For the past few years, I have been getting more and more into video work. When I first started, I had an idea of what frame rate was and I knew how to use it to get the looks I wanted but by no means was I doing anything correctly until probably late last year. In this video, Matt goes over frame rates and a few reasons why you should shoot in different ones.
We're all likely familiar with Phantom's line of ultra-high-speed cameras. These cameras have been used to film the most viral "bullet-time," slow-motion sequences you've seen everywhere online, but scientists also love them for their ability to reveal otherwise-hidden, split-second reactions. Phantom recently announced a new camera that can record 6,600 frames per second at a nearly square 2,048 x 1,952 resolution. Only need full HD? The new V2640 scream through at 11,750 frames per second at 1920 x 1080.
On the surface, this may seem crazy, performing a drop test on a glass ND filter, but, hear me out. I've been speaking with Breakthrough Photography about their filters and one of the things that came up was the fact that their filters are made of tempered glass. They seemed really confident about how strong their filters were so I, of course, wanted to know how strong. After a few initial, probing questions, I asked them if I could do a drop test on their filters to demonstrate their durability. To my surprise, they not only agreed but, they sent me an extra filter specifically for the test.
By now most of you have probably watched the Matrix movies and seen how the bullet time effects were created, and if not where have you been? In a nutshell, the effect was used in the films too slow down or freeze a moment while adding a rotation around the subject using multiple cameras to capture that moment. Why did I bring that up?
The iPhone 8 now shoots 1080p up to 240 fps which is genuinely an impressive feature. This is especially true when you consider the fact that currently there isn't a single DSLR on the market from Canon or Nikon that can shoot at those frame rates. The current highest is from the Canon 1DX II which can only shoot up to half the frame rate of the iPhone and at a cost of $5,999. In most cases, if you are planning on filming at 240 fps then you may need to look at some very high-end cameras with very high-end price tags. This is where the RED Epic W comes into play and Jonathan Morrison, a prominent YouTuber, decided to compare it to the new iPhone 8.
When shooting fast-paced action or a scene with tons of movements, it can be interesting to add more drama by using speed ramping. The technique consists in having a scene that’s played at different speeds depending on what’s happening. It may not make sense for now, but if you want to make your videos more attractive or just add a new tool to your belt, be sure to watch this tutorial.
Everybody's favorite rocket engineer and slow-motion video enthusiast, Destin Sandlin, is back with a pair of videos that you'll find interesting if you've ever noticed the effects of a rolling shutter while filming video. Like many of us, Sandlin noticed the weird effect that happens when trying to film engine propellers with his iPhone. He decided to use a high-speed camera and science to figure out exactly what was happening. Then for fun, he worked with a friend and figured out a way to use After Effects to create a simulation of the rolling shutter effect.
Living by the beach for the past five years or so, I have become more and more intrigued by the ocean and waves. I find myself by the beach a lot, either shooting or flying my drone and paying attention to waves. I'm always interested in bigger waves, cleaner waves, ones with some good color and all. A few months back, I stumbled upon the work of Ray Collins, and oceanscape photographer out in Australia. His photos are stunning and the waves he photographs look so wild compared to the waves out by me in New Jersey.
DSLR Guide, created by Simon Cade, is one of my go-to resources for all things film and cinema. With almost a half-million subscribers and over 21 million views, his channel is an awesome resource for anyone interested in becoming a film maker, particularly those who are DIY-savvy or on a budget.
Recently, I've gotten into surfing. I'm quite possibly the worst surfer in the world, but through surfing, I met some great, artistic friends. I acted as the DP on a super fun all-women's surf film this summer. I had no idea how to shoot surfers, so it was a huge learning experience. Now that I know a little bit more about it (and I stress the "little bit more"), I thought I would try and shoot a personal project just for fun to test out an artsy-fartsy idea.
Yesterday was a really muggy day here in New Jersey and my partner and I both had off. We came downstairs to the office and worked on a few things when I realized we should be going out in this crappy weather and making something of it. We thought of a few ideas together and one stuck with us over the others, that was to shoot a car video using our Sony a7s ii and DJI Ronin M.
For those of you familiar with the band OK Go, in addition to their catchy songs, they've also made a name for themselves with their intricately planned out and executed music videos. With their newest video "The One Moment," they sought to literally film the entire video in just one moment.
Trying to capture a rocket test using a high-speed camera requires some specialty equipment. Trying to capture that footage with enough dynamic range to see the detail in the plume and in the booster required NASA to develop a whole new camera. Watch this latest footage from a new camera NASA developed to capture a rocket test in slow motion and with high dynamic range.