Wedding photography is not what it used to be. I don't mean this in a good way or a bad way, it just seems like with any advancement in technology comes a new challenge. Many couples today want both still photos and video of their wedding. This makes sense since it is often the biggest day of their life. Does that mean we now have videographers to deal with in our shots? No, it's a two-way street. We, as professionals, both have to work together to deliver the best possible product to the lucky couple. Saying someone got in the way means you didn't try hard enough.
Forget "shotgun wedding," Jay Philbrick brings us literal cliff-hanging wedding photos that take more than a little preparation. Jay knew about the Cathedral Ledge at Echo Lake State Park in North Conway, New Hampshire because of his many years as a climbing guide there. Jay says that only two of their couples have been climbers, and this couple was not one of them.
Just over a year ago today, I took the leap and made my first MagMod purchase. That first endeavor included: The Basic Kit, a set of Creative Gels, a set of Artistic Gels, an extra MagGrid, an extra MagGrip, a MagBounce, and a MagSphere. Over the last year I’ve added (and replaced) a few more items into my MagMod kit that is now to a point I’m now extremely happy with. After that initial purchase though, there was still one missing piece that kept lurking in the back of my mind. It wasn't actually a MagMod item so much as it was something I saw in a video on the MagMod page featuring TwoMann Studios.
As all wedding and portrait photographers have experienced, things often don't go as planned. Two common scenarios are, 1) timeline delays that cut into your ideal outdoor shooting times and 2) rainy or cloudy weather that covers the sun, making the popular backlit look impossible to achieve with natural light. When either of these two things happens, we at Lin and Jirsa Photography use the following five ways to recreate or fake the sun. We hope these tips will come in handy and allow you to wow your clients despite less than ideal circumstances.
Outsourcing is quickly becoming a standard practice. More and more photographers are using outsourcing services full time, while others are using them during the busy part of their season. While outsourcing has become more common in the industry, there are still some questions as to it’s worth. Photographers not familiar with the service see ups and downs to incorporating this type of service, and sometimes it can be hard to see which side wins. After my last article reviewing ProImageEditors, people wanted to know if it was worth it.
There are several ways to create more interesting photos, one way is to use off-camera lighting to help separate your subject from the environment or even making them the main focus of the shot. Carsten Schertzer shares 10 flash techniques he uses in his wedding and engagement photos to make them more interesting. These technique do not have to stop there, some of them can be used in other portrait sessions or even shooting products.
As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.
Whether or not you have an interest in wedding photography, as a photographer it’s inevitable that at some point in time, you will be presented with an opportunity to photograph a wedding. It could be a request from a friend who is well aware of your abilities. It could be from a recently engaged bride who came across your online portfolio, and after not seeing any wedding photos, contacted you to ask if you shot weddings. One of the most difficult aspects of venturing into the dark side that is wedding photography is deciding on your fee. There are several popular schools of thought on how much to charge for your first wedding.
It doesn't matter if you shoot weddings, portraits, or work in the commercial world. With the smallest about of kit and a little bit of knowledge you really can dramatically improve the quality of your images. The guys over at Westcott have produced a fascinating video with Chicago-based photographer and educator Bob Davis. This demonstration is focused on how to enhance the look of your groom preparation shots, but I actually think these tips can be used in various genres of photography.
Working with a second shooter has a ton of advantages: you can cover more moments, you get different angles and perspective on the same moments, and they even allow you to try new things during the day that you normally couldn't afford to do. One of the more frustrating things about working with a second shooter though, is when you get back home to later find out that your cameras were not synced to the correct time. What you're left with is images from the reception all intermixed with images from getting ready.
Weddings are a strange beast. Theoretically, they're full of opportunities for creative shots, but the time pressure often curtails too much exploration. It's best to go in with a plan — a photographic structured improvisation of sorts — for the more creative photos you want to get. This awesome video will walk you through exactly how to get one of those shots.
A spectacular shot of a bride in her gown can be one of the most enduring images in the spectrum of bridal photos. I’ll state up front that I am not a wedding photographer, but as a fashion photographer specializing in bridal fashion, I’ll wager that I’ve shot more bridal gowns than the average wedding photographer. Along the way I have picked up a few tricks that wedding photographers might find useful when taking a bride’s formal portrait in her gown.