For most of us living in the Northern Hemisphere, the wedding season has begun, and the first images are being sent out to brides and grooms. Delivering pictures to clients is more important than most photographers would like to think, especially for weddings. It is an opportunity to surprise customers, get referrals, and sell more prints or albums. The smallest details will help you separate your business from the crowd.
For 10 years now, Patrick Hall and I have been professional wedding photographers. We worked for over a year to film "How To Become A Professional Commercial Wedding Photographer," a video tutorial that covers everything we know about the wedding photography industry. For the next two days it's 50% off with code "SAVE150".
Every year, The Knot compiles statistics from thousands of weddings in their annual Real Weddings Study, and we get to learn all sorts of things about the ins and outs of what makes up a wedding in America. While there's plenty of interesting statistics, such as how 83% of couples used a smartphone in planning their wedding, the marquee stat is cost, and for the past five years that number has crept onwards and upwards to a brand new record that's just insane when you compare it to the average wedding in Europe.
Hey there, Ben Sasso here! Learning new things is one of my favorite parts of what I do, and I want to be able to pass that on. If you're looking for some quick and basic natural lighting tips to play with on your next shoot, you're in the right place. Check out five easy tips! Hope you enjoy!
This is by no means a new topic, but a recent poster in the Fstoppers Wedding Photography group lamented that they felt they were stuck in a creative rut, and it got me thinking about the problem of trying to be experimental within an industry. Chances are if you’re shooting for a client, they have a preconceived idea of what you're going to provide, even if that’s just a ballpark “these kinds of colors, this kind of emotion.” If you rocked up to a wedding with the awesome idea of only shooting macros of toes, you’re going to have a hard sell when it comes time to deliver the finished product; they’d need to be really good foot shots.
Today, more and more cameras have wireless technologies built into the body. So far, the concentration on development for the use of these antennas has centered around image transfer and social media connectivity, posting directly to other services, etc. But that’s far from all that can be accomplished when cameras start being able to communicate with one another.
We were staying on a houseboat in Amsterdam for three months when I first met Viviane. My wife did a test shoot with her, and I shot some videos that day, and we became friends. She’s an international model represented by Premier Model Management and Modelwerk. Her then-boyfriend and now fiancé is an art director in Amsterdam.
With the wedding season right around the corner, it is time to find a solution to improve last year’s workflow. Most event photographers complain about the same thing: culling. It can quickly become a very time-consuming task, and it is far from being the most interesting part of the job. Although, there are a few ways to help speed up the process while retaining a solid quality control.
There have been several posts on Fstoppers over the years extolling the virtues of the pre-shoot location scout. Knowing your location in advance not only helps to keep the crushing dread of a possible creative block to a minimum, but your confidence and decisiveness carries across to your clients. They start to see you as a god of light, a master of scene. But sometimes, location scouts don’t go as planned: sometimes, it rains, sometimes, you don’t plan for a gigantic Buddhist festival to be taking place, and sometimes, you accidentally bring a two year-old.
The Nikon 58mm 1.4 and The now famed Sigma Art 50mm 1.4 are two lenses that arguably have a lot in common and at the same time polar opposites. The fact of the matter is the Sigma series which is marketed under the “art” moniker has received its praise because of technical proficiency while the release of the Nikon 58mm fell flat due to misguided expectations.
Jerry Ghionis probably doesn’t need an introduction anymore. He is a Nikon Ambassador, a WPPI Grand Master, as well as a three-time AIPP Australian Wedding Photographer winner, just to name a few of his achievements. Many that have attended his five-day workshop speak highly of his teaching skills and technical knowledge. If for some reason you cannot get a seat to one of his masterclasses, there is still the Ice Society, and it is now available for only $100 a year.
Shooting a wedding can certainly be a daunting task, especially if you're new to the genre. However, self-described "up and coming photographer" Chloe Johnston soon learned that they, just like every other business venture, have a serious job that should not be taken lightly. In this instance, I'm not sure if it was a lack of experience, or maturity, or both. Ultimately she did not deliver a desirable final product. After which, she publicly tried to defame the bride and groom once they attempted to voice their concerns to her about the low photo count and overall poor quality of the images delivered.
I'm generally not a fan of the opt-out model. It's an easy way to push unwanted features, changes, or price increases onto an end user, often without them noticing until it's too late. It's like someone slipping a steak into my all-vegetarian cart at the grocery store when I'm not looking. Unfortunately, Zenfolio just slipped a big T-bone into its users' carts.
Instagram is an amazing platform for sharing your work and following great artists that can inspire you. As you follow more and more people, Instagram will even recommend other users who fall into line with the type of people you normally follow and interact with. The problem though is that most of the suggested users are people that already have a significant following. So what about the people that are up and coming or are new to the platform?