Time-lapses have become exceedingly popular over the last several years and it's easy to become numb to them after a while. It takes an extraordinarily good time-lapse to capture a viewer's attention and stand out. Martin Heck of Timestorm Films has done just that with his 8K time-lapse film of the Dolomites mountain range in Northern Italy.
After seeing the hundredth time-lapse, it can become a little difficult to appreciate the incredible sight of an aurora creeping over hills in Iceland. Do many of us suffer from "art fatigue" where seeing so much great work online can make us a little numb to incredible sights? I admit this was the case for me until I saw this time-lapse from JeffHK.
Daniel Dean knew the total solar eclipse would be an incredible opportunity for him to capture something amazing. A few months prior to the eclipse, the idea of being able to photograph the celestial event became a blip on his radar after seeing in the news that the first solar eclipse crossing the U.S. since 1979 would be happening again in August. Here is the story of how this awesome time-lapse solar eclipse video came about and how it was made.
After eight months of work I finally finished this project: an aerial tilt-shift hyperlapse of Miami. The idea was to produce something different. Time-lapse videos are very common these days and most drone operators can make a decent hyperlapse with their drones. In this video I wanted to replicate the out-of-focus look normally associated with macro photography to give a miniature effect of the city of Miami. Here is how I filmed this video and what I learned during the process.
The eclipse is coming. You know the one — it’s been the topic on most photographers’ lips for weeks. Have you thought about how you’re going to shoot it yet? On August 21, 2017 (this coming Monday), North America and some parts of South America, Africa, and Europe will get to experience one of the most spectacular sights available to us down here on earth: a solar eclipse.
You may have heard Morten Rustad’s name being bandied about alongside words like “time-lapse,” “Norway,” and “that’s-so-fricken-cool.” That last one might not be an actual word, but you catch my drift. Morten’s pretty good at what he does, and he’s teamed up with film equipment company Syrp to let you in on how he does it.
Gunther Wegner, creator of the LRTimelapse software, reveals a major issue affecting all the latest Nikon cameras compatible with the SnapBridge wireless app. For some reason, the Nikon engineers linked the camera’s Wi-Fi feature to the use of the app. When switching to a third-party app, the SnapBridge-capable cameras disable Wi-Fi, completely making the use of third-party apps over Wi-Fi impossible. Hence, photographers who rely on specialized apps for their work such as time-lapse or macro photography are stuck and cannot use these cameras anymore.
Oscar Wilde used to say that experience is “the name men give to their mistakes.” Photography is both a science and an art. As such, the artistic side of photography must be acquired via experimentation, and failure is a natural part of the learning process. Fortunately, Italian photographer Marco Famà, who specializes in time-lapse production, explains how to avoid making common mistakes when capturing and editing a time-lapse video. He lists 21 issues with concrete video examples and describes how to correct these mistakes.
Mike Olbinski, an award-winning photographer, did it again. Here is his latest production, a stunning time-lapse showing some of the most powerful thunderstorms, supercell structures, and tornadoes of the American Midwest. Olbinski specializes on storm chasing but this season was particularly tough for him. Mother Nature has not been cooperative this year despite his extensive weather forecast knowledge. The storm chaser had to drive 27,000 miles across 10 states during a month to capture the 90,000 frames necessary to finish the project. Hence, he called this video “Pursuit.”
One of the things I really love about Photoshop is the fact that there is invariably more than one way to achieve a particular effect in the editing software. For this reason, it's hard to get tired of seeing other people's workflows as you'll always find someone doing something which you haven't thought of before.
The art of animation in any form can be a long an tedious process however doing so with traditional stop motion techniques, manipulating your subject one frame at a time takes serious commitment and determination. Brett Foxwell takes this practice to a higher level creating amazing alien like organic worlds by slicing away one layer at a time from various pieces of wood in his newest short film "WoodSwimmer".
"A Taste of New York," produced by Peter Jablonowski, Thomas Pöcksteiner, and Lorenz Pritz, is the third installment of their very popular time-lapse series. The team behind Film Spektakel have once again taken their enormous talents and experience with large scale time-lapses and distilled it down to a masterful three minute experience.