I’m baffled by how often I encounter photographers who tell me they have been shooting for years but still haven’t created their portfolio because their work isn't good enough. After a bit of convincing, I can usually prompt them into sending me a few shots to take a look at, only to find out their work is more than ready to be displayed.

Reviewing this lens has not been a simple task. As is the case with, say, a new Apple product, many can argue that the original 24-70mm f/2.8 L lens is so good that any improvement would or should simply be a minor enhancement or fix. A new version should just address what little quibbles we all have had over the past several years. Little things. And with little changes should come minor price adjustments, if at all. This did not happen with the Canon 24-70 f/2.8 L II, and thus I am hit with the daunting task of wrangling in this new piece of hardware.

Photographers often love to throw money at problems. We think if we are not getting the photos we want, that new lens or body will do the trick. And sure, new gear is fun, but rarely does it solve the problem. Rather than spending money, try out this technique to improve your photos.

The natural tendency for a beginner photographer is to try to show as much as possible in their photos. They want to show everything that they're experiencing at the time. Under the right conditions, a wide-angle shot like that has its place. However, often, the better shot is the one that shows as little as possible. This technique in photography is called minimalism.

Shooting or being involved in a fashion or beauty shoot is a lot of fun. It’s a day where creative personalities, the photographer, stylist, hair and makeup and assistants as well as the client's creative team get together to produce a story, a body of work that they want to show the world. Everyone is focussed on bringing their best ideas to the party.

A recent tutorial online shows us how we're able to take our video production with the use of a video slider. Often, camera sliders can cost hundreds of dollars, and can even break $1000 for a professional quality one. This latest tutorial shows you how you can make one in just an hour of time, and a mere $30 spent at your local Ikea.

There seems to be an endless line of questions about what gear to get for landscape photography. For classic landscape photography, there are three lenses I could not do without.

The arts — very much including photography — under the umbrella of expression and free speech can explore the boundaries of what is acceptable. Often these boundaries are harmless and prompt little more than a debate regarding the meta of the relevant discipline. Occasionally, however, the debate is darker in nature as the boundary being pushed is one of moral significance. The photographer and director David Hamilton was somewhat of a permanent resident of such debate and his suspected suicide recently has brought a number of questions to fruition.

Various news outlets are reporting that a photojournalist in the small Ohio town of New Carlisle has been shot without warning by a police officer who apparently mistook his camera for a weapon.

I'm fortunate to get to do a lot of travel with my work. However it can also be a bit of a hassle because I can't really use the same workflow I do at home. I have a very specific and efficient way I handle, capture and deliver work when I am at home, but when I travel, things change quite a bit. Most out of necessity. One of the biggest components to that is my travel workflow.

What started as an innocuous trip to the craft store ended with myself and a model sitting in my studio with tears running down our faces. I shouldn’t say that it ended there, though, because the first session of A Woman’s Soul was only the beginning of a month-long process of emotional vulnerability, bravery, and change.

Forget technology updates, larger sensor capacity, and more dynamic range. If you could only choose one camera to shoot with for the rest of your photographic life, what would it be?