There are two types of motions in video that look similar, but are accomplished in different ways, each having a unique effect on the audience. One of them incorporates moving the camera on a track. The other uses the optical zoom of the lens. In this video tutorial you will learn what's the difference between those techniques and when to use them.
Shooting a beauty video is not quite the same as shooting beauty portraits. While in still photography there is a single frame, in video you can use the power of the moving image to tell a superior story. Here are three cool techniques that help to create this beauty video clip all in camera.
I've always had this issue with regards to the sound design of video and how to actually get something that is usable for the video you are working on. It's either getting audio from a stock library, having a friend compose something, or making it yourself. And the latter is really very time-consuming, and I'd rather focus on the stuff I enjoy and am good at, like shooting photos or video. Once I watched the latest video by Film Riot, it seems like the problem of finding audio might be over.
If you've ever dabbled in time-lapse photography, you know what an incredible amount of effort goes into making a very short video. From the prep work, to setup, shooting, and editing, you're often looking at a couple of hours for a few seconds worth of video. Well, Morten Rustad invests a bit more time than that: roughly 20,000 kms traveled, 200,000 photos on 20 terabytes of hard drives, and two years of time invested. The result is an incredible seven-minute video that puts Norway's beauty on full display.
Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.
Filmmaker Walter Stoehr just released his newest project, "Horrible Prospects." It's a timely short with all that is going on in our world; with a new president in the U.S., there is much that is unknown for the future. But what goes bump in the night is actually more scary than you might think.
YLE, a Finnish Broadcasting company, were on a mission to attract a younger audience. They needed to make a change to their strategy and get some new programs produced. They knew these shows had to tell stories that were going to speak to a younger audience. Stories that would captivate the senses - and get people excited about the outdoors, to travel and explore.
If you're just starting out in video, lighting can be one of the most daunting things to learn. Knowing all the lighting rules and just as importantly, how to selectively break them to create your own personal vision, is a huge undertaking. This video provides some great tips to get you off and running.
As photographers, we're often found shooting familiar subjects in everyday spaces. It's not uncommon for us to be found in some rather precarious positions from time to time as we invest ourselves in attempts to separate our images from the rest. Whether it's squatting down in the mud or climbing up a tree or a sketchy ladder, we do what it takes to get just the right angle to portray our subjects in the most appropriate way. In this short video, Photographer Ted Forbes talks about how shooting at a lower camera angle can help add depth and drama to your photographs.
In a previous article, I shared some tips on scouting locations for a documentary video shoot where interviews would be captured. The next step is to decide on a frame that complements your talent, topic, and tone. In this video, we discuss background elements we see in potential frames, any why one “look” might work better than another.
Mastering how to control and manage light is essential to becoming a proficient photographer or videographer. If you are new to using off-camera lighting, this short video by Film Riot provides an excellent demonstration of how a single light can be used to produce a variety of effects.