The smaller size, lighter weight, and ability to get a high angle shot has made the monopod a useful tool for many photographers and videographers, especially for subjects like sports, wildlife, and run and gun situations. I got to review the new 3Pod Orbit Monopod to test its features on a couple of different projects to see how it holds up to real world shooting scenarios.
If you're one of the many photographers out there with one of the most popular digital cameras on the entire market, the Nikon D750, you're going to want to grab it and check the serial number to make sure it's not one of the affected units in this new service advisory. Read on to learn if yours is affected and how to send yours in to Nikon for free.
Phase One released its new camera body last year, the XF. However, it was not clear if it would ever be compatible with the Leaf Credo backs. It was first said that it would be, and then, months later, the support told everyone who'd ask about it that they could not give any answer. Well, today we finally have one: Leaf Credo backs are compatible with the XF body.
In the retouching world, graphics tablets are pretty much a standard. I don’t know of many retouchers that only use their mouse to get the job done. Graphics tablets allow for a more precise, and thus refined, work. They also used to cost a fair amount of money, but that was until Huion came along.
While most professionals may have overlooked the latest DSLR to come out from Canon, the 80D, there are a few new features that are important to note. Whether you're a Canon shooter or not, keeping up with the featureset that's included with a modestly priced ($1200) compact camera is a good way to stay plugged in to where certain manufacturers are at, especially when it comes to having a lower-cost, backup camera. Here's a few videos that go in-depth with the 80D, and point out some of the more notable tricks this little camera has up it's sleeve.
Just behind Nikon's announcement of the D5, Canon comes with their own anxiously-awaited update to their flagship DSLR: the new EOS-1D X Mark II. Building on the experience of both the 1D X and the 1D C, the 1D X Mark II features a modest increase in resolution to 20 megapixels, instead counting its improvements mostly in the areas of image quality, autofocus, and speed.
The Westcott Ice Light has been around for awhile, and a number of photographers in the community on our site have shown it to be a part of their kits. Whether they're being used to light cars for an automotive shoot, or for food or small product photography, one thing that's been noted more than a few times is the steep price.
Last month we wrote about Sigma's announcement of their new ceramic filters which promise to add an extra level of protection for your front element over traditional glass filters, among a few other benefits. Well now there is a video to accompany those claims which goes to show just how much extra protection you can expect, and it looks very promising!
I’ve always been a fan of big lights. There are certainly situations where they aren’t appropriate, but a lot of my work is centered around big, soft light. What has always drawn me to large sources of light is their versatility. Almost every subject looks good with soft light. Because large light sources cause such soft gradation in the shadows, they can be useful for both younger subjects with smoother skin, or even older subjects that may have wrinkled and scarred skin. However, there is one thing that should be cleared up: the definition of a large light source.
It’s safe to say that this camera doesn’t suck, and in the hands of someone like Tim Kemple, who’s at the top of their game, the results are pretty incredible. I got the chance to chat with Tim about his thoughts on using the new Phase One XF 100MP camera, including what happened when he flew it on a drone over a waterfall.
Ever tried to photograph a subject, only to find out that you don’t have enough depth-of-field to get the whole thing in focus? Typically our first reaction is to stop down to increase our DOF. Unfortunately that doesn’t always give us the results we expect. The first issue is that even with our lens stopped down to its smallest aperture, we still may not have our subject completely in focus.
When Nikon's new flagship DSLR, the D5, was announced this week, the fact that it achieves a maximum ISO of 3,280,000 seems to have grabbed all the attention. That is until now, with a released video showing the 12 fps shooting power in all its glory. While that may only be a measly 1 fps faster than the previous generation D4s, there's something else about this speed that is dropping jaws.
Leica certainly has their share of both rabid fans and harsh critics, but no matter what side of the fence you may fall on, there are two undeniable facts tied to the red dot. The first is that they are priced into the stratosphere. The second is that their lenses are almost universally the best in the world. To help illustrate why, Leica has put together a short video highlighting step-by-step what sets their glass apart from the rest of the pack.
Sony's 50-megapixel sensor found in the latest 645 medium format digital CMOS bodies brought such cameras down in price considerably for the first time while extending ISO usability to the more DSLR-normal ISO 6,400. Today's announcement brings a new iteration of that technology in the form of the IQ3 100MP, also in a CMOS flavor. Although the resolution is doubled (and file size is quadrupled), Phase One also managed to pull out an extra stop of ISO performance on both ends of the spectrum, which now goes from ISO 50–12,800. Dynamic range also increases a stop over other models to 15 stops.