On Sunday night, "Moonlight," Director Barry Jenkins' beautiful film about the coming-of-age of a young man dealing with issues of race and poverty, while simultaneously discovering his own relationship to sexuality, won the ultimate prize, the Best Picture trophy at the Academy Awards. LensCulture just posted a lengthy interview with the film's talented cinematographer, James Laxton. Here is a bit of what he had to say.
The Panasonic GH5 is due for release in late March, and it seems Panasonic was so happy with its product pre-release that the company has loaned plenty of bodies to influencers to publish preview footage. Every day, new preview clips pop up online, but none as comprehensive as this one by the team at Camerahoarders.
So you’ve decided to transfer your skills as a photographer to shoot video and have quickly found that some skills, such as composition, transfer well to motion pictures; but some do not, such as color grading. The main issue is that photographers get used to the amount of data in the raw format that can be saved and manipulated in post. In video, the data rates of almost all consumer DSLRs give you limited room to grade video without the image falling apart. Using the tool set of FilmConvert is an incredibly easy and efficient way to get to a cinematic look with almost any DSLR video file.
So you've got a DSLR that records video. You think, "Hey, I can shoot video and make buku bucks." Well guess what? There are fun video toys for you and your DSLR, and I am here to tell you about one of them today: the Elvid FieldVision 7-Inch On-Camera Monitor Version 2.
BBC Click shared a video that gives an in-depth look at the tools used by director Gareth Edwards at ILM London to better show computer graphics supervisor Steve Ellis his desired camera angles and movements throughout "Rogue One." Using just an iPad and an HTC Vive controller, Edwards was able to explore the virtual, computer-generated world to find the best shots, which were then communicated to the VFX team so they new exactly how to guide the virtual camera movements throughout the film.
The majority of the readers of this article who shoot video probably use still lenses. You might ask yourself why you may need different lenses for video while your existing photography ones work just fine. In this article I'd like to show you certain features of the cinema glass that you probably always wanted subconsciously. Maybe after reading this you'll start saving up the money for one.
We've all been there. You were hired for a run-and-gun shoot only to find the location has terrible lighting. Or your shoot is running later into the evening and the sun is going down fast, without any lighting to plug in. The ISO gets cranked up, and your exposure is saved at the expense of adding unwanted noise to your image. This is where noise reduction software becomes useful, and a new product from Red Giant has changed the way it approaches this task with Denoiser III.
Last night was the Academy Awards Ceremony; it's one of the most-watched shows of the year and the pinnacle of award ceremonies for the film industry at large. It's quite a who's who with a red carpet and television cameras all over the place and the people are dressed to the nines in the super-brand fashion designer dresses, flaunted for the world to see. Enter Casey Neistat, a YouTube creator who proposed Samsung make an advert that airs during the ceremony.
This week I was invited to the head office of Rotolight in Pinewood Studios, London to check out one of their flagship products, the Rotolight Neo. This is an LED light that can mount to your camera or can be used off camera using boompoles or light stands. This constant light source that can run off six AA batteries claims to be industry leading in areas such as brightness and color accuracy. But at $399.99, is it a worthy investment?
The Verge has released a video that shows how blockbuster movie makers are using color to show certain moods and to make you feel different ways when watching a scene or movie. There is a science behind why particular colors draw out certain emotions, and they delve into what exactly Hollywood does to get that specific look. Blue and orange are the most used, it's not quite clear why, but they are. According to the video, it might be because it makes the actors pop against the background.
After browsing through Vimeo a bit, I was mesmerized by one of the aerial videos I saw. Owning and flying a drone for quite some time myself, I look to create unique aerial photography and smooth aerial video. One thing I have realized is how important location can be, and while being stuck in New Jersey and not traveling too far away, I think I have been abe to capture some pretty cool things around me. After watching this video that Joshua Cowan created, I am absolutely blown away by the content he has created from his trip to Europe. It is videos like this that inspire me to keep flying and looking for new things to create.
One of my goals for this year is to start working on videos again. A few of the projects I have in mind require a microphone to help capture better audio, since we know the built-in mics are not really that great. Jay P. Morgan's latest video from The Slanted Lens hits the web and couldn’t come at a better time for me.