Outsourcing is quickly becoming a standard practice. More and more photographers are using outsourcing services full time, while others are using them during the busy part of their season. While outsourcing has become more common in the industry, there are still some questions as to it’s worth. Photographers not familiar with the service see ups and downs to incorporating this type of service, and sometimes it can be hard to see which side wins. After my last article reviewing ProImageEditors, people wanted to know if it was worth it.
There are several ways to create more interesting photos, one way is to use off-camera lighting to help separate your subject from the environment or even making them the main focus of the shot. Carsten Schertzer shares 10 flash techniques he uses in his wedding and engagement photos to make them more interesting. These technique do not have to stop there, some of them can be used in other portrait sessions or even shooting products.
As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.
Whether or not you have an interest in wedding photography, as a photographer it’s inevitable that at some point in time, you will be presented with an opportunity to photograph a wedding. It could be a request from a friend who is well aware of your abilities. It could be from a recently engaged bride who came across your online portfolio, and after not seeing any wedding photos, contacted you to ask if you shot weddings. One of the most difficult aspects of venturing into the dark side that is wedding photography is deciding on your fee. There are several popular schools of thought on how much to charge for your first wedding.
It doesn't matter if you shoot weddings, portraits, or work in the commercial world. With the smallest about of kit and a little bit of knowledge you really can dramatically improve the quality of your images. The guys over at Westcott have produced a fascinating video with Chicago-based photographer and educator Bob Davis. This demonstration is focused on how to enhance the look of your groom preparation shots, but I actually think these tips can be used in various genres of photography.
Working with a second shooter has a ton of advantages: you can cover more moments, you get different angles and perspective on the same moments, and they even allow you to try new things during the day that you normally couldn't afford to do. One of the more frustrating things about working with a second shooter though, is when you get back home to later find out that your cameras were not synced to the correct time. What you're left with is images from the reception all intermixed with images from getting ready.
Weddings are a strange beast. Theoretically, they're full of opportunities for creative shots, but the time pressure often curtails too much exploration. It's best to go in with a plan — a photographic structured improvisation of sorts — for the more creative photos you want to get. This awesome video will walk you through exactly how to get one of those shots.
A spectacular shot of a bride in her gown can be one of the most enduring images in the spectrum of bridal photos. I’ll state up front that I am not a wedding photographer, but as a fashion photographer specializing in bridal fashion, I’ll wager that I’ve shot more bridal gowns than the average wedding photographer. Along the way I have picked up a few tricks that wedding photographers might find useful when taking a bride’s formal portrait in her gown.
There’s a big trend in the business of weddings. In the old days, when venues had to walk to the bus stop uphill both ways in the snow, they also designed and printed their own wedding brochures. These handouts are given to every couple who comes into the venue. They typically feature some nice photos of the space, sample menu options, and a list of their “preferred vendors.” Lately, venues have started to contract out their brochure design process, and most of them are using the advertising firm Hawthorn Creative. Let's try and figure out if it's worth it for you to advertise in these handouts.
I stepped into photography world over 10 years ago and was lucky enough to have a wide variety of clients from different parts of the world. This made it essential for me to be flexible while negotiating or taking jobs despite cultural differences, from Armenia to U.S., from Mauritius to South Africa, Singapore, various European countries, and more. Usually you will get hired based on your portfolio, but sometimes there are clients who don’t understand much about photography. This is where the danger is. Everyone wants to get top results for the money they spend by hiring you, but what is considered the best for such clients?
Wedding photographers make the worst wedding guests. I know that when I’m at a friend’s wedding, I have a hard time turning it off. And no one should make me - least of all the hired guns photographing the bride and groom for the day. If that sounds blasphemous, let me explain.
If you've ever thought about shooting a wedding, you have probably wondered: "How much should I charge to shoot a wedding?" In this free excerpt from the wedding photography tutorial, "How to Become a Professional Commercial Wedding Photographer," we are going to talk about pricing your wedding photography. In addition to this free lesson, we are offering a limited time discount if you'd like to purchase the full tutorial. Simply use code WED75 at checkout before April 30th, 2017.
Every wedding photographer has a preference for a specific set of lenses to effectively capture all of the critical elements of a wedding. These images include views of the ceremony location, close-up portraits of the couple, and detail photos of jewelry and fine décor. In this brief video, wedding photographer Gemma Peanut shows why having a built-in ring light on the new Canon EF-S 35mm f/2.8 Macro IS STM Lens makes a substantial improvement in a photo of her engagement ring.
There are a lot of frustrating moments we all experience as photographers. Things we all know like missing that perfect shot by mere seconds, equipment failing just as the sun drops below the horizon, flashes not firing, memory cards corrupting, not booking that big job we quoted… the list goes on and on. I shoot weddings, so when things go wrong they can feel amplified ten-fold. For a long time I was like a sponge for negativity. It soaked into me, and it got under my skin and rattled me. Murphy’s Law used to kick my ass, and I never felt like I could stop it. Then my son was born, and everything changed.