The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2022, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

It is October already! Can you believe it? That also means the holidays are around the corner, and I'm sure many of you would love to receive some amazing camera gear or even treat yourself to something nice. In this article, I pick five items that would be ideal for any new or experienced portrait photographer.

Aaron Nace and the Phlearn team have designed this Photography & Compositing Essentials Class for the beginner photographer looking to enter the world of compositing and conceptual photography. A successful composite image requires a strong concept, solid lighting and posing fundamentals, and quality Photoshop skills. Based off the workflow of one of the best-known conceptual photographers, this class will teach you the essential skills to create your own composite images.

People will either inspire or drain you and your creativity. Why not be around those who motivate you?

"Getting ready" is one of the most important sessions in a wedding because it kickstarts the celebrating mood of the ceremony. This post takes a dig into a few tips that would help you get better getting ready shots on the spot.

It's Monday morning and that means another completed retouch and time to submit your image for next week. We had more amazing submissions last week and here is the winner! In this post, you will see the SOOC image compared to the retouched image and I will discuss the particular challenges and the direction I decided to go with the photo. You can also watch the entire retouch in the video. And once again, you can post any image of yours that you would like and it may be chosen to be retouched for free and delivered to you in full-res to do with what you'd like.

Watch tiny people hustling around the larger than life landscape of Norway and Iceland in this delightful timelapse by DAMP Design's Martijn Doolaard. The quick speed and tilt-shift focus along with unique sound engineering create an alternative world set in the dramatic landscape of Norwegian fjords and hot springs. Recently chosen as a Vimeo Staff Pick, Doolaard's "The Little Nordics" is a must watch video short.

In news that isn't especially surprising, it seems as though the Sony A mount is finally dead.

When it comes to time-lapse photography, there are a great number of items available for you to do just that. In fact you can head over to B&H Photo to really see just how many options there are. Most are fairly simple to use and come with some sort of remote allowing you to set the path and duration of your pass. Some are intuitive, others aren't as simple between setting keyframes, setting durations, or in some extreme examples, using a different module for each axis and having to program each independently in order to achieve a multi-dimensional movement. How much simpler would it be though if you could draw your intended path for your time-lapse and have it up and running in a matter of a minute or two?

One of the best ways to continually improve your photography business is to keep educating yourself. If you’re looking for opportunities to educate yourself from home, there are plenty of options available online. Learn more about how you can self-educate in photography right from the comfort of your home.

Some photographers have skills that blow us away. Embedding emotions into images sets some photographers apart, so I knew instantly I had to share Tianna Williams’ work with our readers.

We usually see a photograph as a solitary work, a passing moment in time captured to be examined on its own. However, creating a coherent story through a body of work can lift your photography up to a new level.

One of the struggles I have as a photographer is knowing how much to edit an image. This became increasingly difficult once editing became a major part of my artistic workflow when shooting landscape photography, so how do I know when a photo is finished?