Recently I had the distinct honor of being a groomsman in a close friend’s wedding. It’s a lot of hurry and stand while remembering where to look. The pressure really is more on the two people getting married to remember their lines: “I do.” But as part of the wedding party, you also get the full brunt of posing, smiling and cheesing it up for the wedding photographer.
I’m always looking for new and interesting ways to add visual interest to my images. I’m a big fan of the effects you can get with prisms and the like, but it’s always nice to find something a little less used. Last year I went to a Katy Perry concert and they were handing out pairs of 3D glasses, which cause rainbow light streaks to appear all around you. I later found out that the glasses were made from diffraction paper.
When you're shooting a wedding, every minute is valuable. There is often a compromise between the amount of time you spend on a shot and the level of quality you can achieve from that shot. That's partly what makes Fstoppers member Paul Keppel's ring shots so great. They take him almost no time to shoot and they look fantastic.
Anyone who has been booked as a wedding photographer knows that this genre of photography can be extremely challenging. Perhaps no other field of photography throws as many variables at you more than those found on a typical wedding day. Whether it is crazy weather, horrible lighting situations, demanding wedding planners, strict church rules, or overall disorganization, there are a many many things that can cause the day to go less than expected. Here is what every bride should know about the challenges of photographing a wedding ceremony.
Sometimes you need to get rid of that frizzy wind-blown hair but you don’t have the time to mess with cloning and blending. This can be even more difficult and time consuming with more complicated backgrounds that have gradients in them. I’m here to show you my quick and dirty way to get rid of those flyaways.
Much can be said about preparing yourself for photographing a wedding, not the least of which is picking out your kicks. That’s right, finding adequate and stylish footwear to last an 8 to 15-hour workday should be a paramount decision for the successful wedding shooter. For some it's simply about price, fit, or orthopedics. But if we are honest with ourselves (and our egos), some of us also want to make a shoe decision as memorable as Jeff Spicolli’s checkerboard Vans slip-ons. Myself, I’m a Rockport man. The comfort for a wide-footed Michigan swamp-stomper such as myself is unparalleled in a formal shoe. I’m far from an authority on below-the-ankle style, however. Just ask my wife! Let’s see what some of the best guys and gals in the business are putting on their feet, shall we?
Now that wedding season is in full swing, I’d like to reflect on a few ways that you can take your current performance and boost it to the next level. I always hear people say that the wedding photography market is too saturated. True, there are a lot of photographers these days, but it’s possible to stand out if you can find ways to be creative, hustle, and connect with the right people.
It’s officially hot outside in my neck of the woods, but that doesn't mean I can to take a break from shooting outside! I still have to sweat it out, hauling my gear around from location to location and that means my clients have to feel the sting of the summer heat as well. Although it’s steaming out, I don’t want my images to look like they were taken inside the nearest oven set to broil. Thankfully, there is a super quick and easy way to fix those heat flushed skin tones.
In a silent protest for same sex marriage equality, Australian couple, Abbey and Mitchell Johnston held their hands to their ears during the compulsory matrimony words, "marriage is between a man and woman." They were quickly joined by their bridal party, friends, and family in what was a simple but strong visual statement of their strong personal beliefs on the subject. Luckily, Thomas Stewart Weddings was on the scene to capture all of these photos!
Canadian wedding photography super-duo Two Mann Studios recently handed out six tips for wedding photographers that should not be ignored. In the 40-plus-minute candid video made for ShotKit, Erika and Lanny Mann give other shooters an honest, thoughtful take on their own successes and struggles as one of the most sought-after wedding studios in the world. It's well worth the time.
You read that right: shouldn't. Wedding photography is a field that many photographers work within at least once or twice in their budding careers. Is it for you, though? Do you have what it takes? Even some of the most seasoned professional wedding photographers have thrown in the towel and moved on to other forms of work. Why is this, you inquire? I asked several of my colleagues – wedding photographers and other professional shutterbugs alike – their thoughts on why they think shooting weddings for a living sucks. These are the top five responses I received.
Shooting with two cameras seems to be a growing trend in the wedding industry. When I first started shooting, I saw people doing this and I just didn’t see the point. I figured I could always change lenses, and then I would be good to go. Once I gave it try I completely fell in love. Here is my “how and why” I shoot with two cameras.
My favorite part of the wedding day is the reception. After the traditional first dances, and speeches are done, and the wedding party starts to let loose. The party is in full swing and the best man is giving “The Dougie” his best attempt in an effort to win a dance battle against the bride. While capturing these images I want the viewer to feel like they were in there, in the moment. My goal is to not light up the entire room like a Christmas tree. I want to see the light from the DJ and the motion on the dance floor. This is how I do just that.