Ok, the last time I truly attempted skateboarding, I was 14 years old, and I dislocated my right shoulder (still have a beautiful, giant scar). Regardless of my lack of knowledge of the sport, or anyone's for that matter, I think we can all agree that this video of Skater Rodney Mullen shot by photographer extraordinaire Steven Sebring is just cool as hell.
Over the past few weeks I have been touting the Sony a6300's video performance. This past week I decided to take the camera to the Mid Ohio Sports Car Course to film a track day. Oddly I ended up not using the auto focus, as the fences were proving to be a challenge with adapted EF mount Sigma lenses. On native lenses like the 70-200mm f/4 or the 70-300 f/4-5.6, this likely wouldn't have been an issue. Aside from that, the camera continued to impress me and exceeded my expectations.
If you ask many filmmakers, or any video production companies, coming up with video ideas and concepts is not always the easiest thing to do. Especially when you're trying to make a series. However, through abstract story telling, Penzoil has successfully made a video series that so far, has kept viewers coming back for more with each iteration of the series. The first, a powerful trip through a city, the second a high speed trist around a race track before breaking back onto the streets, and with this last one, a high velocity excursion through the desert.
There are few shoots where everyone involved gets to have a great time, but this is one of them. Sony Electronics teamed up with Tony Hawk and Aaron "Jaws" Homoki to conduct a photo shoot of skateboarding in zero gravity. I had to take a moment when I first read the video's description to quash my simmering jealousy at how unthinkably enjoyable some people's lives are. The official press release doesn't hold back on inciting jealousy of both the content of the shoot and the tools at hand (for both Sony shooters and camera nerds with less allegiance).
Snapping away at the bride and groom as they pose, walk, dance, or whatever, and the wedding photographer falls into... you can finish the sentence any way imaginable and then some. This latest example from Estes Park, Colorado saw photographer Nathan Welton fall through the ice at Bear Lake. A fresh layer of snow apparently hid the edge of the lake and Welton got, well, too close. Nevertheless, he's recounted his story several times and says he just kept shooting and got some interesting angles.
The rock band Garbage is out with the first single off their forthcoming album "Strange Little Birds," and while the track is undeniably awesome rock fare, the visual geek in me cannot get past this extremely cool camera effect that invokes "bullet time" from The Matrix. I have a hunch as to how it was done.
Time-lapse Photographer Rufus Blackwell put together an interesting video for DJI, featuring their Osmo stabilizer/camera system, but using it in a way that might not be the most obvious: for hyperlapses. Check out the video, then read on to see what improvements DJI has made in their latest firmware update to the Osmo.
A couple of a weeks ago I shared a video called "Centriphone," which left many people (myself included) wondering how exactly the creator, Nicolas Vuignier, was able to capture this incredible effect. Just today he has released a behind-the-scenes video explaining exactly how it was done, along with plans for how anyone can make their own with a 3D printer.
The term "centripetal" refers to a force that makes a body follow a curved path, and in this case, an iPhone 6 is that body. "Centriphone" is a play on that term, as an orbiting iPhone shoots super slow-motion footage of a skier at the center of its path, as they cut their way down the side of a snowy slope. This clearly takes selfies to the next level.
Since it was announced a few months ago, the budget-friendly (relatively speaking here) RED Raven has been on the radar for many indie filmmakers and production crews, for good reason. Boasting a dynamic range of 16.5 stops and a max resolution of 4.5K, for a body-only cost of $5950, it's easy to see why. The film here was shot exclusively with the Raven camera.
Last year, Sweetgrass Productions made an incredible skiing short film, "Afterglow," which they followed up last month with "Darklight," its mountain-biking equivalent. Right away, one of the film's main intents is to blast you with color. Entire mountainsides have bright, neon-colored hues cast over them as bikers bomb down them through lime-green forests and over deep orange-magenta ravines, all in the middle of the night.
Keith Ellenbogen is an underwater photographer whose work centers on marine conservation, while Allan Adams is a theoretical physicist whose work revolves around fluid dynamics inside black holes. When they met at a party in 2013, they realized they could combine their talents to produce gorgeous video of some of nature's most interesting marine life.
Canadian Designer, Photographer, and Cinematographer Tom Kucy doesn't sleep. Less than two days after we reported on NASA's huge release of over 10,000 never-before-seen photos from the Apollo space missions, Kucy decided to work them into a project that involves taking these almost half-century old two-dimensional film images and converting them into moving, stereoscopic 3D photographs.
In case you missed it, ‘Rocket Wars’ is a five minute film that has changed the game. It's breaking new ground and heralds in a beautiful new era in filmmaking. 150,000+ views and a Vimeo ‘Staff Pick’ are pretty amazing, but what’s ground breaking isn’t that the film is just a beautiful cacophony of visual and aural eye and ear candy. What’s fascinating is the fertile new ground it thrusts us headlong in to, and how it engages us. How did the filmmakers pull this off – and importantly – what can we learn from them to apply to our own projects?