All too often in our business, we are thrust into a job in which we either have no time for or cannot afford lighting tests. I find that these gigs force me to fall back on my old tricks and techniques. This can lead to the dangerous place of shooting stuff that all looks the same. Sure, you can try out new ideas on personal projects, but sometimes, the job calls for stuff that you don’t own or cannot afford to get. Usually, when planning a shoot, I have great theories and fantastic ideas on how to pull off a look. However, the idea of winging it in front of a client is stressful...
Ok Go is a band whose internet fame probably started with the music video for their song "Here It Goes Again." The brilliant part of that video is the production quality. It isn't your typical cinematic, beautifully lit, shallow depth of field aesthetic; it looks like a VHS tape from a family gathering in the 90s. The video gained its fame from the pure creativity involved. Since then, their videos have all shared one other quality that makes them so entertaining and captivating: they are all just a single take.
Finding just the right music for your video project can be an overwhelming process in filmmaking. You may have spent weeks, months, or even years tirelessly capturing footage and now it comes down to music track selection which can make or break all the film work you already put in. Musicbed, the popular music licensing website, has just launched a new “Discover” page which they hope will make the track selection process faster and easier by giving you a much more personalized experience.
Recently, I had the opportunity to have a conversation with photographer Noah Abrams. I talked with him about his work, some ongoing projects, and his day to day life. Noah grew up skateboarding in Columbus, Ohio. He also mentioned to me that he never truly considered photography as a career until later into his 20's, although he had dabbled with it for years throughout high school and college. To learn all of this, I began with a question that many people have for working photographers: where did your initial interest in photography come from?
Hear me out on this one. As a concert and event photographer (and music lover), I will argue until my dying breath that the most important piece of equipment we have after our camera is ear protection. In fact, this made my recently published list of 10 concert photography tips for everyone. I've gone through nearly a dozen different kinds of earplugs over the past five years, but the Music•PRO high-fidelity earplugs from Etymotic are something absolutely unique, and I'm thrilled to be able to review them. They're electronic. And they're alive.
As announced at Adobe MAX 2015, Adobe released new updates to its professional Creative Cloud suite of applications. Photoshop CC, Illustrator CC, InDesign CC, Premiere Pro CC, After Effects CC, Audition CC, Dreamweaver CC, Photoshop CC, Fuse CC (Preview), Adobe Stock, and more have been updated. You can download the new versions from the Adobe Creative Cloud app.
While the original source couldn't be independently confirmed, the studio behind the recently released movie, "Everest," apparently sent BBC a clip of the still unreleased film without audio effects. Instead, throughout the entire otherwise hair-raising scene, the actors speak to each other in a tone seemingly more appropriate for a focus group discussion between amateurs trying to solve a Rubik's cube than for a life-threatening situation climbing Mount Everest.
In the continuing saga of musicians complaining about others stealing their work or not getting paid enough for their work and then ripping off hard-working photographers, the rapper T.I. has joined the pack. T.I., most famous for hits "Rubberband Man" and "Whatever You Like" has stolen a Trinidadian photographer's work for use in an invitation to a party he's hosting. The photographer has called him out!
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
Taylor Swift has come under a lot of fire in recent months regarding some of the restrictions and limitations in the contract photographers are required to sign when shooting her "1989 World Tour", but Mickey Osterreicher, the general counsel for the National Press Photographer’s Association, just announced via a statement to Poynters that the seven-time Grammy winner has agreed to revisions to her contract that will hopefully make it more palatable to media members.
Have you ever applied for a gig online through a place like Craigslist, Mandy, or even Facebook, only to find out that it is a no-pay job, and they want to own exclusive rights to your images? I know I have. Jared Polin came across a similar posting from Live Nation, notoriously known for having a "Work for Free" policy, and he decided to do something about it– which actually got a response, and might create a change in that policy.
Where do you get your inspiration from? The outdoors? The city? Or maybe human beauty? Wherever it comes from, it drives us as creatives. As visual artists, we translate this inspiration into images or videos but the process of getting there isn't always easy. Long hours, little sleep, and the added stress of paying the bills can leave us losing focus. Maybe your original passion isn’t as strong as it use to be or all the family photo sessions you have taken on leave you feeling like all the fun is gone? So what do you do when you feeling like you're loosing your creative edge? Crank up the tunes and start jammin' out because here are three ways music can transform your photography.
Here we go again! Another photographer named Joel Goodman has called out Taylor Swift over stipulations in the contract that is handed out to photographers shooting her most recent tour: 1989 World Tour. This time, however, the contract states that the entertainment group known as Firefly Entertainment reserves the right to "destroy the technology" that houses the photographs. This is one step beyond what the previous contract stated.