Concert photography is probably one of the most appealing genres to shoot for any photographer. When I first picked up a camera, the only thing I wanted to photograph was my favorite bands as they played live. Our good friend and Canon Explorer of Light ambassador David Bergman is launching a pretty unique live workshop called Shoot From the Pit that will not only let you work side by side with David himself but also shoot a variety of artists as they perform live.
The art and business of photography has had no trouble in inspiring millennials into finding a path to success within the field. Twenty-somethings have embraced the use of new technologies in their workflow, marketing, and creativity, but there is one lesson on reaching your goals that has not changed since the dawn of commercial photography.
The Killers – who were headlining the event that earlier in the night saw Queens Of The Stone Age frontman Josh Homme kick a photographer in the face – made an on-stage pledge to say photographers were "welcome" and "respected." But one of the band's own rules for live gigs contradicts this very statement, and many live music photographers are not happy.
Picking the right music for your next video project can elevate your final cut or destroy it. The soundtrack is the beating heart of any video project, and you can direct your viewer toward an emotion or message based on your selection. Here are some tips to choosing the right music.
While Taylor Swift’s gorgeous looking revenge-fest music video to “Look What You Made Me Do” continues to break streaming records across the Internet, I’d like to shine a light on some of the lesser-known music videos that have stood out over the last few months that don’t demand the eye watering budget of a Swifty vid.
Shooting live music appears to polarise photographers, with some enjoying it and some disliking the lack of creative control. While it isn't my favourite genre to put my camera to work, I do get some satisfaction from the atmosphere, unusual lighting, and singular poses. I noticed, however, that I had a bad habit: I didn't move very much and simply reframed the images using different focal lengths of my 70-200mm. So I decided to take a risk.
Living in the live music capital of Texas, there is no shortage of opportunities to experience incredible shows while taking some memorable shots. Capturing the excitement can be tricky, however, as dim lighting and moving subjects don’t usually play well together. Here are some tips for making the most of your next concert.
Best idea ever? The crew over at Droptree Productions took every chance on breaks and in between takes to capture clips for a ridiculous (and amazing) music track, just for funsies. And we love funsies. It's not just a lip dub of a popular track either, it's all about film production and has everything from a fresh beat to a rippin' guitar solo from a dude with a giant beard. Stop what you're doing and watch this.
Dancing on treadmills, zero-gravity choreography, laser-beamed toast, and extreme dominoes — this is a list of some of the wonderful and wacky ideas OK Go have turned into music videos. Every one is wonderfully executed, but how do they devise and develop such elaborate and complicated ideas during their creative process?
Finding the perfect soundtrack for a video project or short film can be a laborious and painful process for budget filmmakers, yet it’s a task that requires plenty of care and attention. Music Vine claims to have filled this gap in between by providing affordable, high quality, curated music licensing. We sat down with Co-founder Lewis Foster to speak all things music licensing for video projects.
Kendrick Lamar's newest music video, "ELEMENT," was released this week. The video is directed by Jonas Lindstroem and The Little Homies (aka Kendrick Lamar and Dave Free) and takes Photographer Gordon Parks' iconic imagery and breathes new life via video. I'm not sure how many of our readers listen to Kendrick Lamar, but you should. He's brilliant, in both lyric and music video direction.