Super Telephoto Lenses: Amazing or Overrated?
Last summer I bought a super telephoto lens to capture wildlife in Alaska. After more than half a year of using it as a lens for landscape photography, was it worth it?
Last summer I bought a super telephoto lens to capture wildlife in Alaska. After more than half a year of using it as a lens for landscape photography, was it worth it?
Late last year, I wrote here about choosing your next lens for photography. In the comments, I was asked to write a similar guide about cameras. So today, we will be discussing the important factors in choosing a new camera body, or if you are just getting into the world of interchangeable lens systems, your first camera body.
Sigma’s new 28-105mm f/2.8 DG DN Art is the latest addition to the Art lens series. It's a wide angle to medium telephoto lens, making it an ideal choice for a variety of shooting styles and genres. Thanks to its constant f/2.8 aperture, you’ll get consistent brightness no matter how much you zoom, offering both flexibility and great image quality. Whether you’re capturing sweeping landscapes, taking portraits with smooth background blur, or even shooting videos, this lens is built to perform.
Does this new glass from Tamron live up to the expectations?
With camera companies rolling out mouth-watering specs at a breakneck pace, sometimes, it’s hard to know just when to pounce on a good deal.
When learning a new photographic technique, it typically takes quite a bit of practice time before you achieve pleasing results. With long-exposure photography, that learning time is extended because every frame can take minutes to complete. In this video from B&H, photographer Deborah Sandidge does an excellent job of accelerating the learning process thanks to in-depth explanations of strategy and set-up behind each photo presented.
Last year, in what became one of the most widely circulated pieces of footage in recent history, National Geographic posted the now-infamous video of a starving polar bear, with the accompanying caption “[This is] what climate change is like.” The company has now addressed their wording, saying the situation “went too far.”
So, you just opened your presents, and you received that amazing camera you've been staying up late reading reviews about for the last six months. Rad! Now what? Here are the first 10 things you should do with that new camera.
As a Nikon user, I remember a time when I envied everything Canon. A few years ago, Canon had the best DSLR video, their cameras were the fastest, and they were the absolute kings of high ISO. Today DxOMark has released their review of the new Nikon D600, and to everyone's surprise it has the 3rd best overall DSLR sensor in the land (beats the D4). More shocking is not a single Canon camera is in the top 10. Has Canon dropped the ball or is DxOMark unbelievably biased?
The following is a guest post by Patrick Moreau of Stillmotion:
As image makers, we know the power a photo can have. Whether in the context of a wedding, a magazine ad, or even a simple a snapshot of your kids when they weren’t expecting it; the emotional effect of a photograph can be all-encompassing. Worth a thousand words, as they say. But can a photograph change the lives of thousands of people around the world?
Did you know that Adobe Photoshop has a great selection of very helpful in-app tutorials for all levels that you can access for free? Here's a run-through of you can get your hands on them all.
There isn’t a camera brand that doesn’t make a nifty fifty. There also almost isn’t a camera blog or advice resource that hasn’t recommended the nifty fifty. Thousands of photographers are led to believe that they absolutely must have this lens. I was one of them. Here is why I think that the nifty fifty is vastly overrated and why you probably don’t need one.
Some months ago, I was excited enough to place a preorder upon hearing of the announcement of Sky-Watcher’s Star Adventurer GTi, the latest in their Star Adventurer series of star trackers. In September, I finally received it and have been checking it out. Let’s see if it has indeed met my expectations.
Crushing blacks is a popular trend in Photoshop for achieving a more film-like matte effect that pairs well with vintage styling. It won't work with every image, but if it's a look you are after, photographer Mathieu Stern has put together a video suggesting three ways you can go about achieving and customizing the effect. In this article I will add on one more quick method in addition to the video which will give you plenty of options to play around with this effect and see which method works best with your workflow.
Between the Sony a7S III’s announced specs satisfying the five-year hype and its praise given in early reviews, it appears that the new camera is off to a great launch. However, I noticed a feature was missing.
It's pretty crazy to think just a small change of focal length can drastically distort your subject's face. In this behind the scenes video , Jay P. Morgan of The Slanted Lens goes into detail to show us each change and how it effected the model's appearance. Maybe you're interested in buying a fixed lens or maybe you're interested in gaining tips on portrait and headshot photography - either way this video is definitely worth checking out.
Nearly every modern camera has different metering modes to measure the amount of available light. It is possible to measure the average across the image, or just a part of the image. Do you use all of these metering modes? Or is it better to limit the use to only one?
Chris Niccolls and Jordan Drake over at The Camera Store take us to the Calgary Stampede to demonstrate the improved features of the Nikon D810. While "10 Amazing Changes in the Nikon D810" makes for a catchy title, the truth is Chris and Jordan provide a full-fledged, hands-on field test. They go into considerable depth about what you can expect from Nikon's latest offering.
Photographing in low light is one of the most challenging tasks you can encounter. This is a scenario where your setup truly matters. Not only should you know what to do with your camera, but also keep in mind which camera to bring for low-light photography. In this article, I will go over the essential gear for such work.
Last weekend I attended the world's largest military air show at MCAS Miramar in San Diego, California. Also in attendance with me was a Sony a9 and the new FE 400mm f/2.8 GM lens. Here's how it went down.
Sony's results for the 2018 fiscal year recently came out, and among a lot of insightful data on the inner workings of their imaging business is one particularly important detail: the company has now overtaken Nikon for the number two spot worldwide.
Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.
It’s no secret that with each new camera release, we’re seeing more megapixels, increased dynamic range and overall more information in our files. So what does that mean for professional photographers and retouchers who are working in the field today?
New gear is always fun to work with, however a new piece of glass is not going to make you a better photographer. Many new photographers feel the urge to buy the latest gear thinking it will improve their skills. Learning how to work with what you have, learning new techniques, or even changing directions for a new desired genre is far more important than that latest camera announcement.
Erik Almas is one of my all time favorite photographers. His work mixes equal parts clever advertising and personal vision in a way that makes each image intriguing to study. But behind all of his brilliant images is a businessman who works diligently to get his brand in front of art buyers and advertising agencies. Today PRO EDU has released a free section about marketing from Almas' Composite Photography tutorial, and this advice is something every photographer should hear.
I'm a photographer because my life is filled with hot models all day, every day, right? No, but really, photography, as a career, should not be taken for granted. Let’s be honest, we’re hardly saving lives here, and we should be very grateful that we can make a career of essentially taking pictures. That’s not to say it isn’t hard work or a lot of responsibility, because it is. I just know I’m feel very lucky to be making a living from what I love doing most. And there’s so many reasons why it has to be the best job in the world.
Whether it's the glamor of Paris, the captivating shores of Ireland, or the natural beauty of the Grand Canyon, it is very easy for a photographer to assume that one must go above and beyond to capture the landscape images that he or she desires. Dennis Ramos, a world-renowned fine-art and landscape photographer, took a completely different approach. He captured the beauty that surrounded him where he resides in Tampa, FL.
Canon has developed a 2/3" sensor with a global shutter and high dynamic range, helping to pave the way toward future generations of video cameras.
There used to be a time when getting into digital medium format meant you had to put a mortgage on your house and your family. This time seems far gone now that a full kit can be found for under $20,000. With the promotion Hasselblad is running, it looks like Christmas is early this year.
Hiking season is in full swing and in the last few years I've incorporated a lot of video and photography while on week long trips in the backcountry. When every pound of weight counts, you have to choose your gear carefully. In this post I’ll share my tricks and tips for making a useful kit without weighing you down.