Gear

The Nikon D4s seems to be all the buzz lately. Nothing is official yet, but rumors are going around that match up across multiple sources. Nikon displayed the new D4s body at CES this year and since then we have been able to find some rumored information about the camera and what is to come. Officially, we are told that the D4s will include a new image processor and “more advanced autofocusing performance”. Which both, in themselves, are great announcements.

Ahead of the Japanese trade show CP+, Tamron has announced two more mega-zoom lenses, the 28-300mm F/3.5-6.3 Di VC PZD (Model A010) and the 16-300mm F/3.5-6.3 Di II VC PZD MACRO (Model B016). The lenses follow the 150-600mm f/5-6.3 announced in late 2013. The two new lenses feature Tamron's Vibration Compensation and a PZD (Piezo Drive) which will supposedly deliver faster, quieter autofocus.

Right before Christmas a sale popped up for the FitBit Flex (a fitness tracker) and even though I didn't "need" it, the FitBit would help me stay in shape. So of course I bought it. Over the last couple of months I have been making a conscience effort to make sure I am active. I love seeing how different activities affect my daily step count and, well, shooting a wedding sure does.

With modern technology within Adobe Camera Raw, you're limiting yourself considerably when shooting in JPEG. However, by shooting in Raw, you're removing the purpose of many of the features within the camera. Settings such as 'Picture Style' serve no real purpose when shooting in Raw, because all the adjustments added to photos, will be stripped when put on your computer. Regardless, I shoot in monochromatic, and it has helped my work considerably.

Well despite the CMOS back announcement last month, Hasselblad hasn't done much in the ways of innovating (and it can be argued they haven't really done anything yet since the back was only announced, but no specs or information on it has been released). That didn't change yesterday when they announced the Hasselblad HV, a rebranded and reskinned Sony a99 that will retail for €8500.

I don’t know about you guys, but when Sigma announced the 24-105mm f/4 lens last year, I got very excited. The Canon 24-105mm f/4 was one of my favorite video lenses early on. It’s an extremely versatile focal length that, besides the slow f/4 constant aperture, was largely pretty usable in nearly any environment. Sadly, the lens was only good for video because it just wasn’t very sharp. That’s why Sigma’s attempt got me so jazzed. Based on prior experience with their Art line, I had high expectations for Sigma's new zoom lens.

Last month we posted an article about a unique LED lighting solution called “Strahlen” that was crowdfunding. On paper, the specs of these lights look great, but how well do they perform in a real production setting? I got my hands on a kit of Strahlens, and after an interview shoot with them I found out that they were the real deal.

Over time every DSLR will collect dust on its CMOS or CCD sensor; there really isn't anyway around it. Cleaning your own camera's sensor with liquid wipes or other wet processes has always been a bit risky. Luckily the Sensor Gel Stick is a safe and easy product that top manufacturers like Leica, Nikon, and Canon have been using in their own factories for years. Now YOU can use it too!

If you don't like lav mics rearing their ugly heads in your video productions but love the sound quality (like we saw in a video from Wistia), then maybe Rode's latest product is the perfect solution. It's called the invisiLAV, and it adheres to the interior of clothing and skin and supposedly eliminates the need for those pesky lav clips.

Flashpoint’s 14” Fluorescent Dimmable Ring Light ($140) is by no means a perfect product. It’s not the sturdiest of creations; it seems to have about as much metal in it as a pair of sunglasses. It’s bright but not powerful; bright enough to want those sunglasses if you find yourself on the business end. With all that said, this light may be the best value in the lighting market today.

Fan of the E-Mount or already an owner of the pretty sweet Fuji X-mount systems? Then you might like this: Zeiss just announced a 50mm f/2.8 macro lens for both mounts that sports the styling of the Zeiss lenses we've come to love over the years. It will be available at the end of March for $999.

Early this morning Olympus announced the new OM-D E-M10 (that's a mouthful), combining aspects of two popular cameras the E-M1 and E-M5. It features the new TruePic VII image processor, the same found in the OM-D E-M1, 16 megapixel Live MOS sensor, Wi-Fi technology, a large, high-speed electronic viewfinder and 3-axis image stabilization.

As consumer electronics continue to improve in quality and price, there are more opportunities for professionals to save some money and create DIY solutions. I thought it would be worth sharing my latest DIY project (inspired by video director Joe Simon).

Fuji’s latest camera in their popular X-Series line up, the X-T1, has been officially announced. Although I wrote a brief summary of the features and spec’s being passed around the rumor mill, the official announcement has just been made so we can now confirm details.

If there was a camera that really got people talking in 2013, it was the Sony a7 and a7R. Hailed as a “game changer” and “camera of the year” by both PDN and PopPhoto, it’s gotten a lot of attention. A full frame, powerful and purportedly pro-level mirrorless compact, what’s not to love? Many Sony fans were quick to hail it as the beginning of the end for the DSLR, and even many DSLR shooters seemed ready to join them. I’ve been shooting with the a7R for a few weeks now, and it’s time I laid down my personal verdict on this camera.

A while ago we wrote about the Kickstarter project aimed at bringing the historic Petzval Lens to modern day 35mm DSLRs. Shortly after another Kickstarter was launched to bring this Petzval to the medium format crowd. While off the shelf options such as these can appeal to the masses there remain a few inventive photographers such as Dr. Dirk HR Spennemann who prefer to mix their passion for photography and history with some good old ingenuity to bring us a project simply called "The Antique Camera Simulator".

Lately we've been seeing a lot about the Nikon Df. Everything from Lee Morris' Nikon Df Hipster Review to Chase Jarvis' First Impressions, and it seems like the early popular opinion has judged the Df as lacking. Adding to the growing list of underwhelmed reviews is this video from DigitalRevTV as they compare how the D4 sensor performs in both the Df and D4 models.

When it comes to shaping the light sources photographers use, there are a lot of modifiers available. Each lighting modifier has it's own characteristics which can make it difficult to determine the best light for your project. Karl Taylor has produced one of the best videos I've ever seen showing exactly how the light fall off, contrast, and specularity differs between the parabolic reflectors, beauty dish, and large octabox softbox.

When a photographer wants to start expanding their lighting options they usually look to something beyond their pop-up flash. However, if you are one of those stubborn ones that simply must use what is probably the worst possible flash option...you're in luck. Preston Vance has launched a Kickstarter campaign that attempts to make your mostly worthless pop-up flash somewhat less so. Apparently based on the idea of a beauty dish,

Adventure Sports Photographer Tim Kemple was one of the only photographers in the world who was lucky enough to try out the new Phase One IQ250 that was just announced earlier today. Check out the behind the scenes video, but also read the full article for my interview with Tim, where he shares his thoughts on the system, as well as what it's like to beta test cameras.

For years, medium format cameras have been stuck with digital CCD sensors that are poor-performing at high ISO's because creating medium format CMOS sensors was prohibitively expensive. Well, that has all changed now. Hasselblad teased their new CMOS medium format camera earlier this week, but today Phase One announced their new CMOS digital medium format back and not only is it ready to ship on Monday, but it already looks like it will be a class dominator.

Cranes can add that extra bit of "oomph" to a video, giving it that one extra piece to make for compelling and dynamic footage. If you saw Patrick Hall's review of the Rhino Slider, you probably noticed some footage from a crane in there too. Pro Am just announced a new $300, 12-pound, 3-foot crane that can support a camera rigs up to 20 pounds and manually tilts cameras up to 10 pounds.

Before I heap on the apologies, I do want to say that I get sent a lot of gear. Gear that varies in required skill level, genre of photography and purpose. I've reviewed a lot of equipment over the years, and eventually I was bound to make a mistake- I'm pretty much the furthest thing from infallible. Well it happened, and I'm sorry. My initial review of the Fotopro tripod was negative due in most part to, you got it, user error.

About two months ago, I posted a highly controversial post called The Nikon Df Represents Everything Wrong With Photography. Even though I completely stand behind my original article, I began to wonder if I had not given Nikon's newest DSLR offering a fair chance. Today I decided to take the Nikon Df out into the real world and not only test it's photographic capabilities, but also hear what normal people had to say about it.

The new Nikon Df retro styled camera is rustling the feathers of the photography world. People seem to either love it or hate. Today Chase Jarvis unboxes Nikon's newest offering and gives his first impressions. Could the Nikon Df DSLR be the ultimate travel camera or is it just another alternative to the modern DSLR?

Hasselblad, who hasn't done a heck of a lot of innovating in the past few months, might finally have something worth talking about. They announced that they are working on the world's first 50 megapixel CMOS sensor back for their medium format cameras, rather than the CCD format previously used. This means faster capture rate, longer shutter speed capability and much greater ISO performance.

The first ad for the new Fuji X-Series camera, the X-T1, greeted Japanese commuters today. As they were picking over the detail, a host of leaked images showed up online simultaneously, which provided unequivocal proof that this was the much discussed and touted X-T1. If all these specs stack up, this camera looks set to cause quite a stir.

In the photography world it is all about lighting, lighting, lighting. For videographers the main emphasis is not necessarily lighting as much as it is motion. Perhaps the easiest and most affordable way to add motion to your DSLR video is by using a slider. In this video we take a closer look at the Rhino Slider and why it might be the best sub $800 slider on the market.

Shooting events is like running a marathon, it often feels like it's never ending. At the end of the day you are sore, dirty, and you may have blacked out for a portion of it from dehydration. Using an ergonomic camera sling for one or both cameras is a great solution for saving your neck and back and also keeping your cameras secure on your body. This is a no-brainer investment if you are an event shooter and may change your life if you haven't been using one.

The Adobe product manages and developers that I have spoken to praise the new Creative Cloud process mostly for the ability to instantly update users with new features and stability enhancements. While we have seen a plethora of updates that mostly contain "bug fixes" over the past few months, Adobe has finally given us three new features for Photoshop to get excited about: 3D printing integration, linked Smart Objects, and what is most interesting to photographers, Perspective Warp.