I absolutely love flying my DJI Phantom 4 Pro. This is my first quadcopter, and from talking with other pilots, the Phantom 4 Pro clearly evolved from previous generations. I am continuously implementing my Phantom in my still photography work and by no means is this a desire for obsolescence. The Phantom 4 hasn't been on the market that long and there are a ton of great accessories available that make it even better, too. This is part review of the Phantom 4 Pro and part feedback for what I hope inevitable future updates bring for so many pilots. While there is still time ahead of the next release, here is my wishlist for features that the Phantom 5 Pro might carry.

The Dehaze tool in Adobe Camera Raw and Adobe Lightroom is fantastic for landscape photography. Here are some examples of its use.

...Or do they? Camera manufacturers today -- especially consumer camera manufacturers -- have created sensors that keep growing the megapixel count on each chip year after year, meeting consumers' general expectations for a higher number of 'MP' with every subsequent refresh. But what do these numbers really mean? Do you need all of those pixels? These are some of the many questions discussed in the full post article.

Leica pretty much took the world by storm with the 35mm camera, and manufacturers haven't looked back since. In the film and digital realms, 35mm has been the mainstay for any serious photographer, however, it is also true that those who wanted a little bit "more" went medium format. This tended to be the mark of certain professionals with a price tag to match. So, why then is Fuji capitalizing on a digital market that Pentax seemingly had at its feet?

Over the past few years, we’ve seen digital medium-format photography go from something of a hulking utilitarian beast into something a little more elegant in terms of usability. The Phase One and Hasselblad flagships, although coveted by many, were only attainable by a select few and really only intended for methodical work. The latest additions to the medium format realm have flipped this market on its head and put digital medium format into the hands of the masses. The Hasselblad X1D-50c and the Fujifilm GFX 50S are more in line with the everyday consumer's needs in terms of both price and features. I have had the chance to spend the last six weeks shooting with the Fujifilm while traveling through northeast India and today I’ll share my thoughts on it as a travel camera.

Both Nikon and Sony have APS-C formats for their mirrorless mounts, so why hasn’t Canon followed suit? Many have speculated over whether an RF APS-C camera is in the pipeline, and Canon’s forthcoming lens might be the best evidence to date.

When I was new to studio portrait photography, for some reason, I found the beauty dish to be one of the more intimidating modifiers to master. Perhaps it had to do with the unique shape and setup, but for whatever reason, I avoided trying one out for a long time. In reality, using a beauty dish is not as challenging as it may seem, and in this article, I will detail three basic ways to use one as well as provide sample images.

Good news for Windows users: after an eight-year wait, darktable, the free Lightroom alternative for editing raw photos, is now available.

"Collabs" are the new currency between aspirant photographers and content-pressured models. Both parties are looking for scroll-stopping images to gain attention as they rise up in their respective industries. What happens when the images don't measure up to the expectations? Are models expecting too much from growing photographers who are shooting for free, or are photographers hyping up their skills and not delivering?

Where Leica goes, controversy is sure to follow. Last week, the M-D Typ 262 rangefinder camera was announced, and as usual, photographers were there to complain about it. While the constant eye-rolls in the direction of Leica are usually in regards to sky-high prices or other minor design decisions, this time, there's something truly worth talking about. The M-D is completely lacking an essential element of all digital cameras: the screen. It's bold, it's beautiful, and it was the perfect move for Leica.

Last year I had an exciting opportunity to shoot what I am told is the first combined Jaguar and Land Rover USA ad campaign now that they are both under new combined ownership. The goal of the campaign was to create content that would appeal to the users of both car markers and promote brand loyalty. It was as if we were to say: "If you have a Land Rover, you need a sporty Jaguar for the ultimate garage!" (and vise versa). This campaign came together very quickly and the client had specific production requirements. Learn how I did it below and feel free to ask any question about the process in the comments section.