Working with a second shooter has a ton of advantages: you can cover more moments, you get different angles and perspective on the same moments, and they even allow you to try new things during the day that you normally couldn't afford to do. One of the more frustrating things about working with a second shooter though, is when you get back home to later find out that your cameras were not synced to the correct time. What you're left with is images from the reception all intermixed with images from getting ready.
Weddings are a strange beast. Theoretically, they're full of opportunities for creative shots, but the time pressure often curtails too much exploration. It's best to go in with a plan — a photographic structured improvisation of sorts — for the more creative photos you want to get. This awesome video will walk you through exactly how to get one of those shots.
A spectacular shot of a bride in her gown can be one of the most enduring images in the spectrum of bridal photos. I’ll state up front that I am not a wedding photographer, but as a fashion photographer specializing in bridal fashion, I’ll wager that I’ve shot more bridal gowns than the average wedding photographer. Along the way I have picked up a few tricks that wedding photographers might find useful when taking a bride’s formal portrait in her gown.
There’s a big trend in the business of weddings. In the old days, when venues had to walk to the bus stop uphill both ways in the snow, they also designed and printed their own wedding brochures. These handouts are given to every couple who comes into the venue. They typically feature some nice photos of the space, sample menu options, and a list of their “preferred vendors.” Lately, venues have started to contract out their brochure design process, and most of them are using the advertising firm Hawthorn Creative. Let's try and figure out if it's worth it for you to advertise in these handouts.
I stepped into photography world over 10 years ago and was lucky enough to have a wide variety of clients from different parts of the world. This made it essential for me to be flexible while negotiating or taking jobs despite cultural differences, from Armenia to U.S., from Mauritius to South Africa, Singapore, various European countries, and more. Usually you will get hired based on your portfolio, but sometimes there are clients who don’t understand much about photography. This is where the danger is. Everyone wants to get top results for the money they spend by hiring you, but what is considered the best for such clients?
Wedding photographers make the worst wedding guests. I know that when I’m at a friend’s wedding, I have a hard time turning it off. And no one should make me - least of all the hired guns photographing the bride and groom for the day. If that sounds blasphemous, let me explain.
If you've ever thought about shooting a wedding, you have probably wondered: "How much should I charge to shoot a wedding?" In this free excerpt from the wedding photography tutorial, "How to Become a Professional Commercial Wedding Photographer," we are going to talk about pricing your wedding photography. In addition to this free lesson, we are offering a limited time discount if you'd like to purchase the full tutorial. Simply use code WED75 at checkout before April 30th, 2017.
Every wedding photographer has a preference for a specific set of lenses to effectively capture all of the critical elements of a wedding. These images include views of the ceremony location, close-up portraits of the couple, and detail photos of jewelry and fine décor. In this brief video, wedding photographer Gemma Peanut shows why having a built-in ring light on the new Canon EF-S 35mm f/2.8 Macro IS STM Lens makes a substantial improvement in a photo of her engagement ring.
There are a lot of frustrating moments we all experience as photographers. Things we all know like missing that perfect shot by mere seconds, equipment failing just as the sun drops below the horizon, flashes not firing, memory cards corrupting, not booking that big job we quoted… the list goes on and on. I shoot weddings, so when things go wrong they can feel amplified ten-fold. For a long time I was like a sponge for negativity. It soaked into me, and it got under my skin and rattled me. Murphy’s Law used to kick my ass, and I never felt like I could stop it. Then my son was born, and everything changed.
There are tons of photography competitions out there, but not all are equal. In the wedding industry, I’ve found that the Junebug competitions always showcase some of the most inspiring, creative, and beautiful work out there. While the wedding season is about to start, the engagement one is coming to an end for many photographers. So it’s time to start picking your best shots and see if you have what it takes to have your work in the best of the best engagement selection of 2017!
Every wedding photographer has their favorite lens for photographing the couple. Some swear that shooting at 200mm produces the most flattering portraits, while others love the sweeping view of the surrounding environment that is showcased when composing with a wide-angle lens. In this video, Pye Jirsa of Lin and Jirsa Photography reveals his most frequently used lenses from over 10,000 wedding photos.
Allow me to be the first to ask the question. Are we really worth it? Now, don’t get me wrong. I come from an economics background. I understand price equilibrium. Pour me a large blonde roast with cream, and whisper me sweet nothings about Adam Smith all day. Leave all that behind for a second. I’m talking on a more philosophical level. Are we really worth the money we charge?
Life is busy… I get it. Between weddings, engagements, meetings, phone calls, and the seemingly never ending hours of toil spent in the Lightroom develop module it can be very easy to let things go. It starts small at first. You forget to send that album to print, or you forget to listen to that voicemail from yesterday morning. Slowly, it seeps further into your workflow, until you suddenly realize you haven’t cleared out your inbox in three days.
It’s time to answer the often-asked question I hear from many wedding photographers. Is it worth the money to advertise with online marketplaces for professional wedding vendors? I track everything in my wedding business. If you can record it, track it, analyze it, and summarize it, I’m aware of it. There’s nothing quite as satisfying as opening up a spreadsheet of raw, unrefined data and pulling out the hidden truths that lie dormant in the numbers.