Historical

The original Canon 1D came out almost 20 years ago, in November of 2001, and it represented the company's arrival on the professional digital camera market. Since then, the 1D series has become well known for its high-level capabilities and almost unbreakable build, becoming a favorite of countless pros around the world. What was the original model like, though? This neat video takes a look at the shooting experience and image quality. Spoiler alert: the colors are beautiful.

Canon introduced the EF mount in 1987, and it brought with it a number of innovations while ushering in the autofocus era for the company. Before that, though, was the FD mount, and while it had almost exclusively manual focus lenses, one special lens, the FD 35-70mm f/4 AF, actually had a very strange and unique autofocus system, and this neat video shows what it was like to shoot with.

What will you be doing for World Photography Day? There’s good reason to get on board. Some exciting happenings are going on, including some free live presentations from top-notch photographers.

Look at any photography discussion board or Facebook page, and you’ll quickly run into members obsessed with bokeh, or the quality of out-of-focus elements in a photograph. If you are in the bokeh-obsessed stage of photography, then large format wet plate photography is absolutely for you.

No landscape photographer is as iconic to the genre as Ansel Adams. But can someone who worked primarily in black and white and whose heyday was over half a century ago still teach us anything today?

We tend to think that manipulating images to create unrealistic notions of beauty is a recent phenomenon thanks to Photoshop and celebrity culture, but it turns out that retouching photos in order to mislead people has been around for well over a century.

If there is one type of news story that is a recurring theme in journalism it is the protest. Think "Tank Man", "The Burning Monk", or "Taking a Stand in Baton Rouge" (with Ieshia Evans). They stick in the memory, their iconographic status forming a peg from which we hang related memories. So why then are we more interested in riots as opposed to protests?

It is a truism that the rich and famous are early adopters of the latest technology. Given that photography was unleashed on the world in 1839, what is the earliest surviving photo of a US President?

Sony's not a camera company or at least hasn't been until relatively recently. Its heritage is as un-optical as any recent manufacturer can be and is certainly far removed from the heritage of the likes of Nikon, Canon, Leica, and Pentax. Yet, among the gravestones we see littering the photographic landscape, it seems likely that the A mount will soon join them, finally severing any link to the past. So, why wasn't the A mount Sony's future?

You take photos, you write books, you're published in weekly and monthly newspapers and magazines, and travel the world with the sole purpose of... traveling. You sound like one of the early social media influencers of the 2010s who was "living the dream," constantly on the road, distributing a drip of photos and articles to the travel-enthused general public. However, it's 1888, and your name is Frank Carpenter.

We'd all love to be mentioned in the same breath as our favorite photographer. Especially if that photographer is a highly celebrated master of their genre. But what happens when your image is mistaken for, and credited to them, instead of you?

Cyanotypes are a type of printmaking process invented in the 1800s by Sir John Frederick William Herschel, 1st Baronet KH FRS. What a name!

In 1980, philosopher Roland Barthes published a book that would shift our understanding of photography. Drawing on Barthes' words, Jamie Windsor asks the question: How much control do we have over our photographs?

Henri Cartier-Bresson is one of the greatest photographers of all time. What is it that gave him his style, and how would you go about recreating it? This video tries to find out.

Two of the most important artists working as photographers in the second half of the twentieth century shaped our understanding of documentary image-making, largely through their photographs of cooling towers, coal bunkers, and water tanks.

Released in 1986, children’s sci-fi adventure classic "Flight of the Navigator" was one of the first movies to use computer-generated effects, but many of the practical visual effects used are equally mind-blowing. Check out this in-depth insight into how the production team created a movie that still looks good 35 years later.

25 years ago, Sony unveiled the DSC-F1, a 0.3-megapixel digital stills camera with a rotating lens. Check out this piece of photographic history as Gordon Laing takes it on a quick tour of Brighton.

With all of our fussing over codecs and bitrates, and demanding 4K 120 fps at every latest camera release, it can be good practice to look back at where some of this technology started in order to get a bit of perspective. This beautifully edited video illustrates perfectly how the likes of Canon and Sony are most certainly standing on the shoulders of giants.

Photography can sometimes become a bit of a gear measuring contest. Who’s got the biggest lens? Which body has the most megapixels?

Photography struggles with truth as a concept. With other art forms, truth is generally a non-issue. We do not question whether a painting is real. We do not question whether a dance is real. We are generally able to discern fictional texts from nonfiction; furthermore, we’re generally able to sift through multiple nonfiction texts and combine them with our own experiences to arrive at a conclusion of truth. But not with photography.

In Walter Benjamin’s 1935 essay, “A Work of Art in the Age of Mechanical Reproduction,” he argues that the reproduction of an art object diminishes its "aura," or unique position in time and space. What this means is that if you make something with your hands, you only have a singular of that thing, so that makes it something special. It is "one of a kind."

Is a photo everything it seems and what does it say about why and how it was taken? This image from publishers Lawrence and Houseworth shows a full team on the Sierras, but what is it telling us?

The spelling of “bokeh” to describe out-of-focus areas wasn’t used in relation to photography until as recently as 1997, so how has it come to dominate discussions about the qualities of a lens to the point that manufacturers have to mention it with every new release? This in-depth video explores the use of bokeh over the centuries from 16th-century oil paintings to today’s digital cameras.

Spy agencies have come up with some ingenious means for capturing images in enemy territory and this fascinating interview with a former CIA chief shows how pigeons and fountain pens were useful tools for gathering information through photography.

Shooting a hundred-year-old camera that is also a darkroom is unusual but this fascinating story becomes more remarkable when you consider that the photographer earned a living for decades creating portraits in Kabul, the capital city of Afghanistan. 65 years later, he’s still taking photographs.

The daguerrotype was one of the earliest means of capturing images onto a surface and was the first photographic process available to the public. Using a piece of silver-coated copper and a 35mm film camera, this videos shows you how to make your own.

Many of you will have seen images taken with the famous Kodak Aerochrome film, or more likely in today's photography, you will have seen a digital homage to its created aesthetic. But how did this film come to be, and why was it originally used?

The Contax T2 was a luxury compact rangefinder released in 1991, combing excellent image quality and controls that have since made it a desirable option for film aficionados. Contax no longer exists and T2s now sell for thousands of dollars. Why do they cost so much and are they worth the investment?

The ingenious details that went into the purely mechanical design of early SLR cameras are incredible, and this in-depth video gives you a remarkable insight into how the light metering system functioned inside the legendary Canon F-1.

Every time I think about how much 2020 has fundamentally changed my life and my profession, I am reminded that, while dramatic, this is hardly the only period of change I’ve experienced in the business. So today, I thought I’d have a look back at just some of the changes that have impacted my own career since I first started making money as a professional photographer.

In 1995, Sony released a camera that would go on to dominate skateboarding videos for the next 15 years, revolutionizing the culture in its wake.

Photographers certainly love their bokeh, and not all bokeh is the same, as different lenses can have vastly different character. This neat video shows the kind of crazy bokeh you can get when you put a less common lens on your camera.

Drug and alcohol addiction often go hand in hand with art. Painting has Van Gogh and Pollock, poetry has Coleridge and Ginsburg, music has The Beatles and Jim Morrison, and novels have Burroughs and Welsh. I was, however, surprised by how little information I could find about photographers’ substance abuse. Where are the in-depth books about photographers that were inspired or crushed by their addictions?

In this video you’ll learn about one of the founders of Adobe being taken hostage for $600,000 ransom, and how Steve Jobs once owned 19% of the company before they opened the flood gates to cater for Windows and the mass market of the time.

The TLR camera has long gone the way of the dinosaur, replaced by SLRs, but you can still find used TLRs for purchase, with Rolleiflex models generally being the most sought after. This fun video follows a street photographer as he shoots with a Rolleiflex 2.8F TLR camera.