm f/4.5-5.6G something to think about with its combination of extreme affordability and extra reach, despite its narrower wide end.