Wedding Photography

Getting accurate Autofocus must be one of the most frustrating things an event or wedding photographer deals with on a daily basis. How many times have you been in the right place at the right time, taken a photo at the absolute peak of the action, and then found yourself cursing under your breath when you review the image only to find it wasn't in focus? This used to happen to me a lot at weddings, and I still see many of my assistants struggling with autofocus in extremely low light situations. Luckily there is a very simple solution that works everytime.

Over the weekend, while millions along the Northeast were tucked away from Winter Storm Jonas, a photographer and an engaged couple despite the elements, created one attention-grabbing engagement session. The photo shoot has since gone viral and goes to show that taking advantage of unique situations can create beautiful imagery.

Pye Jirsa of Lin & Jersa Photography is back again with another great tip on how to make fantastic images in less than stellar light. Pye explained in his last video how to create golden hour without the sun, and in this new video, he shows how to take an awesome "hero shot" in harsh sunlight using a single strobe (and an elephant, but let's focus on the light here).

Vogue Magazine recently released a list of 10 things the modern wedding can do without. Along with rings and the first dance, Vogue wants you to say "I don't" to hiring a professional photographer because a wedding is about "true love" and a photographer "detracts from that." Excuse me?

When looking for new creative ideas, it seems like everything has already been done by someone. But there are still people, like Jay Philbrick, that manage to create pictures never seen or even never thought of before.

Say it with me: "Done is better than perfect." I'm positive I'm not the only photographer on this planet that lets perfection get in the way of "good" far too often. While the concept itself is one mountain to tackle, becoming a more efficient photographer goes a long way in making the realization of a smooth and functional business a reality. The folks over at KISS Books have reached out to 10 photographers to find out the things they would never do — the things that kill efficiency.

The Game of Life has only a few pivotal moments; graduating college, choosing a career, and getting married. And most people only want to do that last one once in their life. So when a friend asked me to shoot his proposal to his longtime girlfriend, I was both elated and terrified. Happy for two close friends of mine, but scared out of my wits about the pressure of capturing such a moment.

When talking about bokeh, the majority of the photography community instantly thinks of those nice creamy out of focus backgrounds. This is because most of the photographs we see only involve a subject and a background. Once you start to incorporate foreground elements though, you will quickly see that bokeh in front of the subject can be just as important and impactful as having bokeh behind the subject.

Portrait and Wedding Photographer Jordan Voth joins me for this month's exclusive chat, in which I ask him about his signature move of taking clients out into some of the most beautifully scenic backdrops I've ever seen.

I remember reading an article here on Fstoppers three year ago about a couple using a GoPro in a bouquet to film their wedding. That might have been a trend back then in 2012, but now in 2015 forget about the bouquet. This couple may just have started a new thing! They hired their dog to film their wedding.

If you spent even a moderate amount of time on Facebook back in late September, you likely saw a viral video and photo about a wedding photographer who captured a genuinely heartwarming moment in which a bride's biological father stopped the wedding procession to grab the step-father from his seat so they could both walk her down the aisle. While millions of collective "awws" were emitted then, fast forward six weeks and now the situation has resulted in lawsuits and death threats involving the photographer.

Over the years, camera companies have been going head to head in the battle for the best camera sensor. This battle has always focused around the amount of megapixels a camera has to offer, and as of lately, how high the ISO can go. Because of this most consumers, including a significant amount of photography veterans, think that megapixel count is the end-all be-all of sensor technology, with ISO following up as a close second. At this point in the game though, I wish the sensor battle would switch gears and focus more on the dynamic range.

I love taking ring shots. I usually take them during a slow time on the wedding day when there isn’t a lot going on. I have full control of where I put the ring, how I light it, how I pose it, and how I frame it. This leaves a ton of options to really get creative. So it confuses me when people just place the ring on a bouquet of flowers and call it done. These shots are not bad, but they are average. I already did an article on how to get away from the average ring shot, but I didn’t explain how to take one of my favorite ring shots. The ring silhouette.

Rangefinder Magazine has announced the photographers selected for their 4th annual "30 Rising Stars of Wedding Photography." The 30 photographers, who have been shooting for five years or less, were selected from more than 200 portfolios worldwide, including submissions from Croatia, France, England, New Zealand, Scotland, Tahiti, and all over the U.S. The images will be on display at the WPPI Conference in March.

We can argue back and forth for days about if guests should have the right to take photos as they please at weddings, but when it comes down to it, if the happy couple can't experience their special day without a guest interfering, haven't we gone too far? Photographer Thomas Stewart thinks so.

Having the right gear for the job is essential in being able to handle the barrage of lighting scenarios that a wedding photographer will encounter on each outing. I, like many others, am constantly thinking about the next piece of gear. What lens, what camera, or what lighting system will allow me to take higher quality images and provide a better experience to my client? This led me to think, what do I really need to shoot a wedding? I mean in reality, to walk out my door and provide my bride with the images she expects, what are the bare essentials I really need?

On September 12th, Matt and Heather Koehler were set to get married in Michigan. Just before they were about to walk down the aisle, they found out that the photographer that they had hired to shoot their wedding was a no-show. With nothing else to do but move forward, they went through the rest of their wedding without a professional photographer.

You have your gear, you have your shot list, so you're ready to go out and shoot the perfect eight-hour wedding, right? Wrong! Being prepared for a wedding day is about more than just having your camera ready to go. Before leaving for your wedding shoot, you need to be prepared to perform at your best. A big part of that is developing a routine, similar to an athlete, that places you in peak performance and the best position to succeed. When I walk out the door for a wedding I have two main things on my mind other than the images that my client needs. One is that I am now a living breathing ambassador for my brand and the other is that the content for this shoot, and every shoot, is future marketing material.

It is no small thing to know how to pose your clients. In fact I don't feel like it's unreasonable to say that it is the hallmark of a competent, professional photographer. Especially when dealing with couples. Most client take comfort in being directed. It helps remove doubt and awkwardness while yielding a far more professional end product. For this reason, posing can be just as important to your final images as knowing what camera settings to use. Besides, it's always more fun for everyone when you can keep the atmosphere carefree, through confident direction and fluid action.

Capture One has been known amongst high-end retouchers and commercial photographers for quite some time, the main reasons probably being its powerful tethering and color editing tools. Wedding photographers seem to think Capture One is not tailored to suit their needs. At least, that is what I thought. After a full year using only Capture One to process my raw files, I wanted to share with you why I stopped using Lightroom.

Could you ever imagine shooting a wedding and having the President of the United States make an appearance? Yeah, me neither, but that’s exactly what happened to The Youngrens.

A few months ago I wrote a two part article on branding for photographers. In this article I will continue with branding for photographers, and why you should keep your brands separated. The most common thing I see are wedding photographers combining their wedding work with their family, baby, senior, and even commercial work. While I completely understand the tendency to not only simplify your marketing, but also the concept that by showing your multiple talents you will increase your value to clients, combining genre's is one of the biggest things hurting the growth of your business.

A little over a year ago, I got to live out one of my worst nightmares. I had a day where the personification of my anxiety sprouted legs and ambled right into the middle of a wedding ceremony that I was photographing. Mr. Anxiety-Incarnate snuck into a church, and like a biblical plague, snuck right back out and took something precious with him. Never to be seen again was $12,000 worth of gear that was stored in my roller bag. That’s right, I lived out the photographer’s terrifying dream equivalent to showing up to a high school class naked.

October in New Orleans means wedding season. This weekend was a double wedding weekend just like most of the next few weeks will be and I just finished what would be considered a timeline disaster, but the marquee images were not missed in large due to experience and meticulous planning. In this article I will go over methods to prepare for the unexpected and how to make sure you get everything you need despite the inevitable busted timeline.

Are you as stealthy as a fog horn? Do you have all the grace of a dirigible in a sudden windstorm? Certain genres of photography — wedding and wildlife photography in particular — require a certain physical tact, an ability to be unseen. Check out our tips on how to capture the focus of an event without becoming the focus of the event.

In the world of photography, preparation goes a long way. From creating mood boards weeks in advance, communicating with everyone who will be on set, to making sure your gear is in proper working order, there is a lot to do before you even shoot. Whether you are shooting in the studio, working on a large scale shoot, or just going for a photo walk with some friends, here is a simple list of steps to make sure you are ready the night before a shoot.

I’m sitting at my desk on a Friday and I get a phone call. It’s Saturday’s wedding venue, and they’d like for me to sign my life away. In what’s becoming an all too common practice, the venue has decided that for me to be allowed to photograph my client’s reception I should grant them a waiver of liability that allows for their potential future negligence to go unchallenged in court, even if it results in my death. Seems like a pretty fair deal for the guy showing up to take pictures, doesn’t it?

Wedding photographers often tell me how annoying it can be to get a consistent white balance across the images of the day. Shooting weddings almost every weekend during the summer myself, I used to have that problem as well. With a white dress for the bride and a white shirt for the groom, it should be easy though. The problem is I like my images to make my couple look good. Meaning I like having the same skin color and tone on every picture. During the day, their skin might change color a bit because of the sun, the emotions, and the alcohol. Switching to Capture One this year I found the perfect solution to avoid this issue: setting my white balance based on skin tones and not on a gray card anymore.

When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.