Photography Gear

Sigma's new 60-600mm f/4.5-6.3 DG DN OS Sports lens is potentially one of the most versatile lenses on the market right now, covering a massive focal length range that should be appealing to bird, sports, and wildlife photographers. Can it still offer the kind of image quality and performance we have come to expect from Sigma despite that extreme design?

Thinking about turning your hobby into a jobby? What are the essential points you will need to consider when taking your hard-earned savings and convincing your better half that this will be the new, next chapter in your life? With over 15 years as a professional photographer and more than 25 years being self-employed, here’s what you need to know to make your dream a reality. 

Bird photography is a challenging genre that often requires extremes of gear, particularly when it comes to lenses, where you often need very long focal lengths and wide apertures in order to reach the birds and keep your shutter speed fast enough to freeze them. So, is the versatility of a zoom lens better, or should you opt for the wider aperture of a prime?

The wonderful thing about landscape photography is that you can do it with anything from the most bare-bones, budget camera to the most expensive and modern options. If you are wondering which camera is right for your needs, check out this excellent video guide that will show you a range of great options for every price point, from under $1,000 to no budget whatsoever.  

The EF-S 10-18mm f/4.5-5.6 IS STM was long popular with Canon DSLR users for offering a versatile wide angle focal length range in a small body together with great image quality, all at a very affordable price. Now, with Canon developing a line of APS-C RF-S cameras, the 10-18mm f/4.5-5.6 is relevant again.

As someone that is as deep in the Apple ecosystem as it gets, I will still pick the BenQ PhotoVue SW 321C over both Studio Display and even the ProDisplay XDR. Not only is this monitor objectively better, but also way more affordable. In this article, we will review the BenQ PhotoVue SW321C. 

For Fujifilm photographers who want the ultimate levels of reach, the XF 150-600mm f/5.6-8 R LM OIS WR offers a full frame equivalent of 229-914mm, making it quite the intriguing choice for sports and wildlife photographers alike. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.  

When it comes to zoom lenses, the professional standard is f/2.8, which offers a suitably wide aperture for isolating subjects and working in low-light situations. However, many f/2.8 zooms also have f/4 variants, which are both far cheaper and much more portable. This great video essay discusses why you might want to consider f/4 options for your camera bag.  

Ever since the arrival of the RF mount, Canon has shown they are willing to push the boundaries of lens design to new levels. It seems they don't plan to slow down, with two new patents emerging, including one for a 300mm f/2.3 mirror lens with autofocus.  

A photographer who spent $3,000 on a Sony camera was shocked to discover nothing but an empty box and bags of mysterious white powder when it was delivered.  

We are lucky to have a huge range of quality supertelephoto zoom lenses to choose from nowadays — so many, in fact, that it can be difficult to know which is right for you.

Film continues to enjoy a steady resurgence, and one of the most intriguing ways to differentiate it from working with digital is to pick up a 645 medium format camera, which produces negatives far bigger than even the most expensive digital medium format cameras.

The 24-70mm f/2.8 lens is the workhorse of choice for many creatives, offering a useful range of focal lengths and a decently wide aperture. However, for those who do not need that fast aperture, an f/4 option is both far cheaper and more portable, making it a nice alternative. Sony's FE 20-70mm f/4 G is one such option, and it offers extra reach at the wide end, making it more versatile.

Having multiple cameras as a photographer is always a good idea as it gives you security and versatility. The good news is you can easily add an extra camera to your arsenal for less than $100. 

The Mac mini has long been a favorite of casual users and creatives alike who want the Mac experience in a desktop without dropping top dollar on a Mac Studio or Mac Pro. And now, with the ability to add an M2 Pro chip, the mini is more capable than ever. This great video review takes a look at the new Mac mini with the M2 Pro chip and just what you can expect from it.  

While the Canon EOS R5 got a lot of the accolades upon its release, the EOS R6 is arguably the most practical workhorse in Canon's lineup, with a balanced feature set that borrows a lot of the advanced capabilities from its bigger sibling without the added luxuries that would drive its price up.

Katelyn James breaks down the essential (in my opinion) options you need to know and master on Canon's EOS R6 to be able to nail AF and eye-tracking options ensuring a sharp and tracked subject every time. Her style is easygoing and she's great to listen to and I love her videos and explanations which make sense and put everything into perspective.

The MacBook Pro has long been the workhorse of choice for many creatives, able to handle the needs of even the most demanding photo and video projects. Apple's transition to their own silicon has revitalized the lineup with improved performance and battery life.

Canon has been quite aggressive in the development of RF mount lenses, releasing some extreme designs, such as the RF 28-70mm f/2 L USM and the RF 85mm f/1.2 L USM. They seem to have no intentions of slowing down, as another boundary-pushing design has emerged in a recent patent.  

Nikon’s newly released MC-N10 handgrip might be the accessory you need, even if you didn’t know you needed it. 

Canon has developed a new sensor that employs a clever trick for increasing dynamic range. 

The new CMOS sensor has a dynamic range of 148 dB, which the company calls the largest such range in surveillance cameras. However, it is the sensor's "Exposure by Area" function which makes it particularly intriguing. 

Everybody's got to start somewhere. The difference these days is about where you want to start. Whether it's vlogging, still photography, or making feature films, beginner cameras have really branched out into specialized tools in recent years. 

The Sony a7R series of mirrorless cameras has long been popular for offering some of the highest levels of resolution and image quality available in a full frame camera, but now in the fifth iteration, the a7R V is far from a one trick pony. A range of new and improved capabilities make it a powerhouse camera capable of tackling a variety of scenarios and needs.

The Canon EOS R5 signaled to the industry that Canon was deadly serious about the professional mirrorless space, but along with it came the EOS R6, which kept many of the former's most impressive capabilities without such a high-resolution sensor and features like 8K raw video, which the vast majority of professionals do not need.

Canon has filled out the RF mount lens library at an aggressive pace, with many options that offer impressive performance and push the boundaries of lens design. Nonetheless, there are still some missing lenses. Some new patents have emerged that indicate Canon is working on filling those holes, and they might do so with some fairly extreme designs.  

While features like lighted buttons have slowly become a bit more popular in the industry, haptic feedback has been largely ignored, despite being an extremely common feature in other technology. However, that might change eventually, as a Canon patent for a vibrating shutter button has appeared. 

Cameras like the Fujifilm GFX 100S have revolutionized the paradigm of medium format gear in the last few years, bringing features and capabilities typically reserved for smaller systems and doing so at a price that competes with the upper levels of full frame. This has made medium format a viable alternative for many photographers, particularly landscape, portrait, and wedding shooters.

The 30mm f/1.4 DC DN Contemporary Lens from Sigma is an affordable, fast prime lens. On paper, it looks like it should be a fabulous piece of glass. I put it through its paces to see if it lived up to its marketing blurb. 

Traditionally, professional photographers have shied away from superzoom lenses, as the sacrifices it took to create such a large focal length range were simply too great to make them viable for their demands. On the other hand, they might be worth a second look, especially if you are a landscape photographer.

The Canon RF lens lineup is growing nicely, though there is still a hole at the ultra-wide angle end of the lineup. Thankfully, however, that will likely change soon, with a premium ultra-wide angle lens on the way.  

For Fujifilm photographers, the XF 18mm f/1.4 R LM WR and XF 33mm f/1.4 R LM WR offer both a wide angle and a normal focal length in tandem with a wide maximum aperture, making them versatile options for a wide range of genres, including wedding work, street photography, portraiture, and much more. How do they hold up over time?

Don't let anyone tell you gear doesn't matter. It does. It might not be the only thing that goes into getting good images, but it's certainly a big factor. But not all the gear you need has to be bodies and lenses. Here, learn about five purchases you can make to transform your landscape photography overnight.

Lens makers these days are coming up with some incredible options that were unheard of just a few short years ago. That continues here, with the Sigma 60-600mm f/4.5-6.3 lens put up against the Sony 200-600mm f/5.6-6.3 in a battle for the title of best wildlife lens. You could also make a case for it being an action sports lens shootout too.

Fujifilm's latest entry in the X Series, the X-T5, brings with it some of the company's newest and most advanced features and capabilities in its most well-known design. Can it compete with the many powerful full frame options on the market? This excellent video review takes a look at the performance and image quality you will be able to expect from it.  

Sony just announced an all-new full-frame lens, the FE 20-70mm F4 G, which combines an ultra-wide focal length with a standard zoom.  

The new Sigma 60-600mm f/4.5-6.3 DG DN OS Sports lens is one of the company's most versatile lenses yet, covering everything from normal to supertelephoto focal lengths and promising to do so with great performance and image quality, making it a potentially fantastic option for sports photography, wildlife work, and more. Can it live up to its potential?

Modern cameras are impressively capable machines, full of a range of advanced features and capabilities. One of the most useful features has been around for much longer than mirrorless cameras, though; in fact, it goes back to the film era.

Sony announced the development of the 300mm f/2.8 G Master OSS lens, with an expected arrival date of early 2024. The lens is sure to be welcomed by a variety of professional sports and wildlife photographers.  

Today, Apple announced the next generation of the Mac mini, powered by the M2 and new M2 Pro chips, as well as the new 14-inch and 16-inch MacBook Pro, powered by the new M2 Pro and M2 Max chips. 

The new MacBook Pros features the new M2 Pro and M2 Max chips, the latest in Apple's widely acclaimed chip series. Here's what you can expect:

In this video, I test the new Fujifilm X-T5 against the Canon EOS R5, which is my go-to studio camera. Originally, I intended only to compare the image quality of Fuji's new 40-megapixel cropped sensor against Canon's 45-megapixel full-frame sensor, but after using the X-T5 for a number of sessions in my studio I decided to make a friendly general comparison of the two cameras. 

Fujifilm's mirrorless cameras are highly respected for their design, capabilities, and innovative features, and they have become the system of choice for many wedding photographers. This great video essay features a wedding photographer taking you through the Fujifilm cameras, lenses, and accessories he uses for the big day.  

Sony's a7R series has long been respected for offering extremely high levels of resolution (the highest available in a full frame camera, in fact), along with a range of advanced features that make it the workhorse of choice for a wide range of applications. Now in its fifth generation, the a7R is quite refined and can satisfy the needs of many users.

There's definitely more than meets the eye with this new standard zoom lens option. Aside from a wider range and a smaller size, let’s see what else this has to offer. 

If you're a portrait photographer, you'll know the feeling of getting a new lens and going on your first portrait shoots with it. That feeling was strong for me over a decade ago and it's just as strong now! 

Fujifilm has established itself as a leader in the photography industry with cameras that have earned devoted fans from all genres. Just like any other company, though, there are good and bad aspects. What are the pros and cons of Fujifilm cameras? This excellent video essay takes a deep look at Fujifilm cameras and how they perform in a competitive world.  

Panasonic’s latest and greatest cameras will have a much better chance of success. 

A few years ago, I wrote about what Panasonic would need to win the full frame fight. Their flagship S1H had killer features, but lacked any reliable way to adapt lenses to L mount. I felt that they didn’t understand their core audience.

Ricoh's GR series of compact cameras have long been considered some of the best options for street photography, as they offer a wide angle lens paired with a large sensor for a compact body, making them discreet but powerful. This excellent video review takes a look at the latest version, the GR IIIx, and how it performs for street photography.  

There's been a long-held belief that higher-megapixel cameras produce more noise in low-light situations. Here, different models of Fuji, Canon, and Sony cameras are compared side-by-side to prove that high-megapixel cameras do not produce more noise than lower-megapixel models when lighting conditions are poor.

Glyn Dewis takes a look at the Sony A7R V with his usual comedic but incredibly informative style.

In the past few years, Tamron has reinvented themselves as a company that offers both lenses that make smart compromises to be highly affordable and lenses that push the boundaries of design.