When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.

Without a doubt, one of the most popular and useful pieces of gear a photographer can own is the 70-200mm f/2.8 telephoto lens. This lens is so amazing that it has become a staple for photographers shooting wildlife, portraits, headshots, sports, weddings, events, and even landscape photography. With Nikon and Tamron both recently updating their version of this lens, we thought it would be a great time to review them side by side and definitively name one as the "best bang for the buck."

If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.

Today, I’m tackling photographer-on-photographer criticism. And while some may read this article (as well, some may not) and comment that criticism can be valuable, I’m here to dispel that belief.

Color grading is a critical tool involved in the production of a truly impressive image. Through the use of grading a photographer can completely shift the impression a given photograph leaves on its audience. Learning color grading, however, is quite difficult as it is one of the most ethereal aspects of a post-processing workflow that can vary radically from photographer to photographer. The best method, in my opinion, for learning to master grading is by learning as much theory and as many techniques as possible so that you can leverage that knowledge to create the workflow that works for you.

The discussion of what kind of glass is better for documentary photography has been around since the beginning of the genre itself over a century ago. Some swear by using primes only, while many prefer the versatility of a zoom. What are the benefits? What are the downsides? Let’s look at both!

Portrait photography is very diverse. While some enjoy the comfort of studio portraits and the flexibility it brings, others prefer the variety of backdrops the outdoors provides. While it is totally realistic to create all kinds of weather moods in the studio, it often involves a bigger budget, whereas one can achieve similar results for free by relying on the weather forecast and proper equipment choices.

I've been testing out the Centennial Tripod from Colorado Tripod Company and I love it. Buying US-made products is cool, but when those sellers offer top quality at a good price, it's even more awesome! Read on to see why I think your next tripod should be made in Colorado.

Staying afloat as a photographer means having several revenue streams. Here are seven ways I had not expected to be paid as a photographer.

The Sony A7s is making a lot of buzz on the internet right now for its insane ability to push ISO high and basically see in the dark! Sony released a demo video on the Youtube channel SonyHowTo for us all to watch. To be honest, the results are impressive.

Last summer I bought a super telephoto lens to capture wildlife in Alaska. After more than half a year of using it as a lens for landscape photography, was it worth it?

Sigma’s new 28-105mm f/2.8 DG DN Art is the latest addition to the Art lens series. It's a wide angle to medium telephoto lens, making it an ideal choice for a variety of shooting styles and genres. Thanks to its constant f/2.8 aperture, you’ll get consistent brightness no matter how much you zoom, offering both flexibility and great image quality. Whether you’re capturing sweeping landscapes, taking portraits with smooth background blur, or even shooting videos, this lens is built to perform.

Does this new glass from Tamron live up to the expectations?

Last year, in what became one of the most widely circulated pieces of footage in recent history, National Geographic posted the now-infamous video of a starving polar bear, with the accompanying caption “[This is] what climate change is like.” The company has now addressed their wording, saying the situation “went too far.”