Fstoppers Original Articles

If there's one thing I've learned from scoring films, it's that the importance of the interplay between music and moving pictures cannot be overstated. Here's how to choose the right music for your video.

Photographers typically spend a lot of time thinking about color, everything from editing in Photoshop, calibrating a screen, or lighting with gels and filters, to deciding on wardrobe, set design, and locations. There is no escaping the importance of color in this profession, and yet the way we see and describe color is not so simple. Color vision games can be a great way to test your perception of the world around you and compare that to fellow photographers.

This week, I acquired a shiny new Olympus OM-D E-M1 Mark II, which surpasses all cameras in its class when it comes to speed. This is thanks to the advanced silent electronic shutter mode. And this got me thinking, will there come a day when the electronic shutter will ever fully replace the mechanical shutter? And do we want it to?

I recently posted an article about getting the most from the Fujifilm X system cameras. One of the points of discussion and contention that came up in the comments was that of autofocus. Other issues, such as flash system and software support were also raised. The flash system is a matter of needs. All manual systems are supported and HSS/TTL is also becoming more fully developed. As for software, although Adobe's support is still in a developing state, speed has increased somewhat, as has detail rendering. Software is mostly now a matter of taste. So, I have decided to address the...

When starting out in photography, the number one obstacle I encountered was finding opportunities to learn from mentors. Research is pretty clear that the fastest way to shortcut the 10,000-hour rule, that is, the rule made famous in Malcolm Gladwell's "Outliers," which says it takes approximately 10,000 hours to become a master of your craft, is to use a mentor in your field, shortcutting by learning from their mistakes. My problem, which is likely yours as well, is that educators didn't come to my town. El Paso, Texas, with its 700,000 population, didn't seem very attractive to the teacher circuit. So, how do you change that?

I think it’s safe to say that we are all photographers because we love photography. I know I do, and I am so thankful that I am able to wake up every day and make money doing something that I love. However, like any other job, you’re going to run into an occasional gig that might not be right up your alley. That is a daily struggle for me and that is why I make a point to separate my business photography from my passion projects. The tricky part is where to draw the line.

Lincoln, NE: A local photographer is causing a ruckus in his city's Facebook photographers group after he claimed he could shoot a better version of an image another photographer posted.

Potential leads may not book you for many reasons. Maybe you are out of budget completely for them, maybe your style is not on par with what they wanted, or perhaps it was just not the right time for them. Knowing how to work with your leads can help create a solid stream of clients to book you solid throughout the year.

One of the most obvious telltale signs of an unprofessional commercial or product image is color. The most famous and readily cited issue is color grading, but it's not the only problem and the uniformity of color is often neglected. That is, the even color of the object or two objects' colors truly matching. As always, I will couch my method in the sentiment that it may not be the optimal technique, but it works very well for me.

Digital photography, especially concerning smartphones, is taking the world by storm these days. It's become the norm to see people whip out their phones when something dreadful happens in public, or when they want to photograph that special moment with their friends while cruising down the freeway at some awful speed. When that wasn't extreme enough, there's the very recent case of the model hanging off the edge of Dubai's 307-meter Cayan Tower.

Apple’s MacBook Air isn’t long for this world. When Apple announced its new lineup of MacBook Pros in October, absent from the update party was the MacBook Air. In fact, Apple quietly removed the 11-inch model from the website around the same time, leaving only the 13 inch to soldier on for the time being. It's not a good sign for photographers invested in the Apple ecosystem (that’s a lot of us) looking for a road-warrior laptop.

In the world of film and commercial video work, there are so many working components that need to come together in order to have a successful production. So when it comes to bringing all those components together, you want it to be as smooth and simple as possible to minimize stress and streamline efficiency so that production does not fall behind schedule. One of those components that is insanely critical for a finished product is the coloring — not an area you want to skip on.

We’re all likely guilty of spending way too much time utilizing social media sites like Facebook and Instagram to promote our photography businesses. Considering the amount of time and the value of said time, is social media actually paying off for you?

Your photography website is your storefront. It’s the way your prospective clients meet you, and it’s your chance to make a lasting and convincing first impression. A website is the first step in meeting good clients, getting hired, and getting paid. I’m a wedding photographer, but the list below applies to everyone. Whether you shoot landscapes, weddings, or commercial work, your website is the key to booking business. Here are the top eight reasons why your website sucks.

I’ve seen more than my fair share of articles regarding the joys and pitfalls of being paid on time. A very vital part of making a living in any profession is, after all, actually getting paid. But rather than rehash the terrific advice I’ve seen from other shooters about the best way to invoice, I thought I would offer you another perspective. That of the accounting department.

If you're a photographer or videographer, keeping abreast of creative trends is pivotal to best positioning yourself to continually evolve and turn profits. Fstoppers spoke with Shutterstock Creative Director Terrence Morash about how creative trends are analyzed and predicted and how photographers and videographers can use that information to their advantage.

For me, capturing a sunrise often coincides with a vacation. During the month of February 2015 temperatures were insanely cold. Memories of a fun-filled fall were long forgotten and cabin fever was starting to spread through the household. Worry not though, Groupon came to the rescue with a reasonable two-day pass for an indoor water park about ten minutes away in Niagara Falls, Ontario, Canada. The wife bought the deal, and I took Thursday and Friday off work. To Canada we go!

The quest for gear can be fraught with disappointment, not to mention expense, but occasionally one piece of equipment exceeds your expectation. A best buy doesn’t need to be the highest quality or most expensive lens or light to find its way into your own hall of fame. For me it represents unexpected value versus the investment. Mine is the Profoto Acute 600e kit. What was yours?

There’s no phrase I dislike more in the photo world than "I’m a natural light photographer." Believe me, I love natural light more than anything. It’s simple and easy to work with, and you don’t need to worry about bringing a ton of gear with you. But very rarely will just unmodified natural light work. It’s the unfortunate truth of photography (unless you’re a landscape photographer, you lucky bastards). Most photographers will use a flash to do what natural light can’t. Sadly, many don’t use it to great effect. If you want your portraits, or any image with mixed lighting to look better, there are a few key things to keep in mind when you’re on location.

It so happens that ultraviolet light bulbs (or black lights) weren't discontinued in the 90s. In fact there are plenty of photographers out there who are shooting some incredible stuff under black lights. But shooting video in this guise brings its own set of unique challenges. Here are some tips to create video in this hedonistic and fluorescent style.

Smoke grenades: foul smelling, clothes staining, and a primary tool for celebrating the birth of our nation. Recently, while in Austin Texas, I was introduced to a model, Valerie who suggested we use smoke bombs during the shoot. I was immediately intrigued at the creative possibilities...

In case you have not been poking around the Fstoppers website enough, you may not realize there are groups specifically geared to each photography genre. These groups are designed to be your community outlet to show off your work, and here is your chance to get recognized.

If you haven't seen this guys work before and you're a fan of ridiculously convincing composites then you're in for a real treat!

When looking at retouchers’ portfolios, you can separate the great ones from the rest by looking at their color correction. For example, when skin tones are not uniform, it makes the makeup artist look terrible just as much as the retoucher. There are multiple ways to correct color issues, but let’s see one that’s incredibly fast and easy to use for small localized issues, no matter what your photographic genre of choice is.

It's been 9 years since Australian photographer Alexander Khimushin left home to travel the world, and he's since been to over 80 countries. While many travelers prefer short-term sightseeing tours, Khimushin is a firm believer that off the beaten path is the only way of traveling. Meeting indigenous people all over the world was the most inspiring part of his journey. This realization led to a personal project called, "The World in Faces," which he started around three years ago.

B&H recently ran a deal on a product I had my eyes on a couple years back: the Steadicam Solo Stabilizer and Monopod for getting smooth shots. It was originally $500, but you can pick it up now for as low as $150. Where did it all go wrong?

Pricing has always been a subject of interest for photographers. Whether you practice high-end commercial photography or you take beautiful family portraits, understanding and determining a just pricing strategy for you and the client is very important.

A few weeks back, my business partner and I realized how sound can help pull a viewer further into a video. When we first began filming and making videos together, we never really understood the importance of audio and would just play videos to specific music. So one day, we set out to do a little test by filming parts of Asbury Park in New Jersey and then by throwing together a short edit with all sorts of sounds to create more of a moody video. While testing the audio, we were also testing some of the low-light capabilities of the DJI Inspire 2, X5S, 45mm Olympus lens and the Sony a7S II, which is known to be one of the best low-light cameras. By combining aerial clips, ground clips, and actual sounds of the locations, I think this video is much better than it would have been just to the sound of the music.

Creating and maintaining backups of our data is essential in the business of photography. There are countless articles out there about the importance of backup, and anyone who has lost precious data will feel that need acutely. Data loss is not a question of if but a question of when. We need to take the necessary steps to prepare for that loss. How we do it, and the tools we can use are about as varied as the types of photography we all do. Today, I'll run you through my workflow.

Generally speaking, losing detail in your image is a bad thing. However, there is a creative way to do so that is most commonly employed in cinematography, known as "crushing the blacks." I alluded to this technique in my recent article on creating your first Photoshop actions and I received a number of queries about this technique. This article will give you a brief overview of what the effect is used for, why you would use it, and how.

How far would you go to get the shot? If you're Andrius Burba, the answer is "however far it takes." Meet the photographer with the vision, ingenuity, and talent that came together to create this remarkable project, titled "Under-Horse."

We all know that being a photographer can get expensive, from camera bodies to lenses, there is a never ending list of gadgets and goodies that we can spend our hard earned money on. The last thing anybody wants to do is spend their money on the “must haves” of photography when we could just as easily drop some cash on the things we want. Below is a short list of gear that every photographer should have in their arsenal, but probably doesn't want to spend his or her money on.

How much camera do you need? No, for once I'm not talking about how many cameras. Though my inadvertent collection is growing and for every vintage camera that I sell or give away, it seems two new ones await. Gear Acquisition Syndrome (known also by the unfortunate acronym of GAS) is real and many are afflicted. Don't make fun of us. We're fellow humans. We suffer. Ok. Maybe not that much. I'm wondering instead about how much camera you need. How big, how rugged, how professional-looking does it have to be?

So many are awaiting an announcement from Nikon related to their next best thing, but let’s face it, the Nikon D810 is a pretty incredible camera that more than meets the needs of many professional photographers all over the world. That being said, why should I even consider upgrading to whatever Nikon decides to replace the D810 with?

Masses gathered around the country to march in support together for women's rights. While each had their own unique story, most of what was heard was from adults in response to the new administration. One photographer wanted to go back to the youth of our nation to see how young girls and boys felt about these current issues to get to the root of the innocent take on the rights at hand.

Imagine living in the 1900s as a professional photographer. People were overdressed, kids were running around the streets, not with knives or guns, but with sticks, chasing something crudely resembling a wheel. Yet, photographers everywhere were getting upset. Not only because of some "weekend warrior" undercutting them, but due to the fact that Kodak unveiled something that would forever shift the photographic market for decades to come...

In the lead image above can anyone mention who was inspired by Gaudi's rooftop sculptures in Hollywood? For first time travelers to Barcelona these are my five favorites photo spots. I am expecting many readers to add their best spots that are not on this list. Please make sure to Google pin your exact locations in your comments. Much like my recent post on Tokyo I would love to see lots of sharing especially less popular locations.

Every photographer is always on a quest for sharper photos, but many only have a vague idea of how to actually create sharper images. The obvious is fairly well known such as high shutter speeds, closed down aperture, keeping ISO low, etc. There are also quite a few other minor techniques that can make a huge difference and are often ignored.

Focus and recompose is an extremely common method for getting around AF sensors with limited AF point spread, but it's an imperfect technique that could be causing you more issues than it's worth.

At this point in our lives, the majority of us have come to understand our capabilities and our limitations. If we were never good at sports, we have come to accept this as truth. If we are great at math, we have likely received this "gift" and possibly moved into a career field where we can maximize the ease of which numbers have come to us. As photographers, you have the "eye" for it, or you don't. Are these established beliefs, based likely on past evidence in reality, or are they limitations we have placed upon ourselves?

Allow me to be the first to ask the question. Are we really worth it? Now, don’t get me wrong. I come from an economics background. I understand price equilibrium. Pour me a large blonde roast with cream, and whisper me sweet nothings about Adam Smith all day. Leave all that behind for a second. I’m talking on a more philosophical level. Are we really worth the money we charge?

Wouldn’t it be great to be able to walk into almost any photographic situation armed with a whole vocabulary of lighting techniques and be able to quickly select exactly the type of lighting you want for the main light of your photo? By understanding six key qualities of light you can create your own vocabulary of lighting to draw upon and apply for your desired effect in fashion photos, formal, and lifestyle portraits and beyond. Angle, Size, Distance, Shape, Duration, and Color are each qualities of light that photographers can combine and manipulate these qualities in setting the look of their photograph for impact beyond just illumination.

We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman).

One of my goals as I started taking photography more and more seriously was to shoot a sunrise. Although it seems easy enough to just "get up early and bring a camera," I've found more often than not if you aren't prepped, you'll sleep in. Join me in a walk through three of my successful sunrise shots!

Like many photographers during the digital revolution, the idea of being able to capture high-quality video with my stills camera has always been enticing. Filmmaking is a different way to tell a story entirely, because of the addition of context. While a still photograph can certainly be moving, influential, and captivating, a motion picture allows for the beginning, middle, and end of a story to be shown in a constant visual style.

What a tangled, twisted road this has been. When I finally built up the courage to try out large-format photography a little more than half a year ago, I knew that I was in for a bit of a rough ride. But with a healthy serving of ruined film, swear words, and YouTube lessons under my belt, I've come out semi-clean on the other side. Here are the most useful lessons I've learned thus far. Hopefully I can stave off some frustration for those of you who feel like taking the plunge.

All films start with a small seed. An idea. It’s something we as filmmakers all have in common — we want to turn a thought into something tangible, a place where we can meet someone and share a thought. These ideas change with the season, but there’s always something there. It’s what makes us filmmakers.

The most important tool in any photographer’s arsenal is their ability to use and manipulate light. However all too often many photographers either shy away from, or completely rule out using hard light and it may be hindering not only their flexibility but also their creativity. What if you could shoot in direct sunlight and love it?

Who doesn’t wish they could eliminate that annoying bystander threatening the vibe of your shoot with a simple click of a button? Well, you may not be able to do it in real-time, but it is possible to eliminate that pesky drunk with a single click in Lightroom.