Gear

Could This Be The Longest Slider Video Ever?
We've featured Patryk Kizny a few times here on Fstoppers and his content is always mind blowing. Recently he decided to test a new portable and modular slide rail for the DitoGear PortaSlider. This time lapse video uses 14 one-meter long track units connected to make one single long track. Everything was shot on a few Canon DSLR Cameras and mainly wide angle Samyang 14mm and 8mm lenses. The location, Ogrodzieniec Castle, is one of the largest ruined castles in Poland and Eastern Europe and a pretty remarkable place to film. Check out more about the PortaSlider at http://ditogear.com/featured/porta-slider-prototype/

DitoGear PortaSlider Prototype Testing (timelapse) from Patryk Kizny on Vimeo.

More Proof That Expensive Gear Does Not Equal Good Pictures
I created the iPhone Fashion Shoot to attempt to prove this point. 50% of the people who saw it "got" it and the other 50% claimed that it only looked good because I used $10,000 worth of light. Well I've always said "light is light" and all those expensive light modifiers do is make the light source bigger or smaller. Don't believe me? Bert Stephani will take over where I left off shooting with these work lights (the same ones that I used for part of the iPhone shoot) and a shower curtain.

The Most Detailed Video On Beauty Dish Lighting I've Seen
I've seen a lot of videos that attempt to explain why you would use a beauty dish over a softbox but I've always had a hard time understanding the subtleties. Jay P Morgan created a video that not only explains everything in great detail, but he also shows 3 lighting examples with each type of dish configuration. If you have always wondered about the magic of the beauty dish, all your questions will now be answered.

The Invisible Camera: Your Mind Will Be Blown
Chris Marquardt has developed a really mind blowing new camera called The Invisible Camera. Using ground breaking technology developed by the Max-Planck Institute in Germany, Chris has designed a camera that can properly expose an image even when the film is exposed to ambient light. The special film uses a technique called "directional desensitization" which prevents the emulsion from capturing light; the only light registered is from the very small projection created by the tiny pin hole. What's even more mind blowing is this technique might allow for images to be captured at ISO 1/500th or 15 stops lower than ISO 100! Chris estimates that this increase in resolution would be equivalent to about 3,000 5D Mark II cameras which I can't even imagine. Hopefully some of our more technical readers can explain this to me since I have a feeling it's going on sale a week from this Friday and The Invisible Camera has offered a demo model to Fstoppers.

Hands On Review Of The Red Epic-M
Now we don't usually post product review videos on Fstoppers, especially for gear that we don't currently use, but in this case I have to make an exception. Although I may never get my hands on a Red camera, I can dream can't I? Honestly this video isn't even really a review but by the end you will know that this camera is "pretty coo'". But hey, it still got me all excited.

How To Shoot Studio Bridals On Location
A few weeks ago Lee and I went out to Las Vegas to club it up check out WPPI which is the largest wedding convention in the US. While out there we were able to meet quite a few of our readers, check out the new gear at the Photoflex booth, and play with a lot of new photo related toys. One of the photographers we met was Michael Corsentino who teamed up with Photoflex in this behind the scenes video on outdoor bridals. Michael is using the new Photoflex Triton Flash along with an octabank and a stripbox to create some studio style portraits outside.

Behind the Scenes: Unique Bridal Portraits w/ Michael Corsentino and Photoflex from Photoflex on Vimeo.

Portfolio Advice From A Getty Professional
Harry How is a sports photographer without any prior photography training. With hard work, determination, and a pressing urge to create images that hold up against his peers' photographs, Harry now has a career shooting for Getty Images. In this video Harry explains in detail what it takes to make the transition from hobbyist to full time professional and outlines his gear and little tips throughout his own transition into a sports photographer. If you enjoy this type of candid interview, be sure to hit the full post to watch part 2 and part 3 of this video series.

The Faces Behind The Adobe Photoshop Splash Screen
Fstoppers was created in part to help show the faces of the photographers behind the lens and also to give insight on how they approach their photography. But have you ever wondered who the people are behind some of tools and software we use day in an day out? Well Adobe recently released this video featuring many of the names behind their industry standard software Photoshop CS5 as they explained some of the difficulties they faced in the newest update. I've always wondered why it often takes longer for the mac version to appear on store shelves than it does the PC version and now I know why. via PetaPixel

Photographing Burlesque With Brian Smith
Celebrity photographer Brian Smith has a great video online that describes his workflow when shooting burlesque dancers in Las Vegas. The video is an advertisement piece for X-Rite Color Checker calibration tool but Brian gives some really good advice on how he took his career from working at a newspaper to now shooting celebrity portraits. In this video, Brian is mainly shooting with just a Profoto Ringflash and a Sony A900, and the results look great. Anyone know how in the world he is using pocket wizards on top of the Sony? I thought Sony DSLRs used to have some funky hotshoe jack? //-->

The First USB Follow Focus Controller For DSLRs
Every now and then someone comes out with a product that really makes me say, "why didn't I think of that?" If you've ever been on the set of a serious movie production, you know that the camera operator or steadicam operator hardly ever focuses the lens himself. Instead he relies on a well paid focus puller who can perfectly eyeball every focus distance and follow focus any lens set on any aperture. It's really amazing to watch. Well now a company called Okii has developed a USB focus puller for Canon cameras that can not only pull focus but also record and save a specific movement. I have no idea why they did not include audio on this video but if you watch if you can see two different points of focus being saved and then automated. Click the full post to see a second demonstration that shows off the actual recorded footage.

Zacuto's The Great Camera Shootout 3
Last year Zacuto started a great series called The Great Camera Shootout where they compared film cameras with digital cameras and DSLRs. We featured the first two episodes but somehow overlooked the final show in the series. Some of these tests seem a bit excessive to me but it's good to know that there is a discussion going on with the top professionals in the field. Some of topics covered are camera resolution, color vibrancy, green screening, and shooting video in raw. As photographers, we are still going to hear people making an argument for not shooting video on DSLRs but if you watch the 3 full length short films presented in this episode I think the DSLR video haters' days are numbered.

The Great Camera Shootout 2010 Web 3: The Revolution Begins... from steve weiss on Vimeo.

The Phantom Flex: High Speed Video at 2,564 FPS
We've featured Tom Guilmette several times on our website and each time he never ceases to amazing me. Today Tom released a fun video that he shot on the Phantom Flex while he was staying in Las Vegas. We've all seen super slow motion videos before but what really grabbed my attention was Tom's editing skills and his brilliant use of audio to help bring this video to life. If you enjoy watching and learning about high speed videography, check out Tom's website or check out the other Fstoppers Tom Guilmette posts we have featured.

Locked in a Vegas Hotel Room with a Phantom Flex from Tom Guilmette on Vimeo.

How To Get A Professional Photography Website For $38
About 95% of the time I can guess the quality of a photographer by the design of their website before the first image even loads. If you want people to take your work seriously a Flickr page isn't going to cut it. You may think that you can't afford a professional website; think again. For the next 18 days Creative Motion Design is giving Fstoppers.com readers 60% off their already incredibly low website prices. With this discount their websites start at just $38.00. I know there are other template websites out there that have notoriously bad customer service (I've experienced it first hand) but CMD actually posts their phone number on the front of their website. Still don't believe me? Well you can test out a website completely for free by simply clicking on "free trial" by any of their sites. We all work so hard to produce amazing images and now there is absolutely no excuse for not having a professional way to display them. Check out the full post to see a video on how easy these sites are to customize.