It looks like the worldwide pandemic has finally hit the biggest sports and photography event of the year, as the international Olympic Committee is looking at rescheduling the 2020 Summer Olympics.
Naturally, the photography industry has greatly suffered during the pandemic, and many of us have found ourselves at home, dealing with job cancellations and empty client books.
While a $5 camera app is hardly the largest expense to many photographers, the most recent generation of phones has made it clear that it’s wasted money.
Beginning in 2013, I began to spend a lot of time photographing on a five-block street in the SoHo neighborhood of Manhattan called Greene Street.
All photos are shown in order as if you were walking down the street.
A long time ago, I got to visit a friend down in the south of England. We drank (quite a lot of beer), we ate (lots of chocolate brownies), and we set up to shoot a moody portrait.
The first gig adventure photographer Curtis Jones ever had was an unsupported kite traverse of the Greenland Polar Ice Cap. Before that, he was a pharmacist on remote Baffin Island in the Canadian Arctic Archipelago.
If you’re anything like me, you enjoy sharing your photography on Instagram, but hate the process of creating posts. Various scheduling services have emerged, but Facebook’s own Creator Studio is probably one of the best when it comes to photography.
Photojournalism is a contact sport. Or at least it used to be, before the coronavirus rolled into town. Despite the health risks with taking photographs of people in close quarters or crowds, photographers at news organizations around the country are still, more or less, on the job.
How serious are you about making this crazy photography game full time? It is an amazing feeling to get to create every day, but are you forgetting to do the other eighty percent of what is needed to survive?
"Splash on the glass" or so goes the time-worn mantra. Has the market flipped, and is that the right advice anymore?
There's no getting around the fact that lenses are expensive. Actually, that's not strictly true: the Canon EF 50mm f/1.8 costs only $125, while the Holga is a trifling $20. The latter is less than going for a coffee and cake with your partner.
I get it. Ansel Adams inspires you. Perhaps Bresson, and maybe Gursky too. But there's another world of creative geniuses outside the realms of photography where you can draw creative ideas and energy from. Here are two people that influence me.
As the world essentially stops moving due to the widespread Coronavirus, many photographers and creatives are left with canceled jobs and nothing on the horizon. While we wait for businesses to open back up, we need to find ways to survive these stressful times. Here are a few helpful tips to get you through this event.
Wedding photographers are being hit hard during COVID-19/coronavirus shutdowns. With events anywhere from 100, to 50, to 10 people being shut down, dependent on the city, couples and photographers alike are scrambling to pick up the pieces. With the coronavirus switching things up for the peak of wedding season in many markets, it has left wedding photographers wondering how to fill the gap.
COVID-19 is causing lots of uncertainty, especially for wedding photographers. Wedding photography often puts you in a room with 100, 200, even 300 people who have often been traveling. It’s no surprise that this pandemic has had a major effect on the weddings industry. Many photographers are facing postponements, cancellations, and halted bookings.
Sometimes, there are camera misfires or shots that just barely missed focus. Other times, there are other incidents where an image falls short of technical perfection but still finds a way to my list of favorites. One common thread through all of the below examples is that they make for a technically imperfect photograph.
I’m sure we’ve all read enough about how the world has been changing in recent months. But unless you’re in Antarctica, you’re probably wanting to get away from the crowded areas for a while.
One of the best climbing photographs that I’ve ever taken came out of my recent trip to Switzerland. Here’s how I edited it using Lightroom, deploying a few subtle techniques using adjustment brushes to make the most of the colors and dramatic conditions.
Every once in a while, I receive a request from a beginner photographer who want to become my assistant. I usually decline their application, and in the following article, I'm going to explain why. This information is also useful for those who'd like to become apprentices of established professional photographers.
Your eye is on a new piece of kit, but your partner, accountant, or guilt won't let you make another acquisition before you sell off some deadwood. Well, here's a (very) quick way to help with that decision.
In the wake of what the World Health Organization has declared a pandemic, meetings of all sizes are being canceled left and right. Unfortunately for many of us photographers, these cancellations are delivering a big hit to our businesses.
One tool can provide you some protection against losses from cancellations and other adversities: a good contract.*
Considering that a fairly large portion of you may find yourself, like me, staying home due to current events, I thought it might be a nice moment to discuss one of the best ways you could be spending your time.
We’ve heard the news, and we’re all a bit paranoid. It’s understandable. But, the economy is suffering, and so are our jobs and projects. Our clients aren’t calling, because the industry has come to a standstill. It’s said that we should (hopefully) have a vaccine by the end of next year, so for the immediate future, we will need to adapt.
Spend enough time as a photographer, and you are likely to encounter situations that range from strange, to cringeworthy, to downright scary. In this article, Fstoppers writers share their personal horror stories. Be sure to tell us yours as well!
David Fuldehttps://fstoppers.com/photo/280208
Capturing a great street photograph during the day is hard enough, let alone at night.
The scenes don’t slow down or stop moving, but the light can be so low that we have to compromise our camera settings and focusing can be much more difficult. This just adds another few obstacles to a genre that is already littered with obstacles to getting a great shot.
There’s a constant stream of new technology on the horizon, new features and capabilities that are undoubtedly valuable to someone. But how do we know if that someone is us? How do we know what’s worth investing in and what’s worth passing up? Here are three questions to help us figure that out.