Fstoppers Original Articles

Color balance underwater is not always an easy task. In a fresh water spring, you have the ability to capture the red spectrum a bit more than in a pool, but still not nearly as much as on land. The approach to color correcting your underwater images is not as daunting as it may seem the moment you open them up on your computer and see just blue hues. A few tips will bring back what you envisioned the moment you submerged your camera.

The box-set revolution of the last fifteen years has pressed huge demands of screenwriters to flesh out narratives into 10-20 hours of television. Over the last few years, there has been a go-to technique that has helped writers add meat to the bones of complex narratives, whilst filling up the content needed to air modern TV shows. We’re talking about the flashback.

Adobe and Panasonic are quickly gaining a reputation as the Simon and Garfunkel of the video industry. They need each other, but they just don’t get on. The latest release of Premiere Pro 2017.1.2 was announced with much fanfare of file handling for the problematic Panasonic GH5 10-bit 4:2:2 video files. Good news right? Think again.

A little earlier this month we published a review of ACDSee Pro for iOS. Some people seem not to understand fully the purpose of being able to edit pictures on a smartphone, so to make it clearer, I decided to follow up with a tutorial. The goal is to show you the possibilities offered by ACDSee Pro but also give you some ideas on how to use such an app while on the go.

Are photographers artists? This question causes endless debate and, up until now, my answer has always been yes. I've begun re-thinking that answer though, and now my answer is a bit different and, unfortunately, more vague, but I think it may be closer to the truth than my self-aggrandizing, knee-jerk reaction. Now, I believe that photographers are craftsman and, sometimes, artists.

After losing almost my entire photo kit due to blatant stupidity on my part (yay insurance), I was put in the unenviable position of rebuilding a camera system from scratch. Being a portrait photographer, I immediately gravitated towards full-frame bodies. I was close to pulling the trigger on one when it hit me: Why not try a crop sensor? I'm glad I did.

A casual conversation leads to an interesting question. There I was again. Spouting endless drivel at the beginning of a date. Trying desperately to impress her with my chatter. Listening to her and responding with what I hoped were deep and probing questions that both relayed my interest in her personally and required a significantly lengthy response which would provide me the necessary time to catch my breath and subdue my nerve-induced racing heartbeat.

I recently teamed up with the crew at Fstoppers to create a video tutorial that focuses on the foundations of creating a standalone product hero shot for advertising. What’s a standalone product hero shot you ask? It’s a standalone image of a product that’s generally well lit, super crisp, super clean, and essentially aids in selling a company's product.

There's something I've always loved about the photography community and in the age of the internet, it's nearly a unique quality: we give constructive feedback and rarely tear in to a photographer unprovoked. It is a welcoming environment that cultivates growth, for the most part. One particular area in which all previously mentioned qualities are magnified many times over, is young photographers. Their successes are fawned over and their mistakes excused, as they should be. Unless, of course, you're called Brooklyn Beckham.

Having a creative mind is a wonderful gift. Whatever your discipline, you love the thrill of making new things out of nothing. Sometimes when the creativity slows it can land you in a rut. When this happens to me, I like to grab the camera, and head out in the backyard for some dewy grass exploration.

Regardless of whether your idea of a "small-town" is one with 100 people or 20,000, the potential hurdles small-town photographers must get over can stack up quickly if you only focus on the negatives. Perhaps your goal in photography is to simply maintain a hobby. Maybe you aspire to maintain a high-profile business instead. Either way, I’m here to tell you that it’s possible to achieve your goals regardless of where you currently reside.

A couple weeks ago I was contacted by a friend in Puerto Rico with an incredible story. She was walking through a gas station and noticed my face on a box. Without knowing, I had become the face of a brand.

We all have an idea of how a non-linear editor works. You drag the files into the timeline, and move them around to create the interesting video you are intending to produce. But, if you're like me, setting up the project and to make sure no files go missing or aren't imported correctly can be a problem, especially if no one ever showed you how to do this. So I've put together a short way I do it, and then I've included a video to show how you can do it for a short film and how to sync audio. It's a video production starting kit.

Looking at this list, I am paradoxically full of joy having made these gear additions, yet I also recall the pains of creating without them. Many of these upgrades are niceties, others you could argue are absolute necessities depending on what you are doing, especially if you are running a business around using a camera. I always try to gauge the opportunity cost of making an investment and try to maximize value, so there is something on this list that is relevant for every reader.

This is a how I did it story. Along with some “why.” Unlike most all folks my age, I am very fond of the WW2 history and even more so WW2 aircraft. My favorite plane of all time is the B-25 mid-range bomber. This concept has been in my mind for years, and I waited to actually implement it until I felt I was able to do it right. Had I done it early in my career, I feel the quality wouldn't have been up to the standard I would have liked.

Outsourcing is quickly becoming a standard practice. More and more photographers are using outsourcing services full time, while others are using them during the busy part of their season. While outsourcing has become more common in the industry, there are still some questions as to it’s worth. Photographers not familiar with the service see ups and downs to incorporating this type of service, and sometimes it can be hard to see which side wins. After my last article reviewing ProImageEditors, people wanted to know if it was worth it.

In an era when working on 30 megapixel and higher images has become the norm, a Photoshop document with dozens of layers can quickly become a burden to work with often slowing to a painful delay after each stroke of a brush. The simplest solution is to constantly be crushing those layers down into a single flat layer but this method is the antithesis of non-destructive editing which can make future client feedback rather difficult to implement. Instead, lets focus on few easy tricks you can do to keep your computer running smoothly during the most complex of composites.

A little handshake can go a long way.

The traditional workflow to edit a portrait from start to finish usually requires a few different apps. But why complicate things and not just try and rely on one single software to get to the final result? Last month I reviewed ACDSee Ultimate 10 and thought it’d be a good idea to follow up with a tutorial showing how far you can go by using exclusively this photo editing solution to retouch a portrait. Discover all my steps and see how this alternative could perhaps suits your workflow better than your current one.

One week of photography in the wild backcountry of the Scottish highlands. In this "episode," I’d like to share with you the story about a recent trek into Glen Feshie in the Scottish Cairngorms National Park. It’s the behind-the-scenes tale of my successful image titled “Catch the Spirit.”

This method is widely used in editorial magazines. It's a fun way to look at different perspectives of your work combined. Sometimes it’s just not possible to capture everything you want in a single shot. The solution is simple – shoot two photos and display them side-by-side. I find that displaying two images side-by-side is a great way to tell a story photographically, and to create ideas that are not necessarily evident when one or the other image is displayed by itself. If you're interested in trying this technique with your own images, here are some of the tricks I’ve picked up along the way. Make small prints and lay them out on a large table to play the mix and match approach.

Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?

Shooting product photography can either be a tedious task or it can be a fun and rewarding one. Likewise, looking at product photographs can either be boring or it can enlightening. Using gels to modify the light in your product photographs can be an easy way to add some energy to your images.

It was less than a year ago I sat here and told you guys about the brilliant Google Pixel and how it was truly an iPhone killer for those wanting to give Android a go. The way manufacturers are building incredible hardware around Google's Android system is far better than it was years ago, and today OnePlus is doing just that with their brand new OnePlus 5.

If you struggle with self-confidence before or during a shoot, you know it can have a very real effect on how you perform and the images you take. Try these positive affirmations specifically for photographers and videographers to help you get control of your thoughts.

With every job or concept we go to shoot, our gear that we take with us is constantly changing. We take our full lighting setup for a day in the studio then we turnaround and pack a separate bag to go shoot in the mountains for that perfect sunset. The gear we take with us is on a constantly turning roundabout between our bags and kits. Through all the madness there does seem to be a few items that are consistently put into every setup. It’s those pieces of gear that work in all scenarios that are invaluable to us and how we work. These are the five items that I won’t leave the house without regardless of what’s on the agenda.

One of the main reasons why I love photographing dogs outdoors is the challenge of creating beautiful backdrops from the natural surroundings. One of my favorite ways to photograph dogs on location is to use a wide-angle lens to allow the sky to be the dominant background feature. When photographing dogs during the golden hour, incorporating a single speedlight or strobe in your outdoor dog portraits will allow you to effectively use the sun as a backlight and create eye-catching compositions at sunset.

Back in the good old days of film photography, contact sheets or proof sheets were one of the best ways to view results from black and white or color negative film shoots. Printed on photographic paper, these sheets were exposed in a darkroom by laying a roll of negative film typically cut up and placed in transparent sleeves. They are a great way to see an entire roll of film in one glance. Web galleries and slide shows have all but replaced them in this digital age, but for those few who are still shooting the odd roll of film and don't have access to a darkroom, here's a film and digital solution for making contact sheets at home using a light table and a digital camera.

I feel like I write a similar article every few months, but this whole theory I have about going and shooting is something that just continues to benefit me day after day. Of course it can be challenging to always go out and shoot or to always even just want to shoot. I know some of us are young, some of us have other jobs, some of us have families or some of us do photography as a hobby...

I worry about becoming stagnant. I'm quite sure lots of us share that worry and conversely, most of us will know people who don't have that worry at all. I envy them in many ways; they want an easy life and concentrate on enjoying things. As far as I can tell, that sentiment isn't compatible with self-employment, or if it is, it's so far away on the horizon I can't make it out yet. In my efforts to always grow and always be moving forwards, I invented a minor way to achieve this and I'd like to see if it works for other people.

With no audio to worry about, and just around four minutes to fill, music video production is one of the most accessible ways for cinematographers and videographers to broaden their creative horizons and be paid. To secure music video work, your prospective client will expect a summary of your idea first, which is known as a “treatment.” This is a guide to what you should include, and how to make your treatments stand out for the crowd.

For the last month, Fstoppers has been running a contest with our fellow friends SLR Lounge and Fundy. Last night during Fundy's world premiere of their documentary "The Power of the Print," we picked a random winner for the contest. This lucky winner will be receiving a brand new Sony a9 Mirrorless camera body. You can view the full documentary and the winner being announced here on Fundy's Facebook page, or keep reading for the winner below.

We have all been there: you see an image online that gives you the best perspective of a location but you have no idea exactly where it is located. Sometimes the photographer lists the location on social media, but more often they leave you wondering where exactly they were standing. Last week I set out to film a time-lapse of one of the most photographed skylines in the world. However, finding the exact location I wanted required me to use multiple resources. Welcome to project "New York Harbor."

It's been a month or so since I started printing in the darkroom, and what a ride it has been! After going through tons of paper and chemicals, making a mountain of bad prints, and generally messing up in every way possible, I've managed to be able to make some decent prints. Here are a few of most important lessons I've learned so far in my darkroom adventure.

You can find them on just about any street in every city come trash day. Each one a unique piece of home decor. Once the centerpiece chosen to define our communal spaces, now an abandoned remnant of our disposable lives left curbside. I call it a couch, you may call it a davenport, chesterfield, or lounge. Andrew Ward calls it a sofa and he has been photographing everyone he comes across around Los Angeles for the last five years. What started out as an odd fascination quickly grew into the personal project Ward calls “Sofas of L.A.”

Climbing is a sport that has existed for centuries, however, over the past few years it has started to skyrocket in popularity, rapidly becoming a mainstream activity. So much so that even the folks at the Olympics have noticed and added it to the docket as a new medal event in 2020. With an increase in professional climbers competing at the highest level also comes a need for photographers who are able to capture this impressive sport. Christopher Beauchamp is one of the sport’s leading shooters and was kind enough to chat with Fstoppers about his career.

It’s always important to stop and smell the photos – but what happens when your stop is at night, in complete darkness without any lights to help you out? You improvise. There are a few things you can do to help you compensate for lack of proper lighting equipment.

Sometimes the who, what, and how is surpassed by the when. Timing can be everything. It’s a fact of life, even if a rather cruel one.

Some photographers are lucky enough to work large shoots that have directors or production managers who manage the logistics of the shoot, leaving the photographer free to focus on creating images but, often, photographers are running large scale shoots without the benefit of a production manager. Instead of just shooting and directing models and grips, the photographer becomes responsible for the whole team, which can include models, grips, assistants, stylists, makeup artists, hair stylists, set dressers, etc. Under these circumstances, with everyone’s safety riding on your shoulders, there are dangers you need to be prepared for.

Are you doing enough to ensure that your story is shared beyond your years? Take a few extra steps to ensure that your family photos will be enjoyed by generations to come.

Now I know there have been countless articles posted about why retouching is important, or why it’s downright frowned upon. But imagine, as a photographer, being able to free up so much more time by outsourcing the editing to a trusted retoucher.

Last year, right around this time, Patrick and I booked a flight to Mexico to film Mike Kelley photographing the most expensive house ever sold in Playa Del Carmen. It certainly had the potential to be an incredible trip. The day before we were set to leave I decided to go out kiteboarding and I ended up breaking my tibia internally at my knee. For some reason I still went to Playa Del Carmen the next day.

UPDATE: 3 Days left to enter! Yes, are giving away another camera to a lucky reader! Fstoppers has teamed up with our good friends at SLR Lounge and the album design firm Fundy for one of the most exciting contests of the year! On June 15th, one of our lucky readers will win a brand new Sony a9 mirrorless camera... and no, we aren't entering our own contest either! There are 7 easy ways to enter and if you do all 7, you can gain up to 23 individual entries to increase your chance of winning. We have the juicy details in the full post below and make sure to BOOKMARK THE LIVE EVENT HERE.

A video camera is a machine that has recording capabilities that captures images through an attached lens. Whether it's your phone, DSLR, film, or a digital cinema camera, that's the basic principle. But wait. You watch a behind-the-scenes footage of a movie and you see a gigantic monstrous camera that has lots of cables and gadgets. If it's the camera body and the lens that do the essential work, why complicate things that much?

It’s not a secret how much I feel the Mac OS is powerful, and most often underused. Apple makes great products, but in my opinion they don't do a great job informing everyone of the really nice and polished little features, so unless you know, you may think it's just another basic OS. Today I want to talk about another of my favorite and useful tips for photographers, and that’s “tags” within Finder.

There’s no question that the New York Times photo of James Comey during his Senate Intelligence Committee hearing, where he detailed his uncomfortable and suspect dealings with President Donald Trump, is going to be one of the iconic ones of our time. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo: white men.

Back in the day (not all that long ago, in fact), the only memory cards you would find in a “pro”-level camera were Compact Flash. That all changed as SD cards started to get faster and faster. Speeds up to 95 MB/s were great for emptying out the buffer on machine-gun mode and writing 1080p footage, which meant that space in the bodies could be used for other things. These cards were great. You could dump 64 GB of images while you watched the evening news. Then came along UHS-II cards, and if you’re not using them yet, you should definitely add them to you list next time you're upgrading cards.

Photographers tend to bemoan that everyone's seeming belief that they are a photo critic. Event though the vast majority of people aren't really experienced enough or aware enough of what makes a good photo to be taken seriously. This position is often weakened by the fact that even top photographers generally can't agree on what makes a great photo. I'd propose the argument that the average viewer actually is quite aware of what makes a great photo while the nit picks of us pros more often than not have little to do with photographic greatness and more to do with photographic elitism.

As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.