Having your images stolen and used against your will has all but become the norm for many working photographers. One gig photographer who confronted the record label editing and using her images, however, was greeted with insults as they told her she “doesn’t have the portfolio to back up [her] prices.”
Concert photography is probably one of the most appealing genres to shoot for any photographer. When I first picked up a camera, the only thing I wanted to photograph was my favorite bands as they played live. Our good friend and Canon Explorer of Light ambassador David Bergman is launching a pretty unique live workshop called Shoot From the Pit that will not only let you work side by side with David himself but also shoot a variety of artists as they perform live.
The art and business of photography has had no trouble in inspiring millennials into finding a path to success within the field. Twenty-somethings have embraced the use of new technologies in their workflow, marketing, and creativity, but there is one lesson on reaching your goals that has not changed since the dawn of commercial photography.
The Killers – who were headlining the event that earlier in the night saw Queens Of The Stone Age frontman Josh Homme kick a photographer in the face – made an on-stage pledge to say photographers were "welcome" and "respected." But one of the band's own rules for live gigs contradicts this very statement, and many live music photographers are not happy.
Picking the right music for your next video project can elevate your final cut or destroy it. The soundtrack is the beating heart of any video project, and you can direct your viewer toward an emotion or message based on your selection. Here are some tips to choosing the right music.
While Taylor Swift’s gorgeous looking revenge-fest music video to “Look What You Made Me Do” continues to break streaming records across the Internet, I’d like to shine a light on some of the lesser-known music videos that have stood out over the last few months that don’t demand the eye watering budget of a Swifty vid.
Shooting live music appears to polarise photographers, with some enjoying it and some disliking the lack of creative control. While it isn't my favourite genre to put my camera to work, I do get some satisfaction from the atmosphere, unusual lighting, and singular poses. I noticed, however, that I had a bad habit: I didn't move very much and simply reframed the images using different focal lengths of my 70-200mm. So I decided to take a risk.
Living in the live music capital of Texas, there is no shortage of opportunities to experience incredible shows while taking some memorable shots. Capturing the excitement can be tricky, however, as dim lighting and moving subjects don’t usually play well together. Here are some tips for making the most of your next concert.