Fstoppers Original Articles

Retouching skin is about detail and patience. It can be a real time consuming and can require a high level of precision to keep the natural aspect of an image. Each of us has a different style of editing and our tastes differ. However when giving retouching lessons many photographers ask me about skin texture and how to keep it looking as natural as possible.

This is not a simple answer as it is mostly a combination of elements. In this article I have combined the five things I see most photographers do wrong or too much when looking for a believable skin texture and look.

As professionals, we are expected to deliver a quality product to our clients. No matter what you are photographing or filming, it’s no secret that tight deadlines, difficult clients, and a wide variety of other issues can cause major stress in our lives. It can be taxing both physically and mentally and affect us in our day-to-day lives, relationships, and work. To be successful, these stresses need to be overcome and dealt with properly so that they do not bring us down. Here are a few tips to help to deal with the issues that may affect us.

We're nearing the end of day two down here in the Bahamas and it's safe to say everyone is working their tails off! We had classes that started at 6 a.m. and are still going strong.

The critical value created when shooting a great portrait is tied to building impact that lasts. Psychologically, humans have evolved to take notice of sexually attractive people, focus on them briefly, then completely forget. This phenomena helps maximize genetic quality in a population but can also have an impact on how viewers remember your sexy photos.

We're about ready to head to the welcome party down at the Fstoppers Workshop in the Atlantis, and gaging from the use of the hashtag, our attendees are livin' rough. Here's a recap of some of the classes and behind-the-scenes photos.

Social currency is an exceedingly important metric when it comes to promoting your brand. Your likes, followers, pins, and posts all say a lot about your success, and the more engagement on your social platforms, the more likely you are to pull in clients. But how do you maximize engagement and get the most people to see your content? While there is no perfect answer, there are a few things you can do to optimize your social media strategy.

There is a romanticized dream of what it is like to be a destination wedding photographer. Outside of that idea lies a reality of what it actually entails. It is hard and exhausting work to photograph weddings full-time, let alone fly internationally on a weekly basis to cover them while also hosting workshops across the planet. But what is it that actually drives some of us to quite literally go the extra mile? There is a narrative behind the work you are about to see as well as the individual who has completely redefined the meaning of destination wedding photography.

More often than not, when the photography bug bites, people jump all-in without direction, guidance or a mission in mind. You get the urge to learn everything and shoot everything without knowing where you want to go or, ultimately, what you want to do. This can lead to no bookings, dried up emails and ultimately, frustration. When you get ready to enter the exciting and rewarding field of photography, there are a few questions to ask yourself.

In Part 1 of the "Start to Finish Fashion Editorial Retouching" tutorial, we looked at how to clean up a white background, how to liquefy clothing to achieve a better fit, and how to clone and heal out distracting elements in our editorial image. In Part 2 we will look at how to go about the more common and essential retouching steps including: skin retouching using dodge and burn, color toning, sharpening, and value adjustments. In this video, I take you through each step and give you insight into the "why" as well as the "how" of editorial retouching.

Many new photographers hold a lot of excitement and fear inside of them waiting to be unleashed the moment they receive a call to do their first big photoshoot or ad campaign. For talented automotive photographer John Zhang, this was no different when he received a call from one of Land Rover USA's ad agencies recently. He has been nice enough to share his entire experience from the first client call to executing the shoot itself. There is a lot to learn from Zhang and his photoshoot, read on below!

As a photographer, there’s only so many things you can do on a wedding day to bring a little something extra for your couples. James Day was hired to shoot his sister-in-law’s wedding and in doing so, he decided he was going to push the envelope and deliver something they never imagined possible.

High-speed sync has been around for quite some time now, and has mostly been limited to speedlights. With Profoto’s recent adoption of the technology into its B1 and B2 Series lighting systems, they are signaling a change that has the potential to bring some much needed relief to the strobist community. This signal hopefully means the beginning of the end of flash sync limitations with DSLR cameras.

Working on a film set is a great way to set yourself apart from other still photographers because everyone is shooting video nowadays. Before you try your hand at shooting a short or some video content, it might be a good idea to get some experience on a large-scale production and learn how the process works from professionals. I’ve been working on production sets for years and your first day on the job can be intimidating.

It's an exciting time of the year for wedding photographers and a time of plenty of chaos. Having a great second shooter is paramount among the necessities of any wedding photographer. If you're new to the genre, second shooting can be a fantastic way to get your feet wet and learn the ropes from a seasoned professional. I've put together a list, pulled from my own experiences and with talking to other wedding photographers, of the qualities we like to see in a second shooter. The better you are as a second shooter, the happier the clients and the lead photographer are, and ultimately, that leads to you being hired again and being recommended to others.

Being creative can be cathartic, uplifting, and eye-opening, but it can also be a major pain in the neck. When the creativity isn’t flowing, we can spend countless hours searching for inspiration. What are some of the best ways to break through that wall?

When building a successful photography business, there is no aspect more crucial than a client meeting. This is your chance to represent the very best of your brand, while putting a face to the person behind the camera. For many photographers, the decisive face-to-face meeting can be an intimidating challenge. For others, it is their opportunity to shine and demonstrate how personable they are. Whether your are a wedding photographer or a commercial photographer, there are many techniques that can make your meeting a success.

Photoshop has been around for quite some time now. It works great and every photographer has gotten used to it. It is a staple in my workflow alongside Capture One and Photo Mechanic. Until a few days ago, I did not think I would hesitate changing my retouching routine. After a few years of trials and errors I am finally somewhere I feel comfortable with my post-production. However, after having installed Affinity I must admit that I might "cheat" on Adobe Photoshop.

The short days and long nights of winter have finally given way and spring is in full swing. For many photographers, this means one thing: wedding season. While wedding season is great, it can also be physically and mentally exhausting. I recently shot my first wedding of the season and want to share a few tips as well as things I would do differently next time around to help you plan ahead and prepare for any events you have coming up.

As a viewer, you rarely look at a photo and say “wow, that shutter speed and ISO really moved me,” right? The most memorable and moving photos may not be technically perfect at all. Adrian McDonald is the quintessential photographer, with photos that resonate with the viewers because of the way it makes them feel. That’s how you remember a photo.

Being a working photographer, and even as a weekend warrior, I'm sure we all suffer from low back pain after finishing a long day of shooting. This pain can last for days and sometimes weeks, and as photographers, if we can’t move, then we can’t work. So lucky for us, there is a simple solution.

We photographers are notorious for having terrible websites. Hiring a professional web designer isn’t always in the budget so sometimes you have to figure out how to do it by yourself. Here are a few tips that most people completely overlook when building their own website.

Gabe McClintock is an internationally known award-winning wedding and boudoir photographer based out of Alberta, Canada. His work carries an incredible amount of intimate nuances with a tonality that shifts towards dark and atmospheric. With so much emphasis out there about his wedding work, I took a bit of time to talk with McClintock in regards to his absolutely beautiful boudoir photography in hopes to better understand his approach and workflow.

There’s been a multitude of social media apps popping up for us to use at our leisure and it might be hard to stay up to date. The most recent of them being Periscope. Periscope was recently purchased by Twitter before it was even launched in the app store, and it’s steadily gaining traction. It was developed as a real time news app but the possibilities in the creative realm are endless.

Many photographers use the word “make” to describe their process of photography. “I made these images,” you might hear a professional say describing his work. The layman phrase, “take pictures” or “capture photographs” evokes a feeling that the photographer did not put any work into the image, that they simply pointed the camera and the photo just came to be. Any creative medium takes skill and I’m not here to argue the artistic validity of a photograph over a painting or sculpture. But a somewhat fatal flaw of the digital age is the ease of which photography can be transferred, saved, downloaded, and reproduced in comparison to that of physical artistry.

I was originally going to call this article "five things I learned from coffee with John Schell" but in typical Schell fashion, our meet up involved Pho which doesn't mix too well with coffee. The former Fstoppers writer and current Los Angeles-based photographer has had one of the quickest rises to popularity that I've seen in photography in quite some time. His identifiable style and consistent stream of quality work have made him an extremely identifiable brand that has grown a 20,000 plus Instagram following in a fairly short amount of time. Here are five things I learned about Schell, his work, and his journey to photography.

This month I'll be traveling to 5 European cities with Vincent Laforet to shoot and edit video for him as part of Project AIR, his new night aerial stills project. We have been working hard to offer something pretty unique – a totally free, direct first hand social event open to anyone who is interested in photography, video or the creative process, where we can share skills, technique and project support for your own projects as a result of what we’ve learnt with AIR. If you live in London, Barcelona, Berlin, Paris or Venice, we are throwing the doors open to you all.

As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.

May is upon us, wedding photographers. Its the beginning of the season and we need to prepare ourselves for the long haul. Sure, we could brushing up on lighting techniques, talk about new lenses, buy faster cards, or argue about presets, but what we really need to think about are the intangible must-haves. The greens socks, my friends. That's right, I said socks.

CrossFit is taking the world by storm. With 11,000 affiliates and growing, it has become a great way to get into shape and is an untapped resource for photographers to sharpen their skills. I started shooting CrossFit as a member in 2010 and learned many things along the way. This is what I learned and how you can improve your skill set.

Before I learned about makeup I used to strengthen or create contouring in post the same way on every single picture. However, because everyone’s face is different, contouring should differ from person to person. Contouring not only can help create dimension it can also help alter shapes. Let see how we can make our model’s and client’s face look their best without going crazy with the liquify tool. Shadows and highlights are photographers and makeup artists best friends!

Two summers ago, I attended a music festival in Italy, where I had the opportunity to attend a master class given by Louis Andriessen, a prominent figure in new music composition. Classical musicians are known for striving for perfection, so when I opened one of his scores and found the following note regarding the ossias (alternate passages of music), I was struck:

Who are you? Ok, now who are you? You know that name you've decided to call yourself and now have x amount of people calling you that? How often have you stopped to think about how important your social media name — your brand — is? It's something that, many times, I myself have come to revamp, change the style of, market differently, and so on.

The creation of a successful fashion image is often a team effort. Aside from the model and the photographer, the contributions of a talented creative team can elevate your fashion photography from good to great. In this article, we will review the key members of a creative team, and how you can cultivate a reliable crew.

Street photography continues to be a growing area in the industry. More and more people enjoy it and are learning how hard it is to get it right. Here are some tips from distinguished professionals Eric Kim, Yanidel, and Martin Parr on how to improve your own street photography.

As nature photography has grown, so has its critics. Wardens, legislators, and police officers have begun to push for laws that would better protect animals in nature and create more concrete boundaries by which a potential shooter would follow. Are we, as photographers, the new law-breaching intruders, à la poachers? Are we destroying nature?

As professional photographers and videographers, we are constantly striving to stay ahead of the game doing the best we can and give our clients the best possible product. We are constantly looking at new gear and techniques, improving our post-production skills, and putting in long hours studying and editing. While hard work, solid equipment, and good business skills are a must, here are a few simple tips that can help open doors, bring in new clients, and help give you the confidence to make important decisions.

If you aren’t familiar with the work of Dave Lehl, it’s about time that you change that. Dave is not only one of the top photographers in the snowboard industry, but he consistently creates work that transcends genres and has landed him gigs shooting for a list of clients that includes the likes of Red Bull, Nike, and Lamborghini. He has been published in nearly every major snowboard magazine including the covers of Pleasure Mag and Transworld Japan’s photo annuals.

Color lookup tables (also known as LUTs or 3DLUTs) have been a popular tool used by colorists in the video industry for a while and are just starting to find their way into photography. LUTs are a great alternative to actions or expensive plugins that can help speed up your editing workflow.

Learning how to light your subjects with one light is easy. Learning how to light a subject in a variety of ways using one light and one modifier requires a bit of creativity. When you're using one light, each inch you move your modifier ultimately affects your scene. Lighting at that point becomes very purposeful.

The natural beauty contained within Enrique Pacheco’s latest time-lapse video “Reflections from Uyuni” is striking and remarkable. During South America’s rainy season, Pacheco journeyed through the Salar de Uyuni, the largest salt flat in the world, down to the Bolivian desert capturing surreal landscapes of these flooded lands. Fstoppers is happy to share the Spanish cinematographer’s insight as to what the experience was like shooting in such surreal locations.

Shooting in harsh sunlight is always a challenge. Recently I shot a test while out on a trip in Los Angeles. Due to scheduling we had to start shooting around 4 p.m., so we were dealing with hard sunlight. In this post we will look at five different setups you can use to shoot in and manipulate these less than ideal lighting conditions. In a previous post, I showed how to quickly scrim hard lighting. In this quick tutorial we will look five different ways to light while in the same environment and conditions in order to alter the look of our image.

With budget options for aerial video becoming more affordable, while the quality and abilities of the cameras they host getting better, I knew it was only a matter or time until I got my hands on such a system. Even though I was a little skeptical from the onset, I’m pleased to say that the DJI Inspire is a phenomenal drone/quadcopter unit for adding dramatic footage to video or still projects, even for first time users.

When you are shooting for magazine publication (outside of the medium format realm), one thing you always have to consider is the aspect ratio of your images. Paper sizes, in most cases, do not match up to image size, so there are crop variables you have to constantly keep in mind -- especially for editorials where there will be titles, typography or article copy on the page as well.

"A Book of Beards" is exactly what it sounds like. Dudes and huge gnarly beards documented in black and white by photographer and art director Justin James Muir. What started out as a simple idea, evolved into something much much bigger.

If you’re like most photographers, sharpness is probably near the top of your list of desirable attributes in a lens. A lens that is sharp from corner to corner is often worth its weight in gold (or so the manufacturers tell us). How do we measure sharpness, though?

You have probably heard it a few times: photographers raving about how Capture One is awesome for developing portraits from raw files. However, just like when I first installed it, you might not see any advantage over the current raw processor you are using. Then I found a few functionalities that made my workflow that much quicker and my images look a tad better before even retouching them in Photoshop.

I rarely write in first person but because this is a topic I feel very strongly about, I want to tell you about my personal experience. When I was reminiscing with my wife about the one thing that changed my photography, it was the day I saw the light. Literally. The only way I was able to conceptually grasp light and the way it works was because I started retouching. There is no way to deny it, as I mastered retouching my photography was taken to the next level.

Post-Production and Retouching is just as much an integral part of creating a great image or series of images as pre-production and the actual shoot, especially when you are shooting for a client and not just for yourself. Each genre of imagery, advertising, beauty, fashion, etc. has a slightly different set of rules and parameters when it comes to retouching. In this tutorial we will look at the complete start to finish of a fashion editorial image. Last week I posted the complete gear list for this exact shoot. This week we will look at the first part of retouching, including cleaning up our white seamless and correcting distractions in our image.

Dana Pennington is a Los Angeles-based Fashion photographer. He recently moved to become a permanent resident in Los Angeles, from his home town Denver, Colorado. I had the chance to sit down with Pennington during my first trip to L.A., over the past weekend, and talk to him about his journey into the fashion photography industry.

Fstoppers.com owner Lee Morris recently decided to shave his 5 month beard while having a little fun. Lee created 8 different "characters" with different lengths of facial hair and then released his unretouched images to the Fstoppers.com. These photographers took these files and pushed them to the max, creating 8 hilarious final images.