Flour bombs to the head, water balloons bouncing off my face, ribbon dancing, beer pours, back flops, a ginger eating cinnamon, and silly string to the face. These are a few of of the things we tried today in slow mo on the iPhone 6 and iPhone 6 Plus from Apple. Check out the results here.
Fstoppers Original Articles
I became a photographer because I love taking photos, and I’m fortunate enough to be one of those lucky few who gets paid to do what they love. That being said, when I got my start in this industry, I don’t think I could have anticipated just how much work was involved in running my own photography business. From taking and editing photos, to filing invoices, to professional networking, there’s no shortage to the number of items that fill my to do list each day.
Great photographers need to be excellent problems solvers that can rig up anything. Getting lights into tight spots or building new sets in tight quarters are just a few examples of what a photographer is faced with on a daily basis. When you are running a team of people, working with clients on set, or doing a test shoot by yourself, you will always have a new idea or inspiration that challenges you to light something differently. The Master Clamp is the tool to help you rig it up and not look like a fool in the process.
For the longest time I viewed tethered capture as a nice-to-have reserved for high budget shoots and simply shyed away from it. I tried it a few times and after constantly being plagued with technical problems, I decided I'm better off sticking to my camera's LCD screen and didn't give it a second thought. Through my ignorance, little did I know how much I was actually losing out on and how much time I wasted in the process.
The largest ring light I've ever seen consists of 27 bulbs and is four feet in diameter. Six months ago, I built it. With so many questions left unanswered, I put together a short film that explains how I built it, why it was built, and why it's the most amazing light I've ever used to date.
When it comes to raw converters and photo library managers, our choice of products has recently become more limited with the demise of Apple’s Aperture. My impression in the past was that one’s choice is largely based on features and ease of use with little difference in image quality between them. That opinion was quickly changed when I started digging into Phase One’s Capture One Pro 7.
Over my years as a fashion photographer and retoucher I’ve made contact and had conversations with countless other photographers. I’ve watched some of them flourish and some of them flounder. Those that rise above the competition and make their mark in the industry seem to embody a certain set of traits or characteristics that help in their success.
This week we are filming 5 days of fashion, beauty, test, and portrait looks with Michael Woloszynowicz from Vibrant Shot Photography. Michael is a Toronto based photographer and high end retoucher creating an in-depth Pro Tutorial with PRO EDU that will be available on sale in the Fstoppers store this summer.
All this week at the PRO EDU studio in St. Louis, Michael Woloszynowicz has been hard at work showing off his techniques for an upcoming tutorial series on creating fashion and editorial photography. Today at 11am CST, myself along with the rest of the video crew will be streaming his model test look demonstrations live from the studio.
A month ago I flew to North Carolina and was the Director of a 5 person crew for a week-long video shoot at a multi-million dollar corporate facility. Then just last week, I spent 4 days in Albuquerque as a Production Assistant, shooting behind the scenes images and getting lunch for the crew. My ego almost stopped me from taking that gig, but I’m glad it didn't. Here’s why.
This past week I've been sleep deprived, socially inactive, and holding a camera in my hands for more than I ever have in my entire life. You see, this past week I've been working with PRO EDU to film my first tutorial series to go on sale at the Fstoppers store this summer. Though learning a lot about my own work and process, I think I learned the most when I used a rented PhaseOne IQ250 system for one of my shoots.
Last week PRO EDU launched the Ultimate Guide To Newborn Photography and it's been a huge hit for photographers and new moms. Tomorrow is the very last day to save 100$ on the most comprehensive natural light newborn photography, lighting, business, pricing, and post production tutorial in the world. If you were ever considering adding this genre of photography to your services then this may be the wisest investment you will ever make for your career.
Newborn photography is one of the hottest genres of photography today. And with more and more babies being born everyday, the demand for talented newborn shooters has never been higher. Here are ten reasons from Stephanie Cotta on why you should be photographing newborns.
An estimated 370,000 babies are born per day throughout the world. Knowing this staggering statistic will only grow each year, I'm left wondering if newborn photography is the most promising line of portrait work to be in. This is exactly what Stephanie Cotta was thinking back in 2010 when she began creating timeless images of newborns for her clients . Today, Stephanie is one of the busiest newborn photographers in the country. Her new tutorial is the culmination of her entire business including booking, pricing, marketing, posing, and post-production.
Talk to a photographer long enough and the question of screen calibration will be brought up. Often many will say it's an incredibly important tool in your post production workflow, and often many more disregard it all together. So what is screen calibration? Is it still a viable issue within photography today, or is it becoming more and more obsolete, like sync cables and light meters? I'm here to explain it to you.
Let's imagine you've lost the drive that houses all of your RAW files for Lightroom. Let's also assume ninjas broke into your off site location and stole your backup. Let's even go so far as to say that hackers erased all of your images backed up in the cloud. If you've made previews there may still be one way to recover your work.
You probably know that getting your uploads to look sharp on screen, in print and on social media goes beyond resizing. Now, resizing is incredibly important in order to retain the optimum quality for sites such as Facebook, but there is an element far deeper than that and it is not often discussed. This is the secret to getting your images looking “sharper” no matter the medium.
Food, beverage, and product photography is all about sculpting light, your composition, and understanding which modifiers to use in which situations. In this behind the scenes tutorial, PRO EDU takes you in their St. Louis studio for a step by step look at building an image. Join PRO EDU this May in the Bahamas for a 2 day intensive workshop on liquids, glass, beer, and beverage photography. You could even win a free trip.
Cyber Monday is winding down as midnight draws closer but you still have a few hours to save 20% on what we believe is the best Lightroom Workshop collection on the internet. This download includes 23 hours of tutorials as well as some of the best Lightroom presets on the market today. Use the code "BF2014" to save 20% now.
Here is a look at a 4 day photo shoot my studio PRO Photo did for Bailey's Irish Cream through Brand Content in Boston. This job was especially technical due to the bottle's reflective and concave properties. This called for an extra technical and precise lighting setup. The slightest move in any of the lights drastically changed the light shape on the set and bottle. Take a look.
On November 7th, 8th, and 9th Rob Grimm of PRO EDU will be giving away a 2-day pass to the Fstoppers Bahamas Workshop in May of 2014. It's free to enter, just tune in live for your chance to win on CreativeLIVE next week where we will announce the instructions for how to enter. The pass we are giving away is for our liquids, liquor, beer, and splashes workshop that will cover everything we know about shooting liquids.
In the last segment of our commercial pricing guide we will tackle the least talked about and most misunderstood portion of your invoice; the licensing fees. I will go over what they are, why you should be using them, and my preferred method for calculating them no matter who my client is!
Each week, we ask our writers to answer a question submitted to us in the comments from the previous weeks. These questions can cover anything, and hope to provide some insight on what its like to be a working professional photographer in the industry. Last week, we asked "Ten Headshots for a Corporate Client, What Do You Charge?" and got a lot of feedback, which spawned this weeks question -- "What is Your Cancellation Policy?"
Dixie Dixon is a Dallas based badass and one of the sixteen "celebrated contemporary photographers" of the Nikon ambassador program. Dixie specializes in commercial fashion photography and is a prime example of how hard work, apprenticeship, and relentless dedication pays off in commercial photography. I recently chatted with her and stole all of her secrets of success for you, the reader. Because that's how much I love you, reader.
Yesterday a colleague Pratik Naik posted a gif of an interesting phenomenon, which coincidently illustrates an issue I have been having (at least it appears to be). When you shoot a job with thousands of images it’s sometimes paramount to quickly view and flag or pick the good ones. Some people even start with quickly rejecting the bad ones. This .gif is a good reason why you shouldn’t start with deleting the bad ones.
Camp 4 Collective is an adventure film production group with clients like RedBull, The North Face, and National Geographic, so they are often found at the edge of the world, camera equipment in tow. Recently, some of the Camp 4 team traveled to Alaska to shoot some aerial footage. In this video, Anson Fogel explains the Cineflex helicopter camera system, and in the full post he and Tim Kemple answer my questions about its controls, production costs, and what it's like to play in helicopters.
It's that time again. Fstoppers.com is looking to hire several creative professionals to write for us. If you enjoy our site and think that you may have something to offer please send us a message. The only prerequisite is that you are at least a part time professional photographer or videographer. If you’re interested in writing for us, send us an email with a link to your portfolio at email@example.com and write “Fstoppers Job Opening” in the subject line.
I'm a strobist by heart. When I first got into photography, I didn't even begin shooting portrait work until after I had gotten at least a flash. That purchase, quickly turned into studio strobe after studio strobe until I found that I was completely controlling all light sources during my shoots. So who better to review SLRLounge's latest DVD, 'Natural Light Couples Photography Workshop', right?