In person sales (IPS) have been a part of the photography process for years. With the onset of digital, it died down a bit, much to the disservice of both photographers (who are missing out on sales) and clients (who are missing out on memories). Thankfully, it's started to make a comeback, along with the value of printing images instead of just letting them live in the digital world.
We often aim to capture great expressions when cueing and posing subjects, but we sometimes overlook basic elements that may distract our viewers. In particular, natural pointers like our arms, hands, fingers, legs, and feet command a strong presence within images, but we don’t always recognize the power of their presence in the moment. While we surrender some control during truly candid moments, we should make every part of an image purposeful and keep natural pointers in check when posing.
It's important to remember that we are here to analyze and understand, but not be overly critical. While these tips/techniques are great in understanding the visual weight and posing elements within an image, they are not reasons to throw out what would otherwise be a great photograph.
Have you ever had that gut-wrenching feeling of being defeated after a wedding reception? Let’s be real, it happens. There comes a point where photographing wedding receptions get so frustrating that you either dive deep into off-camera lighting, or you get out of shooting weddings altogether. I can relate 100%. Despite the terrible lighting, there are a couple ways to pull this off without just turning all the lights on in the building and compromising the receptions atmosphere. These are a few of the ways I light a wedding reception.
Depending who your friends are, you either love or hate Lightroom preset systems like VSCO Film, Mastin Labs, or the ever-so aged RAD Labs. The argument on one side of the fence is that everything becomes cookie cutter and lacks unique emotion. The other group of people say that it brings consistency and speed to an otherwise long-winded project. I’m primarily a wedding photographer so I understand both sides of this very reasonable argument. I’ve always hated trying to understand preset systems. I mean, since when is a preset supposed to be harder to get right than doing it all yourself?
Photographers can be catty. Real catty. In fact, out of all creative groups I can think of, I can’t put my finger on one that is more competitive and judgmental than photographers. So how should you react when you’re hired to photograph an event and find another professional there with a camera?
A Dallas County jury has handed down a $1 million verdict after they decided a local couple ran a smear campaign against a prominent wedding photographer on social media. Could this decision set precedent for other photographers treated badly online?
Wedding photography is not what it used to be. I don't mean this in a good way or a bad way, it just seems like with any advancement in technology comes a new challenge. Many couples today want both still photos and video of their wedding. This makes sense since it is often the biggest day of their life. Does that mean we now have videographers to deal with in our shots? No, it's a two-way street. We, as professionals, both have to work together to deliver the best possible product to the lucky couple. Saying someone got in the way means you didn't try hard enough.
Forget "shotgun wedding," Jay Philbrick brings us literal cliff-hanging wedding photos that take more than a little preparation. Jay knew about the Cathedral Ledge at Echo Lake State Park in North Conway, New Hampshire because of his many years as a climbing guide there. Jay says that only two of their couples have been climbers, and this couple was not one of them.
Just over a year ago today, I took the leap and made my first MagMod purchase. That first endeavor included: The Basic Kit, a set of Creative Gels, a set of Artistic Gels, an extra MagGrid, an extra MagGrip, a MagBounce, and a MagSphere. Over the last year I’ve added (and replaced) a few more items into my MagMod kit that is now to a point I’m now extremely happy with. After that initial purchase though, there was still one missing piece that kept lurking in the back of my mind. It wasn't actually a MagMod item so much as it was something I saw in a video on the MagMod page featuring TwoMann Studios.
As all wedding and portrait photographers have experienced, things often don't go as planned. Two common scenarios are, 1) timeline delays that cut into your ideal outdoor shooting times and 2) rainy or cloudy weather that covers the sun, making the popular backlit look impossible to achieve with natural light. When either of these two things happens, we at Lin and Jirsa Photography use the following five ways to recreate or fake the sun. We hope these tips will come in handy and allow you to wow your clients despite less than ideal circumstances.
The difference between good and great posing is all in the details. Whether you photograph men, women, or couples together, knowing how to make everyone look their best is 110% your job as a photographer.
Outsourcing is quickly becoming a standard practice. More and more photographers are using outsourcing services full time, while others are using them during the busy part of their season. While outsourcing has become more common in the industry, there are still some questions as to it’s worth. Photographers not familiar with the service see ups and downs to incorporating this type of service, and sometimes it can be hard to see which side wins. After my last article reviewing ProImageEditors, people wanted to know if it was worth it.
There are several ways to create more interesting photos, one way is to use off-camera lighting to help separate your subject from the environment or even making them the main focus of the shot. Carsten Schertzer shares 10 flash techniques he uses in his wedding and engagement photos to make them more interesting. These technique do not have to stop there, some of them can be used in other portrait sessions or even shooting products.
As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.
Whether or not you have an interest in wedding photography, as a photographer it’s inevitable that at some point in time, you will be presented with an opportunity to photograph a wedding. It could be a request from a friend who is well aware of your abilities. It could be from a recently engaged bride who came across your online portfolio, and after not seeing any wedding photos, contacted you to ask if you shot weddings. One of the most difficult aspects of venturing into the dark side that is wedding photography is deciding on your fee. There are several popular schools of thought on how much to charge for your first wedding.
It doesn't matter if you shoot weddings, portraits, or work in the commercial world. With the smallest about of kit and a little bit of knowledge you really can dramatically improve the quality of your images. The guys over at Westcott have produced a fascinating video with Chicago-based photographer and educator Bob Davis. This demonstration is focused on how to enhance the look of your groom preparation shots, but I actually think these tips can be used in various genres of photography.
Working with a second shooter has a ton of advantages: you can cover more moments, you get different angles and perspective on the same moments, and they even allow you to try new things during the day that you normally couldn't afford to do. One of the more frustrating things about working with a second shooter though, is when you get back home to later find out that your cameras were not synced to the correct time. What you're left with is images from the reception all intermixed with images from getting ready.
Filming weddings is a real challenge. This helpful video shadows a wedding videographer throughout the day and shows off some great techniques and tips you can incorporate into your own shooting as he talks you through his process.
Weddings are a strange beast. Theoretically, they're full of opportunities for creative shots, but the time pressure often curtails too much exploration. It's best to go in with a plan — a photographic structured improvisation of sorts — for the more creative photos you want to get. This awesome video will walk you through exactly how to get one of those shots.
A spectacular shot of a bride in her gown can be one of the most enduring images in the spectrum of bridal photos. I’ll state up front that I am not a wedding photographer, but as a fashion photographer specializing in bridal fashion, I’ll wager that I’ve shot more bridal gowns than the average wedding photographer. Along the way I have picked up a few tricks that wedding photographers might find useful when taking a bride’s formal portrait in her gown.
There’s a big trend in the business of weddings. In the old days, when venues had to walk to the bus stop uphill both ways in the snow, they also designed and printed their own wedding brochures. These handouts are given to every couple who comes into the venue. They typically feature some nice photos of the space, sample menu options, and a list of their “preferred vendors.” Lately, venues have started to contract out their brochure design process, and most of them are using the advertising firm Hawthorn Creative. Let's try and figure out if it's worth it for you to advertise in these handouts.
I stepped into photography world over 10 years ago and was lucky enough to have a wide variety of clients from different parts of the world. This made it essential for me to be flexible while negotiating or taking jobs despite cultural differences, from Armenia to U.S., from Mauritius to South Africa, Singapore, various European countries, and more. Usually you will get hired based on your portfolio, but sometimes there are clients who don’t understand much about photography. This is where the danger is. Everyone wants to get top results for the money they spend by hiring you, but what is considered the best for such clients?
Wedding photographers make the worst wedding guests. I know that when I’m at a friend’s wedding, I have a hard time turning it off. And no one should make me - least of all the hired guns photographing the bride and groom for the day. If that sounds blasphemous, let me explain.
If you've ever thought about shooting a wedding, you have probably wondered: "How much should I charge to shoot a wedding?" In this free excerpt from the wedding photography tutorial, "How to Become a Professional Commercial Wedding Photographer," we are going to talk about pricing your wedding photography. In addition to this free lesson, we are offering a limited time discount if you'd like to purchase the full tutorial. Simply use code WED75 at checkout before April 30th, 2017.
Every wedding photographer has a preference for a specific set of lenses to effectively capture all of the critical elements of a wedding. These images include views of the ceremony location, close-up portraits of the couple, and detail photos of jewelry and fine décor. In this brief video, wedding photographer Gemma Peanut shows why having a built-in ring light on the new Canon EF-S 35mm f/2.8 Macro IS STM Lens makes a substantial improvement in a photo of her engagement ring.
There are a lot of frustrating moments we all experience as photographers. Things we all know like missing that perfect shot by mere seconds, equipment failing just as the sun drops below the horizon, flashes not firing, memory cards corrupting, not booking that big job we quoted… the list goes on and on. I shoot weddings, so when things go wrong they can feel amplified ten-fold. For a long time I was like a sponge for negativity. It soaked into me, and it got under my skin and rattled me. Murphy’s Law used to kick my ass, and I never felt like I could stop it. Then my son was born, and everything changed.
There are tons of photography competitions out there, but not all are equal. In the wedding industry, I’ve found that the Junebug competitions always showcase some of the most inspiring, creative, and beautiful work out there. While the wedding season is about to start, the engagement one is coming to an end for many photographers. So it’s time to start picking your best shots and see if you have what it takes to have your work in the best of the best engagement selection of 2017!
Every wedding photographer has their favorite lens for photographing the couple. Some swear that shooting at 200mm produces the most flattering portraits, while others love the sweeping view of the surrounding environment that is showcased when composing with a wide-angle lens. In this video, Pye Jirsa of Lin and Jirsa Photography reveals his most frequently used lenses from over 10,000 wedding photos.
Allow me to be the first to ask the question. Are we really worth it? Now, don’t get me wrong. I come from an economics background. I understand price equilibrium. Pour me a large blonde roast with cream, and whisper me sweet nothings about Adam Smith all day. Leave all that behind for a second. I’m talking on a more philosophical level. Are we really worth the money we charge?
Life is busy… I get it. Between weddings, engagements, meetings, phone calls, and the seemingly never ending hours of toil spent in the Lightroom develop module it can be very easy to let things go. It starts small at first. You forget to send that album to print, or you forget to listen to that voicemail from yesterday morning. Slowly, it seeps further into your workflow, until you suddenly realize you haven’t cleared out your inbox in three days.
