I've lived on the shores of Lake Erie my entire life and can readily attest that it can a very unkind body of water. Photographer Dave Sandford takes advantage of this by wading into the tumultuous waves to capture and showcase their beauty.
As we start filming our newest tutorial, "Photographing the World With Elia Locardi 3," this seems like a timely video. When we see the gorgeous images landscape photographers produce, it's easy to think that landscape photography is an ideal profession for spending all one's time taking images of the most beautiful places on the planet, but the reality isn't always that glamorous.
The more you photograph people, places, and things, the more you understand how much control the available light has over the outcome of your image. Taking advantage of tools like filters to limit or modify the light coming into your camera is a great way to craft a unique image and even add a dramatic flare that you may not be able to create otherwise.
How long do you think it would take to photograph over five million miles of road? Since 2007, Google's Street View teams have been doing just that; capturing panoramic images of millions of miles of roads all over the world. Armed with a fleet of vehicles with 360 degree cameras mounted atop of them, the Street View team has managed to capture a few lucky shots while motoring across the globe. It's a pretty incredible project if you ask me.
Morten Rustad’s a rarity, managing to make time-lapse photography his fulltime gig – and today he’s teamed up with New Zealand based company Syrp to share his expertise and host their latest Filmmaking Guide: “How to Setup a Long-Distance Cable Cam Motion Time-lapse”.
So how do you make that mountain appear as large to the viewer as it does to you? How do you get rid of noise in your nightscape images? And how can you get everything in perfect focus, front to back? This might as well be titled “5 Things you can’t do in one shot,” since each technique in this essay relies heavily on layering multiple exposures of a given landscape scene. I’ll show you the techniques I often use to translate my vision to the image. Let’s go.
Tis the season. Around the time of December, photography websites worldwide recap last year with their selection of the cream of the crop. To many photographers, National Geographic is a well-respected media platform to get your work selected and exposed. And now they have made their selection curated from 91 photographers, 107 stories, and 2,290,225 photographs.
Our friends at ViewBug teamed up with Discovery Photo Tours to offer an unforgettable Italy photo adventure to one lucky photographer. Submit your image to the completely free “Around the World” photo contest and you could win a seat on Discovery Photo Tours' Spring 2017 Italy Photo Tour! This all-inclusive, eight-day tour will be an incredible journey through the heart of Italy. Start in Rome and wind through the Tuscan countryside, into Florence, and end in Cinque Terre.
The London Natural History Museum is about to close entries for the 53rd Wildlife Photographer of the Year, and you can choose your own favorite right now.
Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.
You’d be forgiven for thinking that this is a photo of a mountain range underneath a starry sky. But look a little closer at the tree-line and you’ll notice a huge giveaway about what’s really happening.
A Scottish photographer has captured a rare photo of what is being nicknamed a "Fog Bow" (or fog rainbow!) over the snow-covered moors. Melvin Nicholson took the photo whilst out walking through Rannoch Moor, Scotland.
Ansel Adams once said “you don’t take a photograph, you make it.” I have always thought that what he meant by this quote was the process involved in reaching the final image. It has never been about clicking a picture simply, but it involves the creativity the photographer pours into his image. And creativity and sensibility also are what transpire in the beautiful conceptual project of Finnish photograper Christoffer Relander, titled “Jarred & Displaced.”
Whether it's the glamor of Paris, the captivating shores of Ireland, or the natural beauty of the Grand Canyon, it is very easy for a photographer to assume that one must go above and beyond to capture the landscape images that he or she desires. Dennis Ramos, a world-renowned fine-art and landscape photographer, took a completely different approach. He captured the beauty that surrounded him where he resides in Tampa, FL.
If you’ve ever wondered how the heck to photograph, much less create, a time-lapse of the Milky Way; this video by Rhino Camera Gear explains the process in great detail.
This article is a twist on the more common behind the scenes post. Instead of writing about the thought process of the shot in retrospect, I am starting this article several days before the full moon, to showcase my process and mindset when planning for a once in a lifetime shot of the Supermoon.
Modernity has brought increased convenience and comfort to countless lives, but there have been unintended consequences as well. Increasing urbanization has caused more and more people worldwide to lose their primal connection with nature, something that is almost impossible to replace by technology alone. The brilliant river of stars known as the Milky Way that has dominated the night sky and human imaginations since time immemorial is no longer visible to one third of the Earth’s population, and 80 percent of Americans. This is especially tragic for photographers.
The rain washes heavily onto the window, and I’m sitting in the candle-lit windowsill with a pint of inky black ale and a good book. That book is Alexandre Deschaumes’ forthcoming “Voyage Éthéré” (Ethereal Journey); a collection of his work over the past years. Following the release of his Blu-Ray documentary, “La Quête d'Inspiration” (The Quest for Inspiration) by Mathieu le Lay, Alexandre looks to be on the path to becoming increasingly known for his work. And with good reason.
Landscape photographers know that there’s only so much you can plan. Today I want to introduce to you a fellow Dutch landscape photographer who recently came back from the volcanically active Kamchatka Peninsula in Russia. What Tomas van der Weijden captured there is truly extraordinary and he told me everything about the creation of this photo.
Good nightscape shots have to be captured under ideal conditions. Well, just a cloudless sky will get you started anyway. I’m always looking for the next best piece of gear and darkest location myself. And around the start of this month, a particular dark location got proper recognition as the Dutch second Dark Sky Park. So let’s put location and gear together in this review of the Samyang 12mm f/2.8 for full-frame cameras.
When they are out at night, wanting to shoot some astrophotography, the trickiest thing photographers usually worry about is getting enough light to highlight the nightscape for it come out well-exposed in a shot. Some make use of the available light, some wait for the full moon, and some get creative with torch or car lights. But Paul Heran and Ryland West came up with yet another ingenious method to light up their landscapes: drone lighting.
Like many photographers, I decided to stop shooting weddings as soon as I was able to. They were sometimes fun, and they could pay well, but they just weren’t for me. In 2013, I finally booked my last one: a destination wedding in early 2014 in Bolivia. Going out with style, for sure.
As a full time roadtripper, I am constantly in search of amazing landscapes with the hopes of adding a unique take on what is most likely an over-photographed scene already. There are several ways to do this, but I am going to suggest one which is rarely discussed but hard to overlook in today’s social media outlets: the human element.
Stumbling upon a recent article reminded me that this is a question I wanted to ask here on Fstoppers. In my expertise and knowledge there is an absolute need for filters in certain industries of photography and if you're attempting a certain look. For instance a few friends of mine that also work for my wedding photography company do some off road coverage, for them I'd say it's pretty crucial to have a filter on their lenses to protect as much as possible as high speed off road vehicles and dirtbikes fly past them with the potential of tossing a few hundred rocks their way daily.
Have you ever wondered what that obscure tab called “Channels” in Photoshop does? You know, the one with black and white layers of your photograph that are anything but red, blue, or green? Turns out they do some pretty amazing things and aren’t really that hard to understand once you get familiar with them.
Earlier this year, Patrick Hall did a thorough comparison of a variety of neutral density filter brands. The test included findings on color cast, vignetting, exposure, and sharpness. The goal was to find the best and most cost efficient neutral density filter available. In an effort to dig a little deeper into the question which filter is best for your gear set, I decided to add on a test of a similar product that photographers may prefer, filter holder sets.
Travel photographers seem to be going crazy for far-flung locations on Instagram. If you follow a bunch of them, you are bound to come across stunning photographs of some amazing places they’ve been making images of. It seems like everyone has caught the Scandinavian bug, seeing so many photographers flocking to Iceland or the Faroe Islands to capture those breathtaking landscapes. In this article, I will list the most popular locations for travel photographers on Instagram, but also include a few places you may not have considered.
Hoya has just debuted a new series of neutral density filters called Solas IRND, bolstering there array of already stellar filters for photography and video. This new line of IRND (Infrared Neutral Density) promises to produce no color casts in your images and videos, which is a very common issue when using ND's.
What’s the best photograph you’ve ever taken? If it’s as good as you think it is, it could win you your choice of Canon 5D Mk III, Nikon D500, Sony a7 II, or Fujifilm X-T1. It’s all part of My Best Shot, a free photo contest presented by ViewBug, the world’s largest photo contest community.
A transportive time-lapse is something that never gets old, particularly when it looks and sounds as elegant as a waking dream. Forcibly poetic diction to describe lengthy slider moves and dramatically shifting clouds, perhaps. However, it’s hard to ignore the feeling you’ll get when you take this trip to Døvrefjell, a mountain in Norway that never looked more serene.
