From contemporary to classic in one breath, in this installment of the A to Z of Photography I outline the current, and oh so trendy, hyper-lapse technique before showcasing the work of the classic, and brilliant, photography of Horst P. Horst, including his signature work the "Mainbocher Corset". Read on for more!
Not too long ago, shooting at a thousand frames per second meant a huge rig and a massive bill. Now you can buy a camera that shoots 1,057 fps at around 720p, going up to an insane 38,565 fps albeit at a resolution of 335 x 96. All of this now arrives in a package that costs a mere $3,500.
The use of long exposure photography is quite a popular technique for capturing various cityscapes, traffic motion, and other stylistic shots involving light in motion. This quick tutorial is a great video filled with quite a few tips for anyone looking to play with this type of photography.
For the past few years, I have been getting more and more into video work. When I first started, I had an idea of what frame rate was and I knew how to use it to get the looks I wanted but by no means was I doing anything correctly until probably late last year. In this video, Matt goes over frame rates and a few reasons why you should shoot in different ones.
We're all likely familiar with Phantom's line of ultra-high-speed cameras. These cameras have been used to film the most viral "bullet-time," slow-motion sequences you've seen everywhere online, but scientists also love them for their ability to reveal otherwise-hidden, split-second reactions. Phantom recently announced a new camera that can record 6,600 frames per second at a nearly square 2,048 x 1,952 resolution. Only need full HD? The new V2640 scream through at 11,750 frames per second at 1920 x 1080.
On the surface, this may seem crazy, performing a drop test on a glass ND filter, but, hear me out. I've been speaking with Breakthrough Photography about their filters and one of the things that came up was the fact that their filters are made of tempered glass. They seemed really confident about how strong their filters were so I, of course, wanted to know how strong. After a few initial, probing questions, I asked them if I could do a drop test on their filters to demonstrate their durability. To my surprise, they not only agreed but, they sent me an extra filter specifically for the test.
By now most of you have probably watched the Matrix movies and seen how the bullet time effects were created, and if not where have you been? In a nutshell, the effect was used in the films too slow down or freeze a moment while adding a rotation around the subject using multiple cameras to capture that moment. Why did I bring that up?
The iPhone 8 now shoots 1080p up to 240 fps which is genuinely an impressive feature. This is especially true when you consider the fact that currently there isn't a single DSLR on the market from Canon or Nikon that can shoot at those frame rates. The current highest is from the Canon 1DX II which can only shoot up to half the frame rate of the iPhone and at a cost of $5,999. In most cases, if you are planning on filming at 240 fps then you may need to look at some very high-end cameras with very high-end price tags. This is where the RED Epic W comes into play and Jonathan Morrison, a prominent YouTuber, decided to compare it to the new iPhone 8.
When shooting fast-paced action or a scene with tons of movements, it can be interesting to add more drama by using speed ramping. The technique consists in having a scene that’s played at different speeds depending on what’s happening. It may not make sense for now, but if you want to make your videos more attractive or just add a new tool to your belt, be sure to watch this tutorial.
Everybody's favorite rocket engineer and slow-motion video enthusiast, Destin Sandlin, is back with a pair of videos that you'll find interesting if you've ever noticed the effects of a rolling shutter while filming video. Like many of us, Sandlin noticed the weird effect that happens when trying to film engine propellers with his iPhone. He decided to use a high-speed camera and science to figure out exactly what was happening. Then for fun, he worked with a friend and figured out a way to use After Effects to create a simulation of the rolling shutter effect.
Living by the beach for the past five years or so, I have become more and more intrigued by the ocean and waves. I find myself by the beach a lot, either shooting or flying my drone and paying attention to waves. I'm always interested in bigger waves, cleaner waves, ones with some good color and all. A few months back, I stumbled upon the work of Ray Collins, and oceanscape photographer out in Australia. His photos are stunning and the waves he photographs look so wild compared to the waves out by me in New Jersey.