Time-lapse Photographer Rufus Blackwell put together an interesting video for DJI, featuring their Osmo stabilizer/camera system, but using it in a way that might not be the most obvious: for hyperlapses. Check out the video, then read on to see what improvements DJI has made in their latest firmware update to the Osmo.
A couple of a weeks ago I shared a video called "Centriphone," which left many people (myself included) wondering how exactly the creator, Nicolas Vuignier, was able to capture this incredible effect. Just today he has released a behind-the-scenes video explaining exactly how it was done, along with plans for how anyone can make their own with a 3D printer.
The term "centripetal" refers to a force that makes a body follow a curved path, and in this case, an iPhone 6 is that body. "Centriphone" is a play on that term, as an orbiting iPhone shoots super slow-motion footage of a skier at the center of its path, as they cut their way down the side of a snowy slope. This clearly takes selfies to the next level.
Since it was announced a few months ago, the budget-friendly (relatively speaking here) RED Raven has been on the radar for many indie filmmakers and production crews, for good reason. Boasting a dynamic range of 16.5 stops and a max resolution of 4.5K, for a body-only cost of $5950, it's easy to see why. The film here was shot exclusively with the Raven camera.
Last year, Sweetgrass Productions made an incredible skiing short film, "Afterglow," which they followed up last month with "Darklight," its mountain-biking equivalent. Right away, one of the film's main intents is to blast you with color. Entire mountainsides have bright, neon-colored hues cast over them as bikers bomb down them through lime-green forests and over deep orange-magenta ravines, all in the middle of the night.
Keith Ellenbogen is an underwater photographer whose work centers on marine conservation, while Allan Adams is a theoretical physicist whose work revolves around fluid dynamics inside black holes. When they met at a party in 2013, they realized they could combine their talents to produce gorgeous video of some of nature's most interesting marine life.
Canadian Designer, Photographer, and Cinematographer Tom Kucy doesn't sleep. Less than two days after we reported on NASA's huge release of over 10,000 never-before-seen photos from the Apollo space missions, Kucy decided to work them into a project that involves taking these almost half-century old two-dimensional film images and converting them into moving, stereoscopic 3D photographs.
In case you missed it, ‘Rocket Wars’ is a five minute film that has changed the game. It's breaking new ground and heralds in a beautiful new era in filmmaking. 150,000+ views and a Vimeo ‘Staff Pick’ are pretty amazing, but what’s ground breaking isn’t that the film is just a beautiful cacophony of visual and aural eye and ear candy. What’s fascinating is the fertile new ground it thrusts us headlong in to, and how it engages us. How did the filmmakers pull this off – and importantly – what can we learn from them to apply to our own projects?
Building a business is a tedious thing as most of us know. Everyone uses a different approach and some of us fail and some of us succeed, it's the nature of the beast. In my free time I do some Olympic lifting and I found myself searching for new and better techniques online. What I ended up with is not only finding some great videos for my Olympic lifting, but also a different way of building a business.
A few weeks back I spoke about one of the advantages of mobile videographer. One of the key features I highlighted was the ability to shoot in slo-motion in 720p on most mobile devices. Let's not forget other DSLR's and video cameras that are able to shoot slo-mo in even higher resolutions.
The biggest question now is how do you go about utilizing the footage you've shot for yourself or a client? There are a variety of techniques we as filmmakers and videographers can use. One of the being speed ramping, which is...
What inspires you to pick up your camera? For Ivan Agerton, it’s people – and for all the talk about convergence between the worlds of stills and motion, Ivan is doing it. His ‘stills from motion’ portraits are both a visually gorgeous treat with their sublime use of slow motion, and thought provoking in the connection with the subject Ivan has captured. Not just creating eye candy, Agerton is a fascinating character and provides a great example of the life we can all construct for ourselves – if you decide to take the plunge and go for it.
South Carolina-based Taylor Engel's short, "The Pavement" — which got him into the top 10 for HBO's Project Greenlight — had me enthralled the moment it began. Through its rhythmic delivery, simple visual nature, and dark aesthetic, it pulls us through a sinister human story that gets at our primal nature. Its simplicity is partly attributed to the needs of the story, and partly to the time frame in which it was created. Engel and his team planned and finished the film in just one month, all while working around their day jobs.